You should see Elizabeth right now, in blue sweater and black jeans, hair obscuring her sharp eyes as she preys over hundreds of black & white photocopied pages of equipment reports, columns, and, of course, "Recommended Components."
I'd have to agree with Tom Warren. My current favorite indie record label is also Drag City home of Smog, Silver Jews, Joanna Newsom, The Fucking Champs, Espers, Jim O'Rourke, The Red Krayola, I could go on.
Alright. There was that piece in the Wall Street Journal where the writer, Terry Teachout, says he's cool with MP3s because they're wildly convenient and because he can't hear very well anyway, being middle-aged and all. He goes on to say that his hearing loss has set him free from the "snare and delusion of audiophilia"that wallet-choking merry-go-round of upgrading for sonic improvements.
The very first issue of The Stereophile appeared 45 years ago, in October 1962. It had been founded by a guy named J. Gordon Holt. The "J." is for Justin. I've never met him, never even exchanged e-mails with him.
Newcomer Virtue Audio made its debut at the Rocky Mountain Audio Fest showing a colorful collection of affordable Tripath amplifiers. The 45Wpc Audiophile One ($249) integrated amp was engineered by Audience's Roger Sheker and uses VirtuCap input capacitors designed for Virtue by Audience. Inside the chassis, you'll find the cutest little heat pipe designed to maximize space and keep things cool. On the rear panel, propeller post binding posts makes making connections easy, and the amp's aluminum chassis is available in five bold colors (black velvet, snow [a kind of frosty white], red brick, clouds [a kind of frosty blue], and mesa [a kind of mustard]).