Stephen Mejias
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Stephen Mejias
Stephen Mejias Apr 14, 2006 0 comments
Okay. We just squeezed a full day's work into four tight and furious hours. The company granted us a half-day, so that we could all get a head-start on the holiday weekend. This, of course, is very nice. However, we started shipping the wonderful June issue just yesterday and had much work to accomplish this morning. In addition, for various reasons, we've had to accomplish that work without the help of an ad coordinator or production manager, and all while employing an entirely new pre-press system. Shipping days, as a rule, are intense. These have gone beyond intense.
Stephen Mejias
Stephen Mejias Feb 14, 2006 2 comments
It must have been at Herald Square, where I was transferring onto the B, that I realized JA had left a message on my cell. I couldn't listen to the message below the ground — no service down there — but the display let me know that the call arrived at 7:58am. Why in the world would John be calling me at 7:58 in the morning? It was now almost 8:30. Shit:
Stephen Mejias
Stephen Mejias Mar 05, 2009 11 comments
After all that, I went with white.
Stephen Mejias
Stephen Mejias Dec 17, 2009 27 comments
I was introduced to Scotch Tapes, “the worst hi-tech music label ever,” on December 9, by a Twitter post from Jagjaguwar. Oneida would be releasing a limited-edition cassette through Scotch Tapes. This was interesting news to me, first because I’ve been fascinated with the idea of a “cassette tape revival,” and second because Oneida is a well-established name in the world of underground rock bands. Why would Oneida release work on a format that had been all but forgotten by the music industry? Why cassettes?
Stephen Mejias
Stephen Mejias Jun 10, 2009 1 comments
The sound of women singing. I love them all, always have:
CAS 2011
Stephen Mejias Jul 19, 2011 17 comments
Jon Iverson might like this.

Widea Lab is a young Korean company. The company says they’ve got some strong candidates for US distribution and will also be selling via Amazon. Their first product, the Aurender (short for Audio Renderer; $5700), is a digital music server utilizing a customized Linux OS, linear power supply, and storage for over 5000 lossless and uncompressed CDs.

Stephen Mejias
Stephen Mejias Jul 28, 2011 6 comments
I’ve listened to no album this year more than I’ve listened to Wild Beasts’ Smother. For that matter, I’ve enjoyed no album more this year than Wild Beasts’ Smother. It courses slowly and deliberately through colors and moods of pain, longing, love, and desire—all that good stuff—and it does so with such a gentle touch, a delicious smoothness, a constant, lulling pulse.

It pours from your loudspeakers and into the room.

Stephen Mejias
Stephen Mejias Jan 29, 2010 1 comments
Wild Nothing is 21-year old Virginian, Jack Tatum. Last year, he released a 7" single on Captured Tracks, another one of those labels that just knows what I like. Gemini, his full-length debut, is scheduled to be released on May 18. You can listen to a few tracks at the Wild Nothing Myspace page.
Munich High End 2011
Stephen Mejias May 28, 2011 3 comments
Those who’ve attended a Wilson Audio Specialties demo know that the company’s Peter McGrath puts on a good show—when it comes to introducing a loudspeaker and winning over an audience, he’s perhaps the best in the business.

So, I wasn’t actually surprised that Rosemarie took a fancy to the man. I was surprised, though, by how deeply she enjoyed the demonstration.

RMAF 2011
Stephen Mejias Oct 19, 2011 1 comments
Wilson Audio Specialties Sasha loudspeakers, D’Agostino Master Audio Systems Momentum monoblock power amplifiers, Transparent Audio cables, and Peter McGrath handling the tunes via an iPad and Meridian Sooloos MC200 media center. I heard a very similar system in a shoebox of a room at the California Audio Show earlier this year. What a difference a room makes!
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