Gee Robert..do i sense of bit of ageism here?Those people you mentioned ARE old....so cut thema little slack...some day your gonna be thereand someone might say...sheesh...that Robert Bairdstill writes for Stereophile?..I thought he retiredmany years ago.....just my 2 cents...:-)
Grammy'd
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funny, I just ripped a blogger at the Village Voice for RAMPANT ageism in his writing about the Grammys. I thought Robert took it much easier on the oldies, by comparison. My take: The new should not completely replace the old until the old are dead. Until then, everyone has a right to their space and ageist America should look to other cultures that venerate their elders, which is not the same, I must point out, as inviting them to move in with me.

So let's see, compare the modern day celeb/actor/model/maybe-musician with the old style real-musician, whom now are really-old, from the current gotta-be-pretty-first perspective, and they don't look so good, what a surprise. Their looks were never their claim to fame anyway, thank goodness. I'll close my eyes and listen, thank you. The young/old thing is being done in the attempt to give the new artist some of the gravitas of the old artist, simply by association. Doesn't work, does it? As for Kid Schlock, at least they didn't match him up with Led Zepplin... OMG, what a thought, I think I'm gonna be sick! The choice of Mr. Hancock makes several statements, among them that even the Grammy's recognizes that most of today's popular music is not so good.

As I watched Hancock and (I'm sorry, I recognized him but forgot the name of the other player) doing the Gershwin I wondered what the young nominees (and young TV viewers) thought of that. Did they think, "oh, how quaint ... now let's get back to reality" or did they get the education they likely needed?
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