CD Player/Transport Reviews

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Thomas J. Norton Posted: Jul 11, 2014 Published: Mar 01, 1992 0 comments
The letter we received was innocent enough. It asked for our recommendations on laserdisc combination players. You know, the ones that play all of your optical, laser-read entertainment, from CDs to videodiscs. Had the question been a verbal one, our answer would have begun with a long silence. As it was, we could only jot down a few generic references to features, followed by an admission that we had, collectively, no firsthand experience with these all-purpose devices. Only a few members of our staff have any interest in video stuff—monitors, surround-sound, and the like—among them J. Gordon Holt and yours truly.
John Marks Posted: Dec 03, 2013 Published: Jun 01, 2013 4 comments
For the high-performance audio market, it makes a lot of sense to process digital audio data via sophisticated software running on a dedicated personal computer. Which brings us to Parasound's Halo CD 1 CD player ($4500). Some might find it questionable to release today, as one's first digital-disc player, a machine that plays only "Red Book" CDs, rather than a universal or near-universal (non–Blu-ray) player.
Wes Phillips Posted: Jul 20, 2012 Published: Sep 01, 1998 8 comments
Back when the CD was a pup, I used to hear people say, "I refuse to buy a CD player until they can record." Ha ha, I thought, smart-ass audiophile that I was, they're gonna wait for a long time—that's never gonna happen. I was half right—it has been a long time coming. But I was also, as my football coach used to insist, half-fast. "Never" has arrived.
John Atkinson Posted: Jan 02, 2011 Published: Jun 02, 1989 3 comments
Externally, the LHH1000 came as a bit of a surprise to these jaded eyes, over-familiar with plain black or brushed-aluminum boxes. Each enclosure is finished in an almost white, anodized finish, with greenish-gray endcaps (made from zinc alloy, I believe) painted with a nubbly, crackle finish—an attractively utilitarian styling with shades of military-surplus radio equipment, nicely set off by subdued blue fluorescent readouts. Internally, the units are constructed to audiophile standards. The transport uses Philips's top CDM-1 mechanism, which is fabricated from diecast aluminum, compared with the plastic CDM-4 mechanism which appears in less expensive and less well-specified players. The loading tray, too, which is made from metal, has a reassuringly solid feel to it.
J. Gordon Holt Posted: Aug 07, 2005 Published: Feb 07, 1984 0 comments
What, a high-fidelity product from Magnavox? The company that 20 years ago had a reputation for building massive, polished-console boom-boxes and was scornfully referred to in audiophile circles as "Maggotbox"? Some important things have happened to Magnavox since those days. Mainly, it became a subsidiary of the Dutch Philips company, co-developer of the laser video disc and now the audio Compact Disc. The Magnavox CD players are actually made by Philips for US distribution by Magnavox.
John Atkinson Posted: Jul 27, 2008 0 comments
There's a retro, Heathkit vibe to the curiously capitalized PrimaLuna ProLogue Eight CD player: a shelf of glowing tubes and a chunky transformer case perched atop a plain black chassis. But on closer inspection, it seems there's much more going on here. The chassis is made of heavy-gauge steel, with (according to the manual) a "five-coat, high-gloss, automotive finish," each coating hand-rubbed and -polished. The tube sockets are ceramic, the output jacks gold-plated. Inside, separate toroidal transformers power each channel. Custom-designed isolation transformers separate the analog and digital devices, to reduce noise. The power supply incorporates 11 separate regulation circuits. The output stage is dual-mono with zero feedback. Audio-handling chips include a Burr-Brown SRC4192 that upsamples "Red Book" data to 24-bit/192kHz, and one 24-bit Burr-Brown PCM1792 DAC per channel. Only the tiny silver control buttons (on the otherwise hefty faceplate of machined aluminum) betray a whiff of chintz.
Brian Damkroger Posted: Jul 22, 2007 0 comments
