LATEST ADDITIONS

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Art Dudley Posted: Mar 28, 2015 5 comments
When it comes to designing and building loudspeakers, I confess immunity to the DIY bug, mostly because I wasn't drawn to woodworking until age 50. (At age 10, my Pinewood Derby car was a simple wedge, requiring only a single saw-cut on a rectangular block of wood—although I felt vindicated when the Triumph TR7 came along.) Had things turned out otherwise, I would be spending all of my time in the room of Solen Acoustics: Salon Son et Image stalwarts who make available nearly every sort of drive-unit known to humankind . . .
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John Atkinson Posted: Mar 28, 2015 24 comments
All of us Stereophile were deeply saddened this morning to learn of the death of Bob Reina, after a brief battle with cancer. Bob was 61. After a stint at The Absolute Sound and cofounding a high-end audio magazine, Sounds Like..., Bob joined Stereophile in 1995 and his first review was of a Creek amplifier. . .
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Art Dudley Posted: Mar 27, 2015 3 comments
My very first official encounter at this year's Salon Son et Image was with a vintage-gear dealer: Cristian Fatu's static display included this beautiful McIntosh 275 power amplifier above (approximate value: $CAD3200) . . .
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Robert Deutsch Posted: Mar 27, 2015 0 comments
So there I was, taking the subway in Toronto to Union Station, where I would be taking the train to Montreal, and this coming weekend’s Salon Son & Image (SSI), when I spotted this sign, advertising the availability of grants for education related to the love of music. Is that fitting, or what? The list of occupations related to music was extensive, and included, in addition to some obvious ones like audio technician, sound mixer, and electrical engineer, some that I would not have thought of, like intellectual property lawyer and accountant. But I was happy to see “magazine editor” on the list.
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Fred Kaplan Posted: Mar 27, 2015 0 comments
A few years ago, Ryan Truesdell, a jazz composer and arranger, gained access to a treasure trove of Gil Evans' handwritten scores from the 1940s to '80s—some of them recorded, many not—and set out to form a big band to play them. Lines of Color (Blue Note/Artists Share) is the second album to come out of what he calls the Gil Evans Project (the first, Centennial, was released in 2012), and it's something to savor.
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Stereophile Staff Posted: Mar 26, 2015 3 comments
Friday and Saturday, March 27 and 28, 4pm–midnight (or later!): Filtronique (9343 Rue Lajeunesse, Montreal) will host two special parties, featuring guests and products from AudioQuest, dCS, Kronos, Magico, Simaudio, Tidal, and Wilson Audio Specialties.
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Stereophile Staff Posted: Mar 25, 2015 0 comments
On Saturday March 28, from 11–6pm, Virginia dealer Command Performance AV (115 Park Avenue, Suite #2, Falls Church) will be hosting Zanden Audio's North American distributor, Eric Pheils. Eric will demonstrate Zanden's Model 120 phono stage, Model 3100 preamplifier, and Model 8120 stereo amplifier. Not only will audiophiles be able to hear a state-of-the-art audio system, but they will also experience what Zanden feels is "the profound effect of proper equalization" of stereo LP records.
Robert J. Reina Posted: Mar 24, 2015 7 comments
"I'm intrigued how Emotiva can offer an active speaker for so little."

This was John Atkinson's response to my request to review Emotiva's Pro Airmotiv 4s ($299/pair). My colleague Steve Guttenberg had been discussing this speaker with me at a recent industry event, and I'd realized that it had been some time since I'd reviewed an entry-level loudspeaker. I'd reviewed Emotiva's X-Ref XRT-5.2 floorstanding speaker in the August 2012 issue and had been impressed with its combination of sound quality and price. I requested samples for review.

Herb Reichert Posted: Mar 24, 2015 7 comments
The CD era was well underway. Rudy Giuliani was about to sweep the crack hoes and squeegee humans off New York's garbage-filled streets. Disney was conquering Times Square. It seemed the perfect time for artists and audio weirdos like myself to go underground. Seeking economic sustainability, I hunkered down in my Seaport bunker and started a little business called Eddie Electric. I found a 23-year-old Japanese business partner named Ryochi who was dealing in big-E Levi's, bubble-back Rolexes, and antique Abarth cars. He was my Seaport, New York–Akihabara, Tokyo connection.
Art Dudley Posted: Mar 24, 2015 0 comments
"Too much Stokowski."—Sergei Rachmaninoff in 1940, reacting to a demonstration of a stereo recording of Leopold Stokowski conducting the Philadelphia Orchestra

I don't remember when, but at some point during the past few years I realized that, in my home, mono cartridges outnumber their stereo counterparts. A few weeks ago, my collection of phono equipment took another step in the same strange direction: After receiving from Ortofon a sample of their CG 25 DI Mk.II mono pickup head ($902) for review, I was so impressed with its sound that I asked if I could buy the review sample. Now, having put check in mail, I own twice as many mono cartridges as stereo ones. Take that, multichannelism.

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