Italian manufacturer Simetel, who makes tube amplifiers with a distinctively "retro" appearance, showed its new Nightingale Gala two-chassis power amplifier in one of the Venetian's lower-level rooms. Tubed power supply is one chassis, the tubed amplification stage, using 300Bs, is is on the second. Projected price is $16,000, and Simetel has now set up its own US distributor. Designer and company founder Luciano Del Rio stands by the silver-finish Gala (black is also available), which was being demmed with Revolver Cygnis speakers.
With a factory in Brooklyn's Navy Yard, John DeVore's DeVore Fidelity is almost a neighbor, and he is that rare bird, an American speaker manufacturer who makes his own cabinets. Or rather, he benefits from leasing space to a high-end wood-working company. New at CES was the Gibbon 3XL (around $3500/pair), an impressive sounding two-way standmount that, unusually, features a cabinet made from bamboo. Bamboo is "green," in that it is a fast-growing renewable material, yet its combination of stiffness and damping makes it very suitable for use in speaker cabinets.
I have always been seduced by the silky sound of the true omnidirectional MBL upper-frequency drivers, and SSI was the first outing by the new North American distributor for the German brand, GTT Audio. The new MBL 126, shown in the photo and priced at $12,500/pair, is a smaller development of the 121, with side-firing 5" woofers complementing the midrange and HF drivers. The 126 was being demmed with the MBL preamp and monoblock power amps that so impressed Michael Fremer when he reviewed them a couple of years back, hooked up with Kubala-Sosna Elation series cables. Listening to a Reference Recordings classical orchestral disc, the sound was as expansive as I always hear from MBL's speakers.
There is one date I dread every year: my wife's birthday. After nearly 16 years of marriage, I have exhausted every last iota of my spousal resources in trying to think of a suitable present. Nothing too ordinary, nothing too out of the ordinary, nothing that will trigger those dreaded words, "You did keep the receipt, right?"
"Why didn't they choose a color set?" I had been reminiscing about the early days of TV and how my parents bought a black-and-white set so we could watch the Coronation of Queen Elizabeth II in 1953. My daughter Emily's question had me stumped. It is difficult to explain to someone born 10 years after the launch of CD—someone who, for example, has never seen, let alone used, a typewriter, and who enjoys a comparatively infinite set of choices among mature 21st-century technologies—that it was not always thus.
. . .is a $4295 D/A integrated amplifier with a tubed line stage and solid-state output stage that offers 440Wpc into 8 ohms and 650Wpc into 4 ohms. Hooked up with Straightwire cable to a pair of Dynaudio Confidence C1 speakers and fed by a MacBook in the fourth of the Sunny’s Audio rooms, this system rocked hard on a surprisingly successful reggae treatment of Pink Floyd’s “Wish You Were Here.” (I am always amazed by the new music I discover at shows, thanks to the perverse taste of exhibitors!)
Peachtree's David Solomon, seen here accosting Stereophile's Stephen Mejias (right) in the hotel's coffee bar, was in ebullient mode. He's holding Peachtree Audio's new idAC ($999), which combines the usual 24/192kHz S/PDIF inputs with a 24/96-capable USB input and an iPod dock that, like the Peachtree iDecco amplifier that is favorably reviewed by Art Dudley in our December 2010 issue, takes the audio data from the iPod in digital form. The iDAC uses the latest version of ESS's 32-bit Sabre32 D/A chip.