LATEST ADDITIONS

Filed under
Jason Victor Serinus Posted: Jan 12, 2016 0 comments
With an older Grand Prix Audio Monaco 1.5 turntable ($23,500) outfitted with a Tri-Planar Ultimate 12" tonearm ($9800) and PC-1S cartridge ($8500) as source, Japanese manufactured Zanden Audio Systems electronics, cables, and room treatment allied with Canadian sourced Verity Audio Sarastro IIS 3-way loudspeakers in custom finish ($55,195/pair) to produce great soundstaging on a Bach LP. Equally wining was the enticing sound on an LP from Ray Brown.
Filed under
Jason Victor Serinus Posted: Jan 12, 2016 0 comments
Stunning to behold, eh? Cast your eyes on the US debut of Aries Cerat's new line of equipment from Cyprus, imported by Joshua Masongsong of Texas-based Believe High Fidelity. In the middle of crazy, crazy Las Vegas, I felt as though I was immersed in a nice warm bath as I listened to Aries Cerat's Symphonia Aries Limited Edition 3-way horn loudspeakers ($125,000/pair gets you 101dB sensitivity and only one of five pairs in existence), Concero 65 SET class-A monoblocks ($35,000/pair), Impera Signature Edition Mk.II preamp ($82,500), and Kassandra Reference Mk II PCM DAC ($35,000).
Filed under
Jason Victor Serinus Posted: Jan 12, 2016 2 comments
The latest version of the VK-655SE monoblock amplifiers ($33,000/pair) from BAT (Balanced Audio Technology) may have been out for awhile, but CES marked their first appearance at any show. A dual-mono design available in both stereo and monoblock configurations, the amp exuded beautiful tube-like warmth (without the use of tubes) on a recording of Tchaikovsky's Symphony 6, with TAD loudspeakers.
Filed under
Jason Victor Serinus Posted: Jan 12, 2016 0 comments
Pass Labs may laugh a bit at its excess, as in the XS series, but Vladimir Lamm saves his smiles for the sounds of his brand-new, four-box LL 1.1 Signature line level preamplifier ($45,390/pair). That "pair" in the price is not a typo. This baby consists of two mono preamps plus two separate power supplies!
Filed under
Jason Victor Serinus Posted: Jan 12, 2016 0 comments
Far more sonically successful was the larger Lamm room. There, $266,950 worth of Lamm components, including the new LL 1.1 Signature line level preamplifier ($45,390/pair) and ML3 Signature SET mono power amplifiers ($139,490/pair), joined the big Kharma Exquisite Midi Grand speakers with F-drivers ($225,000/pair), a mostly not-in-production EMT/SME/ZYX turntable set-up, inexpensive Sanus racks ($840 total), and Kubala-Sosna Elation series cabling ($130,600 total) to draw sweeter, warmer, and more accurate sound from the same LP tracks.
Filed under
Jason Victor Serinus Posted: Jan 12, 2016 0 comments
As with Wilson Audio, Magico presented its latest S5 Mk.II loudspeaker ($38,000/pair in M-Cast finish, $42,750/pair in M-Coat finish) in static display. The only element of the original S5 design retained in the Mk.II is the identical extruded aluminum cabinet. All drivers, distilled from the research that culminated in the S7 loudspeaker, are new. The tweeter is a 1" MB7 beryllium dome, and the midrange unit a 6" Graphene NanoTec carbon. This midrange is claimed to have a stronger molecular structure than standard carbon, but is 20% lighter and 30% stiffer than its predecessor.
Filed under
Jason Victor Serinus Posted: Jan 12, 2016 1 comments
Even though Robert Deutsch has blogged about Magico's new S1, Alon Wolf (right) prevailed upon me to take a (brief) listen. Paired with Convergent Audio Technology (CAT) monoblock amplifiers, the sound was lovely and warm. I did catch a bit of distortion on the right channel at one point, cause unknown, but Joni Mitchell's aging, low voice was maximally evocative, with an extra kiss of tube warmth.
Jon Iverson Posted: Jan 11, 2016 10 comments
After a quick mid-morning breakfast with Graham Nash that included AudioStream.com's Michael Lavorgna, we headed up to the top floor of the Mirage hotel to start our day at Philip O'Hanlon's On a Higher Note suite.

Before we walked into the room, Nash gave me a serious look and explained "What I'm looking for is that the intent of my message, the impact of the song, is communicated intact. This is the first time I've heard these songs outside of the studio, so this should be very interesting. I'm looking forward to this."

Jon Iverson Posted: Jan 11, 2016 4 comments
Before starting in on the room reports, here is a little background on how we set things up.

We wanted the best possible sound, so I asked the record label, Blue Castle (formed by Graham Nash and David Crosby), if I could have an HD copy of Nash's new album This Path Tonight straight from the mastering studio. The album was mastered in 24/96 PCM by Bob Ludwig, and the label agreed to supply the first digital copy to be played in the wild on the condition that it never leave Graham's laptop where they would place it themselves. I agreed.

Filed under
Jon Iverson Posted: Jan 11, 2016 1 comments
Merging has been long respected in the pro recording industry with mastering engineers such as Bruce Brown using the company's Horus network audio converters in his studio. They have also been instrumental with DSD recording technology, so not surprising when I saw the new NADAC in Philip O'Hanlon's On a Higher Note suite at the very top of the Mirage hotel, Philip being a big DSD proponent himself.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading