LATEST ADDITIONS

Irving M. Fried  |  Jun 06, 2019  |  First Published: Sep 01, 1962  |  17 comments
Ever since the first electrical loudspeaker—a glorified headphone with a horn on it—was outmoded by the balanced-armature cone speaker, paper has been the standard diaphragm material for speakers reproducing low frequencies. The Rice-Kellogg moving-coil transducer replaced the balanced-armature driving system in 1925, but the paper cone remained. And although many improvements have since been made, were no more major changes in loudspeaker design for over 30 years!
Robert Harley, Lewis Lipnick, Thomas J. Norton  |  Jun 06, 2019  |  First Published: Oct 01, 1992  |  1 comments
A visiting manufacturer recently expressed the idea that digital processors and transports are the worst value in high-end audio. He contended that, because they all sound bad, their differences and degrees of imperfection are meaningless. In his view, the very best digital differed very little from the worst. His advice? Buy a moderately priced CD player and enjoy your LPs.
Stereophile Staff  |  Jun 05, 2019  |  1 comments
On Saturday, June 15, 10am to 6pm, Definition AV (2934 Wilshire Boulevard, Santa Monica, CA 90403; 310 829 9888) will host an event featuring representatives from Cambridge Audio and Bowers and Wilkins and showcasing those companies' latest products.
Jason Victor Serinus  |  Jun 05, 2019  |  26 comments
It’s a keeper. Those are the thoughts that stuck with me after listening to the British-made Graham Audio LS5/9f ($7999/pair), a two-way reflex loading loudspeaker that had its US launch at Washington state’s Gig Harbor Audio on Saturday afternoon, May 25.
Stereophile Staff  |  Jun 05, 2019  |  0 comments
Audio Connection in Verona New Jersey welcomes Garth Leerer of Musical Surroundings on Saturday, June 8, from Noon to 5pm for their 9th annual Analog Open House. Audio Connection will feature new products direct from the Munich High End show, including the first US showing of the AMG Viella Forte turntable.
Martin Colloms  |  Jun 04, 2019  |  First Published: Nov 01, 1997  |  0 comments
Exposure owner/designer John Farlowe graduated from the UK's University of Sussex at the end of the swinging '60s. He put his B.Sc in electronic engineering to use at HiWatt, manufacturers of tube guitar amplifiers. His keen interest in pro audio, particularly in sound reinforcement for rock bands, led him to Midas (studio mixing desks and systems), where, as director and designer, he designed and built mixing desks and got together with the late Dave Martin of Martin Audio. They became heavily involved in sound systems for Pink Floyd. Midas desks and Martin speakers were used at many live venues, including those at London's Rainbow.
Wes Phillips  |  Jun 03, 2019  |  First Published: May 01, 1995  |  30 comments
"They cost WHAT? A hahahahahaaa!"

Nothing is more guaranteed to amuse non-audiophiles than the subject of high-end cable pricing. "I'm sorry. I don't mean to laugh at you, but...bwah ha ha haaa!" Who can blame them? Even in the hi-fi camp, there are those who are convinced that wires are no more than hideously expensive tone controls. "Hmmpf, cackle. Snort!"

Others hold that, differences in resistance, capacitance, and inductance aside (footnote 1), the whole high-end cable market is just an exercise in mass self-delusion. "Really, how much are they?"

Jason Victor Serinus  |  May 31, 2019  |  10 comments
With Trachea, the latest superb recording from Norwegian label 2L [http://www.2l.no], label founder and recording engineer Morten Lindberg continues his commitment to contemporary music. Here, working with Schola Cantorum, Norway’s well-tuned 55-year old chamber choir, under the leadership of Tone Bianca Sparre Dahl, Lindberg scores big with six fascinating and musically accessible choral compositions, all but one of which were written in the last five years.
Stereophile Staff  |  May 31, 2019  |  3 comments
This special event in Toronto includes first North American preview of Luxman's new flagship vacuum tube pre-amplifier.
Ken Micallef  |  May 30, 2019  |  4 comments
Louisiana-born, 58-year-old saxophonist Branford Marsalis has achieved singular status in the worlds of both jazz and classical music. He cut his teeth playing hard-hitting hard bop with Art Blakey's Jazz Messengers, led The Tonight Show band, and kicked it with the Grateful Dead. He's toured and recorded with Sting, costarred in the Spike Lee film School Daze (1988), and made his classical debut with the New York Philharmonic performing Glazunov's Concerto for Alto Saxophone on Central Park's Great Lawn.

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