Would you like to take "your high-end system to a whole new level of accuracy, from high-fidelity to acoustic fidelity?" That's what the Trinnov ST2-HiFi loudspeaker/room optimizer ($6200) promises. And it looks like a pretty sophisticated device, measuring the impulse response of the loudspeaker in the room, analyzing the room modes, and automatically computing FIR and IIR filters to improve the dominance of direct sound over late reverberation, equalizing the response in both frequency and time domains. The ST-2-HiFi is supplied with a calibrated microphone array; once that's placed in the listening area, all you have to do is press a button and the ST-2-HiFi does the rest. Comparing the sound of a pair of Sonodyne amplified speakers before/after Trinnov ST-2-Hi-Fi correction, I noticed that the imaging became considerable more precise after the ST-2-Hi-Fi processing, and the bass seemed tighter.
If the Legacy Whisper was an example of a superb speaker ill-marched to the size of the room in which it was being demmed at SSI, the combination of Dynaudio's new DM37 tower ($2000/pair), driven by T+A's new E-Series Music Receiver ($4200) vis Ocos cable, showed what could be achieved from a more modest system, well set-up in a suitable room. The 160Wpc (into 4 ohms) Music Receiver includes an Apple-approved iPod dock, which takes the digital music data from the iPod and also has a USB port and three Toslink S/PDIF digital inputs. There is also a high-quality FM tuner and T+A’s Streaming Client board allows Internet radio stations to be played.
The Helium2 has long been one of Stereophile's long-term reference monitors, so I was expecting good sound when I went into the VMax Services room. And apart from the ubiquitous upper-bass boom that afflicted the standard-sized rooms at the Hilton Bonaventure, good sound was what I heard.
My reputation preceded me: Everywhere I went, people who knew me stopped and asked, “Have you heard the new Lowther yet?” The speaker in question was actually a Lowther-alike from the German firm Voxativ, named the Ampeggio ($29,750/pair), and as I told everyone who askedunsmugly, I hopeI’ve had a loaner pair in my house since mid-March.
It's often said that a show like SSI is as much about people as it is about equipment. We Stereophile writers enjoy meeting the people who read their scribblings, and I believe Show attendees who are readers of the magazine like to put a face they can associate with what they read in the magazine. Here's a picture of Art Dudley (right) meeting one of the show's youngest attendees, who is obviously already an admirer of Art's "Listening" column and equipment reports. Seen in near-profile on the left is René Laflamme, the audio engineer responsible for the outstanding recordings on the Fidelio label.
John Atkinson (right), Art Dudley (center), and I had a good time at Stereophile's "Ask the Editors" session on Saturday afternoon, and, judging by the response, so did the people who asked the questions. The questions ranged from the general/philosophical, like whether it makes sense to use the "absolute sound" of unamplified music as the only reference in evaluating audio components, and the specific/technical, like the advantages/disadvantages of USB connections for high-performance audio.
The trouble with audio showsapart from the cheap call girls and the occasional gangland-style executionis the fact that, even in nice hotels, the smallest rooms tend to sound like crap. So it was at the Hilton Bonaventure, where acoustical challenges plagued no exhibitor more than Audio Note. Their excellent AN-E loudspeakera pair of which I own and loverequires that both units in a stereo pair are sited close to their respective corners. That proved impossible at the Hilton, but Audio Note’s Dave Cope compensated brilliantly and made a fine sound nonetheless with a pair of AN-E Lexus Signatures in striking maple veneer ($15,200/pair), photographed here by JA and driven by the Jinro integrated amplifier that I reviewed in the March 2011 issue of Stereophile.
To exhibit at CES, you'd better have deep pockets, and while, to a lesser extent, the same is true about exhibiting in the large rooms at SSI, the venue also permits small companies to set up displays in the nooks and crannies of the hotel corridor, with correspondingly lower price tags. Audio Sensibility offers a line of high-end audio and video cables that use Ohno Continuous Cast (OCC) copper and silver wire, Furutech connectors, cryogenic treatment of all wire and connectors, Mundorf silver-gold and supreme silver-gold solder, and their own custom-manufactured stainless-steel connector bodies.
Beyond Frontiers Audio (BFA) was founded by two former senior designers of Sonic Frontiers, Zdenko Zivkovic and Glenn Dolick, with Matt Brazeau, formerly with Globe Audio, handling the marketing. BFA's first product is the Tulip ($17,000), an integrated amplifier (180Wpc) with built-in DAC. It looks like a very serious product, with a parts list that reads like "the best of high-end audio" (24-bit/192kHz Cirrus Logic and Burr-Brown DAC, Mundorf supreme silver/gold/oil capacitors, Sanken bipolar output transistors, WBT speaker connectors, Cardas input RCA connectors, 1600W toroidal dual primary power transformer, Swedish aircraft quality aluminum chassis, etc.). Amplifier gain is 100% tube (JJ Tesla ECC83S and E88CC with gold pins, cryogenically treated). There is no feedback of any type in the amplifier stages. "Proudly designed in Canada," the Tulip is presently assembled in Serbia, but the plan is to bring production to Canada.
On display in the Burmester room at SSI was the new Phono Preamplifier 100 ($16,995$22,995), which, with its polished mirror finish, was almost unphotographable. The 100 features two inputs for MM or MC cartridges, and offers a wide range of gain and impedance settings. An optional onboard A/D converter allows owners to digitize their LPs and a unique auto-balance feature equalizes the two channels, to compensate for imbalanced cartridges.
A few years ago, back when Salon Son & Image was called Festival Son & Image, Frch manufacturer Cabasse demonstrated their flagship La Sphère speaker systemwhich is still in the line, and currently sells for $168,565/system. It was most impressive sonically, and look was certainly unique, but with a tax-in price that's close to $200k, this is not a speaker that sells in large numbers. But lovers of the Cabasse sound can rejoice: for less than the Quebec provincial sales tax and Canadian federal Goods and Services tax on La Sphère ($22,756), you can get the Cabasse Artis Riga ($11,805/pair) and Santorin subwoofer ($5065). And the sound of this demo system (with McIntosh electronics)while perhaps not at the level of La Sphèrewas very nice indeed: open, non-boxy, and with great imaging.
For the past three years or so, one of the highlights of SSI has been the concert by the Give Band, featuring singer Caroline St-Louis, who works by day as one of the Show’s blue-haired girls at the ticket desk. And so it was at SSI 2011. Last year, JA took some pictures at the concert with his point-and-shoot camera, but he was disappointed with the amount of blurring in his photos. This time, he had the same camera but brought a monopod to improve camera steadiness, and it worked. Here he is, showing his pictures to Caroline, and she's obviously pleased with the results.
Show organizer Michel Plante (left) announced on the Show's trade day that SSI would feature a silent auction for a pair of loudspeakers that had been donated by Totem and transformed into works of art by Quebec artists Zïlon and Éric Godin. The proceeds of the auction would benefit the new Dédé Fortin Foundation, named after a popular singer who committed suicide.One of the foundation's goals is to eradicate the stigma of mental illness so that people suffering from severe depression will seek treatment rather than take their own lives.
Live music has always been a big feature of the SSI, and a treat this year for me was the pair of concerts presented by Cardas Audio featuring virtuoso electric bassist Dean Peer and drummer Bret Mann. It was hard to believe at times that there were just two musicians, such was the wall of sound being produced with tracks from Dean and Bret's Airborne album (now available on LP as well as CD and a 24/96 USB key). After the show I felt I had to count Dean's fingers, I was so sure there were more than five on each hand!