John Atkinson

Sort By: Post Date | Title | Publish Date
Filed under
John Atkinson Posted: Mar 28, 2010 1 comments
I was immensely impressed by the dCS Puccini SACD player and U-Clock when I reviewed the British combination last December. But as the physical discs becomes a legacy source of music, there was obviously a need for a related D/A product. SSI saw the public debut of the dCS Debussy ($10,999 with remote), shown off here by Tempo Marketing's John Quick. The Debussy basically combines the D/A, DSP, and analog board from the Puccini with the true asynchronous USB input topology from the U-Clock in a slim, attractive package. There are two AES/EBU and two S/PDIF inputs, as well as USB, and there is also a word-clock input to allow the Debussy to be controlled by an external master clock unit. Two digital filters are included, one a conventional symmetrical type, the other a variant of the increasingly popular minimum-phase "apodizing" type.
Filed under
John Atkinson Posted: Mar 26, 2010 0 comments
I was also impressed by the sound of the $7000/pair Joseph Pulsar stand-mount that Stephen Mejias blogged about. What was notable about the set-up was that, in order to tame the hotel room acoustic, Jeff had set-up the speakers, driven by Simaudio's new 175Wpc Moon 700i integrated amplifier via Cardas Clear cables, to fire across the room's diagonal. If you have problems getting an optimal transition between the mid-bass and upper bass in your room, you might want to try this set-up (significant other not objecting, of course).
Filed under
John Atkinson Posted: Jan 20, 2012 5 comments
At the previous Shows where I had auditioned it, MBL's extravagantly excessive (or should that be excessively extravagant) X-Treme system had been set-up in inappropriate rooms, Finally, at the 2012 CES, this 4-enclosure system, which basically comprises two of the true omnidirectional upper-frequency modules of the Berlin-based company's 101E Mk.2 speaker (to be reviewed by Mikey Fremer in the April 2012 issue) with two man-sized powered subwoofers, each using six 12" drivers mounted three on each side to cancel mechanically induced vibrations, was set up in a room worthy of it. (The Venetian room was 31' by 22' with a 10' ceiling.) Bi-amped with four file-cabinet–sized MBL 9011 monoblocks—the total system cost was $565,000!—the X-Treme produced a big-bottomed sound that was indeed extreme when required but also delicate when appropriate. Oh my!
Filed under
John Atkinson Posted: Jan 09, 2009 1 comments
I went into the Pass Labs room to check out the company's new amps. But what caught my eye was the SR-1 loudspeaker ($25,000/pair). SR-1 stands for "First Son of Rushmore," the Rushmore being Nelson Pass's original assault on the state of the speaker art. A conventional deign compared with the active quad-amplified Rushmore, the four-way SR-1 uses four top-line SEAS drive-units, including a 29mm Hexadym soft-dome tweeter,
Filed under
John Atkinson Posted: Jan 05, 2003 0 comments
Surfing the Usenet newsgroups and the Web audio forums recently, it struck me that the old wisdom is correct: If you keep your mouth shut, you won't say anything with which anyone can disagree. A topic that seems to be of perennial interest is how Stereophile chooses the products it reviews. Yet the more I have explained how it's done, the greater the criticism that is heaped on the magazine.
Filed under
John Atkinson Posted: Jan 16, 2013 0 comments
Gary Koh was showing off his new Genesis Advanced Technologies 2.2 junior speaker ($80.000/pair) with a superbly natural-sounding track from Canadian chanteuse Anne Bisson. The 2.2jr combines a 48"-high midrange ribbon with 12 of the 1" circular-ribbon tweeters used in other Genesis designs and two servo-controlled 12" aluminum-cone woofers, these driven by their own 1kW amplifier. The rest of the system included Viola amplification and a Burmester phono preamplifier.
Filed under
John Atkinson Posted: Apr 03, 2009 4 comments
I had enthused over the sound being produced by French company Focal's top-line Grande Utopia EMs ($180,000/pair) in our report from the 2008 Rocky Mountain Audio Fest, so the first room I went to at the 2009 SSI was the room featuring the exact same pair of Grande Utopias. In Denver they had been driven by Boulder source and amplification components; in Montreal, amplification was all YBA—Passion 1000 monoblocks and Passion preamp—cabling was AudioQuest, and the source was the excellent sounding Esoteric P-01VU transport ($32,000) and D-01VU dual-mono D/A converter ($32,000), clocked by the G-0Rb high-precision master clock ($16,000).
Filed under
John Atkinson Posted: Mar 24, 1996 0 comments
"A newspaper can flout an advertiser...but if it alienates the buying public, it loses the one indispensable asset of its existence."—Walter Lippman, 1922, reprinted in Public Opinion, New York: Free Press, 1965.
Filed under
John Atkinson Posted: Aug 16, 2013 Published: Aug 01, 2006 28 comments
You could sense the frustration in Keith Pray's e-mail. "We are on the same team. I have always respected your wishes and will continue to do so," he had written me. At the request of a possible advertiser, Stereophile's publisher had asked me a question about something appearing in the issue of Stereophile we were preparing. I had responded that not only would I not give him an answer, I felt it inappropriate for him to ask.
Filed under
John Atkinson Posted: Jan 15, 2014 1 comments
I’ve had a couple of conversations the past couple of years with mastering engineer Dave Collins about the D/A processor he was designing for Manley Labs, the company run by his wife EveAnna Manley. The 2014 CES saw the consumer debut of the Heart Monitor Controller 24/192 DSP ΔΣ [Delta-Sigma] DAC, which was being demmed in a system featuring Manley’s 25th Anniversary monoblocks, which use KT120 tubes. There are four digital inputs and Dave has kept the fully differential signal path as short as possible. Silicon includes a SHARC DSP and AD1955 DAC chips and harmonic distortion has been kept to a superbly low –120dB, and even that is the subjectively benign second. Price has yet to be decided.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading