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John Atkinson Stephen Mejias Posted: Dec 15, 2003 Published: Dec 01, 2003 0 comments
Since 1992, Stereophile has recognized components that have proved capable of giving musical pleasure beyond the formal review period by naming its "Products of the Year." These are the components that can be recommended without any ifs or buts, that will grace any system in which they used.
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John Atkinson Stephen Mejias Posted: Dec 12, 2004 0 comments
Stereophile's "Products of the Year," now in its 13th year, recognizes those rare components that prove capable of giving musical pleasure beyond the formal review period. These are the components that can be recommended with no ifs or buts, that will grace any system in which they are used.
John Atkinson Posted: Dec 19, 2012 Published: Oct 21, 2011 144 comments
In the summer of 2011, Stereophile's long-time editor in chief, John Atkinson, was invited by the Technical Council of the Audio Engineering Society to give the Richard C. Heyser Memorial Lecture at the 131st Audio Engineering Society Convention in New York, October 21, 2011.
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John Atkinson Posted: Oct 21, 2012 2 comments
With a fanfare at 4pm, Sunday October 14, in the Denver Tech Center Marriott's Atrium, the Denver Broncos Half-Time Band, courtesy of Kimber Kable's Ray Kimber, brought the Show to a close. According to Show organizer Marjorie Baumert, "We had about 150 more exhibitors (according to the badges), about 3600 attendee days (approximately 100 more than last year). We had 1295 attendees pre-register and that was an all-time record (last year was 1100). . .
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John Atkinson Posted: Apr 18, 2012 0 comments
I had seen and heard a prototype of the Light Harmonic's Da Vinci DAC at the 2011 Axpona Show, but the 2012 NY Show saw the debut of the production version of this unique $20,000 DAC, which handle data with sample rates up to 384kHz over an asynchronous USB 2.0 link. Demmed in a system comprising Wilson Sasha W/P speakers, driven by a Pass Labs X100.5 amplifier and XP20 preamp, with all-MIT cabling, wit data sourced from an iPad-controlled Mac mini, the Da Vinci produced a sound that thrilled. A 384k-sampled recording of voice and acoustic guitar by Cookie Marenco sounded palpably real. I am planning on reviewing the Da Vinci in the late fall.
John Atkinson Hyperion Knight Wes Phillips Posted: Jun 11, 1997 0 comments
Thirteen Ways of Listening to a Recording Session (with apologies to Wallace Stevens): Wes Phillips
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John Atkinson Posted: Apr 06, 2009 1 comments
...was how SSI organizer Michel Plante had billed our "Ask the Editors" session, and (from left to right), Stephen Mejias, Robert Deutsch, and Art Dudley joined me in an animated discussion. Topics covered included the vinyl revivial, whether there is still a role for paper magazines in an Internet world, how does someone become a reviewer, and will Blu-ray be a viable medium for high-quality music.
John Atkinson J. Gordon Holt Posted: Oct 25, 1988 0 comments
From time to time in this column, I have alluded to what appears to be a loss of direction in high-end audio. It's not that the state of the audio art has stopped advancing; the technology is improving in many ways, as is obvious every time we listen to a new preamplifier or cartridge or loudspeaker that has better this, that, or the other thing than anything which has come before. The problem is that these improvements don't really seem to be getting us anywhere. And I believe the reason for this is that the audio community no longer agrees about where audio is supposed to be going in the first place.
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John Atkinson Posted: Jun 04, 2006 0 comments
For the fourth year in a row, the Home Entertainment Show was the venue for a raffle organized by analog specialty distributor Musical Surroundings. Shown here with the grand prize, a Pathos Classic One integrated amplifier is winner Stanley Moore (center), with Musical Surroundings' Garth Leerer (left) and Stereophile's Michael Fremer, who pulled the winning entries from a box in the time-honored, double-blind manner. Our congratulations to all the winners.
John Atkinson Posted: Jun 10, 2013 0 comments
Audience was demming their tiny ClairAudient 1+1 bipolar speaker ($1800/pair, available this month), driving them with their 400W Wavepower monoblocks $18,000/pair including Au24 SE PowerChords) via Au24 cables. Front end was a Bryston BDP-1 media player and BDA-1 DAC, and Audience’s Adept Response aR6-TS conditioners cleaned up the AC. As you might expect from such small speakers using two full-range drivers, the stereo imaging from this system was superbly stable and exquisitely well-defined, though double basses did sounded more like cellos, there only being so much low-frequency energy you can extract from 3" drive-units, even when loaded with passive radiators.


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