Under the category of "abundance of musical riches," there are two fantastic series about music airing on PBS right now. You probably already know about one of them, but another, which many readers will like even better, is getting far less press.
Various Artists: Woodstock: Back To The Garden - 50th Anniversary Experience
Rhino Records A 587817 (10 CD). 2019. Andy Zax, Brian Kehew, reissue prods; Dave Schultz, reissue mastering; Eddie Kramer, Lee Osborne, engs. TT: 12:42:23
Performance *****
Sonics ***
Fifty years, man! By the time you read this, the dates will have passed during which promoters had hoped to stage a 50th anniversary Woodstock Festivalsadly, they failed in their effortand Woodstock mania will have peaked and diedeven pieces of the Woodstock stage are available to buy (I have two!). And yet the artifact that will always remain at the center of the era-defining event is this extensive and amazing audio document that the organizers had the foresight to record.
Vocalist Jon Anderson has been at the center of the fabled rock band Yes since its founding in 1968 and has collaborated with other notable artists including Vangelis, Mike Oldfield, Jean-Luc Ponty, and the Contemporary Youth Orchestra. A tireless and prolific musician, composer, and multi-instrumentalist, he has also released more than a dozen solo albums.
Almost exactly 50 years after the July 1969 release of the first Yes album, Anderson visited my house for an afternoon of talk and listening to music. We listened to some old Yes tracks, some favorites from other artists, and several from his most recent album, 1000 Hands: Chapter One, which was 30 years in the making.
David Crosby: Here If You Listen
BMG 538431461 (LP), 538429532 (CD), none (FLAC 24/48). 2018. David Crosby, Michael League, prods.; Fab Dupont, prod., eng., mix; Josh Welshman, eng.; Greg Calbi, mastering. ADD/DDD. TT: 45:08
Performance ****
Sonics *****
In 1967, the year the Byrds would fire him, David Crosby sits in a rooma small space, from the sound of itwith a cheap microphone and a recorder of dubious merit. He's improvising some jazzy, open-tuned acoustic guitar strumming, adding nonlexical vocables on top. He then files away the resulting tapeclearly ahead of its time and of no use to his bandmatesfor 50 years.
I recently experienced an alarming audiophile episode. John Atkinson wanted to send me BorderPatrol's Digital to Analogue Converter SE, so that I could write the Follow-Up published in the November issue. But he wouldn't tell me anything about Herb Reichert's original review of the product, which had not yet been published. Instead, he said, cryptically, "If this is a 'great' DAC, I'll have to hang up my measurements." I took this to mean Herb liked it, but JA's test rig did not.
Sure, why not? Go ahead and send me the DAC, I thought. I'd love to hear what something covered in audio fur sounds like.
Steve Tibbetts: Life Of
Steve Tibbetts, 12-string guitar, piano; Michelle Kinney, cello, drones; Marc Anderson, percussion, handpan
ECM 2599 (CD). 2018. An ECM production; Steve Tibbetts, eng.; Greg Reierson, eng., mastering. DDD. TT: 50:40
Performance *****
Sonics *****
The sound of Steve Tibbetts's guitar music is uniqueone need hear only a measure or two of his new album to identify the distinct tang of his playing. Common wisdom is that a guitarist's sound is in the hands and fingers, but Tibbetts has another trick: his weathered, 50-year-old Martin D12-20 12-string acoustic guitar.
Enough has been said by now about the technical details of how Master Quality Authenticated (MQA) works to fill several books. But the technical details are only part of the story, and probably not the most interesting partand they're certainly not what provokes the extreme emotional responses of many to the format. So let's jump into the business and practical aspects of MQA to which so many audiophiles are reacting.
Emotiva's new DR series (as shown in the above photo) is a configurable amplifier that can go from one to three channels. "These are capable of up to 600 watts per amp module," says the company's Damon Steele. "However due to how the power supply works, as you add more modules the power drops a bit. So with two in the chassis, they run at 550 watts each. If you do three, you get 440 watts per channel."
Gorgeous metalwork award goes to Tom Vu's Triangle Art display and especially the Master Reference Turntable ($39,900) seen in the photo above. Vu is based in Memphis TN, and said that the show marks the debut of the Master Reference Turntable's little brother, the Maestro (shown below), which retails for $7,500 and is available now.
Arcam's Scott Campbell was running through the new lineup of HDA products starting with the Integrated Amps. "This is the start of our new 2-channel range. The Player and SA10 are each $1,000 and the SA20 is $1,300. Both amplifiers are new for us since this is the first time we've put digital inputs on the back. We've taken our experience with how to tackle digital noise in our AV receivers and put that knowledge into how to do that properly in a two-channel amplifier."