At $2295, the CD31 is the most expensive integrated CD player from Swedish manufacturer Primare, and an evolution of their D30.2, which I reviewed in the June 2004 Stereophile. I knew that the CD31 wasn't a clean-sheet design, but my first look suggested that it wasn't even much of an evolution—a comparison of its and the D30.2's spec sheets matched almost line for line. When I asked Terry Medalen of Sumiko, Primare's US distributor, about the similarity, and if the CD31 was just a mild tweaking of the D30.2, he said, "Well, yes and no. You really need to listen to it."
Brian Damkroger Posted: Jun 02, 2014 1 comments
Audiophiles spend a lot of time thinking about the law of diminishing returns. We'd all agree that spending $1000 to replace an iPhone and generic earbuds with one of Stephen Mejias's "Entry Level" systems is in the early, steep part of the curve: a huge jump in performance for relatively small investment. We'd also agree, or at least suspect, that after you've spent that $1000, the curve gets a lot flatter. What we don't agree on is the shape of the curve between these points. The ideal situation is to find the knee: the point at which the curve's slope changes dramatically. At the knee, we've gotten most of what we want, and the next increment of performance improvement is disproportionally expensive.
Brian Damkroger Posted: Jun 27, 2004 Published: Jun 01, 2004 0 comments
High-end audio has always been a tricky business, and in recent years it's become more so. Home theater is pulling in one direction, and MP3, iPods, and the Internet are pulling in another. And customer expectations—not just of sound quality, but also of usability and integration into their space and lives—are spiraling upward. The companies that are thriving amid these pressures seem to have adopted one of two strategies: either they focus more narrowly and try to convince the world to accept their vision, or they evolve their products in an attempt to anticipate the market.
Corey Greenberg Posted: Aug 29, 1998 Published: Aug 29, 1992 0 comments
I think I've finally figured out the secret of Stereophile's success. You, cherished reader, don't read this mag because it's chock full o' reviews of tantalizing audio gear (even though it is). And you don't read this mag because JA and RL strive so hard to keep the literary quotient as hi as the fi (even though they do). And I know you don't read this mag cuz trusting yer own sensory input is a mighty scary proposition indeed so you look to Stereophile as to a Holy Bible that eases your Earthly burden by telling you, Ah say Ah say TAILING YEW what to buy (do you?).
Robert Harley Posted: Oct 04, 2011 Published: Feb 01, 1990 1 comments
666proceedcd12.jpgThe Proceed CD player is the first digital product from Madrigal Audio Laboratories, a company known for their Mark Levinson preamplifiers and power amplifiers, including the very highly regarded No.20.5 power amplifiers. Given Madrigal's track record of producing ultra–high-end (and expensive) components, I was surprised and encouraged that the Proceed CD player is so affordably priced.

The Proceed was a long time in development, reflecting Madrigal's care and thoroughness before releasing a new product. Many technical innovations have been incorporated into the Proceed, and the machine's unusual appearance exemplifies the "start from scratch" attitude behind its development. With its nearly square proportions, grey cabinet, and sparse front-panel controls, the Proceed may set a new trend in audio component styling.

Wes Phillips Posted: Jan 22, 2006 0 comments
You can't always get what you want, but sometimes you get what you need—and Quad, bless its cockamamie heart, is the company that gave it to me.
Sam Tellig Posted: Jun 30, 1995 Published: Jun 30, 1994 0 comments
"You are not going to believe this."
Art Dudley Posted: Jun 26, 2006 0 comments
You've heard it said that the early bird catches the worm, which is all well and good if you like worms. If you're more interested in music, you might want to follow the lead of Roy Gandy instead: He's the managing director of Rega Research, a 331/3-year-old audio company that was the very last of its kind to enter the CD market. Rega's first CD player, the Planet of 1996, was a success in virtually every way.
Sam Tellig Posted: Jun 04, 1997 0 comments
At last—a CD player from a company that doesn't like CD.

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