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John Atkinson Posted: Sep 19, 1997 Published: Sep 19, 1993 0 comments
"To be an influence in any can be a little different, but only a little; a little above one's neighbours, but not too much."---C.P. Snow, The Masters, 1951
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John Atkinson Posted: Jan 13, 2010 3 comments
"Have you heard the Devialet D-Premier amplifier?" asked UK high-end distributor Riccardo Franassovici when I bumped into him in the Magico room. (We were both there to check out the impressive new Q5 loudspeaker that Jason Serinus writes about elsewhere in this report.
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John Atkinson Posted: Oct 20, 2011 0 comments
It is obviously an Avalon design but the new Idea loudspeaker ($7995/pair) continues the Colorado company's goals of combining transparency and articulation with expansive soundstaging. All these qualities were in evidence at RMAF, with the Ideas driven by Electrocompaniet monoblocks on cuts from Johnny Cash and Luka Bloom. The Idea combines a 1" dome tweeter with two 7" Nomex-Kevlar–cone woofers. The woofers are loaded with a downward-firing port.
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John Atkinson Posted: Sep 24, 1994 0 comments
During a recent visit to Canada's National Research Council, I noticed stuck to the wall of the prototype IEC listening room a page of results from one of Floyd Toole's seminal papers on the blind testing of loudspeakers. The scoring system was the one that Floyd developed, and that we adopted for Stereophile's continuing series of blind tests. "0" represents the worst sound that could possibly exist, "10" the perfection of live sound—a telephone, for example, rates a "2." The speakers in Floyd's test pretty much covered the range of possible performance, yet their normalized scoring spread, from the worst to the best, was just 1.9 points.
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John Atkinson Posted: Apr 18, 2012 0 comments
Manhattan retailer Innovative Audio had two rooms at the Show, one active, featuring Wilson Sasha speakers driven by VTL amplification and a dCS digital front-end, the other passive, featuring displays of equipment from companies handled by Innovative, like Dynaudio, Meridian, and, as can be seen in the photo, Dan D'Agostino. Dan, resting his elbow on a Wilson Duette speaker, which will be reviewed in our June issue, took showgoers through the design of his jewel-like Momentum monoblock power amplifier ($50,000/pair), as well as the new stereo amplifier derived from it and the Dan D'Agostino preamplifier, to be launched at next month's Munich Show. One of the joys of high-end audio shows is the accessibility audiophiles can enjoy to superstar engineers like Dan.
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John Atkinson Posted: Jan 19, 2012 1 comments
The BMC (see next story), Ypsilon, and Lansche brands are distributed in the US by Aaudio Imports. Larry Greenhill has already described the new Ypsilon Aelius monoblock amplifier and I auditioned the amplifier in one of the two Aaudio rooms at the Venetian with the new Model No.7 speakers from Lansche ($100,000/pair in satin-veneer finish; $108,000/pair in high gloss).
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John Atkinson Posted: Apr 15, 2007 0 comments
"The whole band was in the hot tub. As water frothed over my bare breasts in the moonlight..."
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John Atkinson Posted: Mar 09, 2007 0 comments
I began writing this essay on New Year's Day 2007. The passing of the old year reminded me that I am now in the 21st year of editing Stereophile, my 25th of being the editor-in-chief of a mainstream audio magazine, and my 31st of working full-time as an audio journalist. (Prior to joining Stereophile in 1986, I had worked for 10 years at British magazine Hi-Fi News & Record Review, the final four as its editor.) Back in the innocent 1970s, reviewers and editors generally picked and chose what products to review based on their own interest and what they felt appropriate for their readers to know about. Back then, there was only a tiny fraction of the audio brands now available to the audiophile, and even with fewer review pages than we now have, it was possible each year to cover a representative sample of the products being offered our readers. But such was the explosion in high-end audio throughout the 1980s that, by 1989, I felt it necessary to impose some restrictions on what products we choose for full review coverage in Stereophile.
John Atkinson Posted: Jun 08, 2012 0 comments
The AVM electronics were being used to bi-amp the midrange and treble units of the enormous Legacy Helix speakers ($48,000/pair), which use 750W ICE-powered 15" subwoofers and a digital-domain crossover with room correction, like its smaller and less expensive cousin, the Whisper XD. The big speakers lack the Whisper's unique cardioid woofers, however. The classic Radka Toneef performance of Jimmy Webb's "The Moon is a Harsh Mistress" sounded suitably delicate, but the bass on Pink Floyd's "Another Brick in the Wall" sounded ponderous, due, I think, to the sub-optimal acoustics of the air-wall ballroom.
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John Atkinson Posted: Apr 21, 2011 0 comments
Legacy's large Whisper speakers ($20,900/pair with digital-domain crossover and four channels of ICE-Power amplification for the woofers) had been one of my best sounds of the 2010 Axpona in Florida. However, the Whisper hadn't sounded as good as I was anticipating at this year's Montreal Show, where they were being demmed in too small a room and loading up the room with low frequencies as a result, even with room correction applied and the speaker's unique woofer alignment. At the 2011 Axpona, the Whisper, seen here with designer Bill Dudleston who is showing off one of the speaker's dual-woofer cardioid bass sections, the company had the opposite problem, witht he speakers being demmed in an enormous, live-sounding room. Even so, driven by Coda CX amplifiers, a Coda CL preamplifier, and an Ayon tubed CD player, the Whispers almost managed to fill that room with high-quality sound.


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