Sort By: Post Date | Title | Publish Date
Jon Iverson Posted: Jul 29, 2015 8 comments
I've spent the last month recording songs for a pal's upcoming album. His act consists of powerful female and male singers, acoustic and electric bass, and acoustic guitars and mandolin. Jay-Z is funding the project, which is destined to transform the entire hip-hop/rap beat-driven pop landscape into an acoustic-music wonderland.

Okay, I jest about that last part.

Filed under
Jon Iverson Posted: May 31, 2006 0 comments
Here's a shot of the registration booth which will greet visitors as they enter the hotel. Registration is available at the show, and attendees can buy tickets for the special events here as well.
Filed under
Jon Iverson Posted: Jan 10, 2007 0 comments
The ever-gracious Rosemarie Torcivia running the Primedia room at the Venetian.
Filed under
Jon Iverson Posted: Jan 11, 2015 0 comments
Unfortunately The Beast was not in their room when I visited MSB, and only showed up later, so I asked MSB's Vince Galbo to send me some photos. MSB is the North American distributor for the Swiss-built The Beast.
Filed under
Jon Iverson Posted: Jun 20, 1999 0 comments
The MP3 audio format has been rapidly gaining a solid reputation in the last several months. Portable products such as Diamond Multimedia's Rio have hit the market, and websites (typified by MP3.com) have gained financial success. (See related story.) But one area that has so far lagged is MP3-based playback and recording equipment for using the files at home without moving a computer next to the stereo.
Filed under
Jon Iverson Posted: Dec 01, 2002 Published: Dec 11, 2005 0 comments
As any major college dude will tell you, the file-sharing genie can never be put back into the digital audio bottle. But that hasn't stopped the music business from pursuing its scorched-market policy while simultaneously applying various use-restriction technologies to every digital audio format in sight.
Filed under
Jon Iverson Posted: Jan 14, 2010 Published: Jan 15, 2010 4 comments
Close-up of the retro-futuristic display graphics. Yes, they did line up an entire string of alphanumeric LED displays to match the holes carefully machined in the chassis.
Filed under
Jon Iverson Posted: Jan 14, 2010 Published: Jan 15, 2010 3 comments
Twice this CES, I found rooms that were so striking that I suggested all the Stereophile brothers go take a look/listen. The first one was the Sumiko/Vienna Acoustics suite up on the 34th floor (I still can't get over how great the sound was in that room—you can read Jason's more reserved take on the room here), and the second, for completely different reasons, was the Resolution Audio room.
Jon Iverson Posted: Nov 10, 2011 3 comments
The dual subwoofers were bumping and our pant legs were flapping. Only moments before, we'd been treated to a polite viola da gamba. Not now. Resolution Audio's designer, Jeff Kalt, had brought only two discs with him to ensure that his company's Cantata Music Center was functioning properly in my system: Jordi Savall and Hespérion XXI's Altre Follie, 1500–1750 (CD, Alia Vox 9844), and Tool's 10,000 Days (CD, Tool Dissectional/Volcano 81991). After changing a few things around with the chamber music, we'd advanced to the hard rock of Tool.
Filed under
Jon Iverson Posted: Jan 14, 2013 3 comments
One of my favorite products to review over the last couple years was the Cantata Music Center from Resolution Audio. What's not to like: solid engineering, forward thinking and gorgeous styling.

The company claims the product is designed to be future proofed for at least the next 10 years, and is now offering a new $500 24/192 hardware upgrade (software upgrades are free) to existing owners that is also featured in current versions. The Cantata Music Center is now also UpNP capable for FLAC and AIFF file decoding.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading