Robert Baird

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Robert Baird Posted: Aug 28, 2015 3 comments
For Grace Potter it seemed inevitable that the clock was going to strike Midnight.
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Robert Baird Posted: Aug 21, 2015 8 comments
I swear I did not plan it, and it wasn’t obvious on the Google maps I pored over before we left but the back door of the fabulous Soho Hotel spilled right out onto Wardour Street, which was a block from Berwick Street, famous for its cluster, or more like the best cluster of independent record shops in London.
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Robert Baird Posted: Aug 21, 2015 0 comments
The Royal Mile has now unfortunately become the Scottish equivalent of Times Square, in all its crowded, annoying commercialism run amok glory. No topless women with the Union Jack or Saltire painted across their breasts yet, but give it time.
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Robert Baird Posted: Aug 07, 2015 4 comments
Call me a hopeless romantic but I could not get “Penny Lane” out of my head as I sat in the back of a black cab whizzing across a remarkably deserted London early one morning a couple weeks ago. “On the corner is a banker with a motorcar…” I was on a pilgrimage. More like THE pilgrimage. The one every serious fan of twentieth century music needs to make at least once. Out to St. John’s Wood and Abbey Road Studios.
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Robert Baird Posted: Jul 31, 2015 2 comments
The young singer is cannily using the Cooke comparisons to his advantage.
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Robert Baird Posted: Jul 10, 2015 7 comments
Bitterweet is easily the most lyrically confused record that Chambers, or any other pop music artist at her level, has released in recent memory.
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Robert Baird Posted: Jun 26, 2015 4 comments
Perhaps the greatest strength left in the music business these days, and the major labels in particular, is their catalogs of recordings and on the reissue side of the business, no one has been better at exploiting a catalog and actually creating new releases of older unreleased music than Sony Legacy.
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Robert Baird Posted: Jun 19, 2015 4 comments
Being a Scene means that people will come no matter who or what is onstage, just to be a part of the…Scene.
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Robert Baird Posted: Jun 19, 2015 1 comments
His screams, rapid fire delivery, and end-of-line trills in tracks like “Lucille,” “Jenny Jenny” and of course, “Tutti Frutti,” every one recorded with an overloaded microphone, are impassioned in the extreme.
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Robert Baird Posted: Jun 12, 2015 1 comments
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Robert Baird Posted: May 29, 2015 0 comments
Perhaps the best attribute that older soul cats bring to a project like this is their knowledge of repertoire.
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Robert Baird Posted: May 22, 2015 1 comments
A fan of music and those who make it, he was one of the last labels heads to actually listen to music and care about musicians.
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Robert Baird Posted: May 15, 2015 6 comments
His long, single note leads gave new meaning to the word “stinging,”
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Robert Baird Posted: May 09, 2015 0 comments
What keeps Waterfall, the band’s seventh album and the first in four years, from sinking into a kind of earnest, overly precious, 1970s lite rock muck is that James’s many influences are a mist and not a downpour.
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Robert Baird Posted: May 01, 2015 12 comments
Deep into what Geddy Lee now calls their “kimono period,” the band wrote and recorded, 2112, ("Twenty One Twelve") a record that makes them incredibly pretentious dorks or prog rock gods (in kimonos).

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