Hi-Rez Marvel

Accustomed as I am to the beauteous sound of mbl gear, nothing prepared me for the combination of mbl speakers and electronics, hghi-resolution files played back on a Macintosh G5 tower equipped with the latest Amarra music server software, and Wireworld cabling. Fleetwood Mac's "Gold Dust Woman" was gripping when downloaded from a 24/96 Rumours DVD-A. The depth was "this" short of unbelievable, the bass and clarity astounding, and the tonal envelope very well represented. Even FIM's 16/44 version of Bizet's "Habanera" from Carmen sounded hi-res due to the amazing depth of this system's images.

For many of us, the bite this all-mbl system would take out of our life savings is equally too much to contemplate. You add up the cost of the mbl 1621A transport ($24,000), 1611F DAC ($24,750), 6010D preamp ($23,180), 9008A ($25,190), and 111F speakers ($32,000/pair), and send it to me in the morning. Meanwhile, I'm pretending I never learned arithmetic and focusing on the glorious sound I heard in this room. From prior experience with both the superior Amarra music server from Jonathan Reichbach's Sonic Studio, which leaves iTunes in the dust, and David Salz's Wireworld cabling, I know they contributed mightily to the wonders I heard.

P.S. I wasn't the only one reeling from this experience. As another visitor to the room muttered once he got outside: "It didn't sound right, it was so real!"

COMMENTS
ch2's picture

To my old tired ears, this was by far the best sound in the show. Superb, Fantastic! Two hours of dedicated listening to a variety of tracks left my mouth watering for this system.

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