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Jon Iverson Posted: Jan 08, 2014 0 comments
Having had a Meridian Sooloos in my system for the last few years, I'm a sucker for a nice big touch screen for controlling a music collection. Done right, there's nothing like it. So I made a beeline to the $9,995 Pathos Musiteca, which I first observed in prototype form at a previous CES.

Very similar in features to Meridian's Control 15, with built in 1TB drive, CD slot for ripping discs and network connection for gathering metadata, the Musiteca also has a built in tube DAC based on the design for the company's Endorphin CD player.

The Musiteca has beautiful styling, however when I started tapping the screen and calling up music, I found it a bit pokey in the speed department. Also, there is currently no method for adding more hard drive space in case you exceed the roughly 2,000 CD storage capacity.

Still, it looks gorgeous sitting there and should be available in April.

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Jon Iverson Posted: Jan 16, 2012 0 comments
There's nothing like a nice big touchscreen to browse a large music collection, and Pathos was showing a prototype of the largest touchscreen dedicated to a music server that I've seen to date. Called the Musiteca, the new product was up and running but clearly had some features to work out. As shown, the product has a built-in DAC, transport for loading discs, and 1TB drive for storage.

In addition to the above features, Pathos' Paolo Andriolo says there will be variable XLR outputs to feed the audio directly to your amp and a free iPad app. Price is predicted to be around $7k and should show up by April.

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Jon Iverson Posted: Oct 11, 1998 0 comments
Hilary Rosen, president and CEO of the Recording Industry Association of America (RIAA), must feel like Sisyphus playing an endless game of "Whack-A-Mole." Her job recently has been to patrol the digital world for music copyright violators, especially those pesky pirate MP3 websites on the Internet. It seems that each time they find and eradicate a horde of copyright violators, hundreds more pop up faster than you can say "information wants to be free."
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Jon Iverson Posted: May 21, 2000 0 comments
In an effort to smooth the way for websites that wish to legally reproduce copyrighted music, BMI announced last week that it has now become the world's largest online digital rights management company with the launch of its Digital Licensing Center (DLC) and "Klick-Thru" online copyright licensing system. The company says that the DLC is intended to help Internet companies digitally obtain a music-performance license through, allowing them to publicly "perform" any of BMI's 4.5 million copyrighted works from its 250,000 songwriters, composers, and music publishers.
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Jon Iverson Posted: Feb 24, 2002 0 comments
Music publishing organizations such as ASCAP and BMI have long worked out licensing deals with radio broadcasters, who pay royalties in exchange for playing music over the air. A US Copyright Office panel is now suggesting that online broadcasters also pay royalties, this time directly to the record labels, in a recommendation that has so far left all parties unhappy, particularly broadcasters.
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Jon Iverson Posted: Jun 03, 2001 0 comments
Some long-time Stereophile readers were outraged when the magazine put a photo of a computer soundcard on its cover in September of 2000 (click here for the review and controversy). And then, John Atkinson added insult to injury by doing another soundcard review last November. Some readers may have been scratching their heads about why we did it, but at least one manufacturer is getting the message.
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Jon Iverson Posted: Jun 17, 2001 0 comments
Maybe it's only fair: Consumer electronics giants like Sony have been selling personal computers lately, so computer manufacturer Compaq announced last week that it will begin selling audio products. Joining Intel in making the transition from the computer industry to consumer electronics, Compaq has now redefined itself as "a global enterprise technology and solutions company."
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Jon Iverson Posted: Jul 04, 1999 0 comments
It's been 30 years since hordes of wild-eyed music lovers converged on White Lake, a small town just north of New York City, for an event that would soon become an icon for a generation. Could anyone back then have imagined that, three decades later, Woodstock would cost $150/ticket and evolve into a marketing opportunity and website?
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Jon Iverson Posted: Jan 08, 2011 3 comments
Peachtree will be releasing their new $999 iDac next month, which features their "pure digital" iPod dock, ESS 32bit Sabre DAC, and 24bit/192kHz resolution.

This is a DAC only product and is loaded with inputs: 24/96 USB, 24/192 SPDIF coax (2) and optical (2). There is also a video out for watching iPod video content and two buttons for selecting filter settings.

And of course the iDac is wrapped in Peachtree's unique non-resonant MDF case with high-gloss finish.

Jon Iverson Posted: May 10, 2012 6 comments
It's common knowledge that manufacturers tune the sound of each DAC model. There are the facts of product design and marketing: inputs, outputs, case materials, price points. After that, what's left are the trade-offs of different circuit designs and filter options, which are chosen with care—each has a subtle yet telling effect on a DAC's sound. Most designers try to go from bits to analog with minimal deviation from perfect. But when you look at the measurements and listen closely, you realize that perfect is elusive. One has to make choices.