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Recording of the Month
Richard Lehnert Feb 25, 2014 Published: Mar 01, 2014 1 comments
Keith Jarrett's gift for brilliant invention is apparently inexhaustible throughout both of these concerts, recorded five days apart in spring 1981. The combinations of lyricism, literally foot-stomping gospel, chordings and voicings alternately sumptuously lush and astringently lean, and unexpected musical destinations reached in surprising ways, are here at least as rich as anything else he's done.
News
John Atkinson Feb 23, 2014 16 comments
All photographs by Lily Szabo Photography and used with permission

Thursday February 13 was a day most of us in New York would have preferred to stay indoors. With 10” of snow falling since the night before, the Stereophile office closed, the roads in my neighborhood impassable, and public transport iffy at best, I really didn’t want to make the trek into Manhattan. But I did and was glad to have done so. English loudspeaker manufacturer KEF, represented by a team led by the company's brand ambassador Johan Coorg (above right), was promoting a unique event for the press at MSR Studios on 48th Street featuring legendary engineer and producer Ken Scott (above left).

Muse Kastanovich Feb 21, 2014 Published: Nov 01, 1995 1 comments
666unity3.jpgWhen I saw the Unity Audio Signature 3 speakers ($1895/pair) arrive in one box, I was happy. Not just because it meant there would be that much more space left in my basement. No, because it means that Unity is saving money on packaging costs. That means they can spend more money on things like super-nice crossover components. That means...well, I think you know what that means. After all, any piece of audio gear is only as good as the parts it's made from.

To get these overgrown bookends to stand up, you slide little black boards into the slots in their bottoms. Each board is held in place by two set screws, and sticks out to support the speaker with two of the four spikes. The board also tilts the speaker back a little. How do they get sufficient bass out of such slim cabinets?

Think Pieces
John Atkinson Feb 21, 2014 Published: May 01, 2005 10 comments
This essay first appeared in the May 2005 Stereophile eNewsletter. But as the opinions and comments are still relevant in 2014 and in some ways the phenomenon of over-compression in recorded music (footnote 1) is just as bad, I thought it worth republishing.—John Atkinson

I write these words mere hours after returning home from Home Entertainment 2005, the Show cosponsored by Stereophile magazine that took place from April 28 through May 1 at the Manhattan Hilton. A full report will appear in the August 2005 issue of the magazine.

Interviews
Jason Victor Serinus Feb 21, 2014 3 comments
Some months back, SACD and DSD champion Jared Sacks, founder of Channel Classics, stopped by Casa Bellecci-Serinus in Oakland for an extended chat about the history of his label, recording in DSD, and his new NativeDSD.com download site. I started our conversation by asking Jared to share his history with music and the industry with Stereophile:
Recording of the Month
Wes Marshall Feb 21, 2014 Published: Jun 01, 1986 4 comments
The four works in Private Music's initial release represent such a consistently high level of creation that it is remarkable to see them released all at once. The label's owner, Peter Bauman, was one of the founders of Tangerine Dream, the pioneering electronic music group from Germany (footnote 1). His influence infuses all the releases.
News
Jason Victor Serinus Feb 16, 2014 68 comments
Save the Stereo, a Web-based project dedicated to developing and promoting the best ideas for leading the next generation of music lovers to component-based high-fidelity, launched at the start of the year. Although we have seen a number of prior organizations dedicated to the cause of spreading the gospel of high performance audio wither and die—see John Atkinson's 2005 essay on the subject—this one is different. Because its founder, Gordon White, is soliciting feedback from the audiophile community and developing a grounded action plan before proceeding, perusing the project's website and filling out its all-important, short survey seems more than worth the while of both high-performance audio consumers and industry members.
Sam Tellig, John Atkinson Feb 14, 2014 Published: Dec 01, 2013 6 comments
Am I the only one who values content and convenience over sound quality?

There. I've said it. I am not an audiophile; ie, someone who's in love with recorded sound for its own sake. The search for ideal sound can leave a person burned out and broke.

Stephen Mejias
Stephen Mejias Feb 14, 2014 14 comments
Here's a little something to warm your hearts: The March 2014 issue of Stereophile is now on newsstands, and it's a very special issue, indeed. Inside, you'll find that our editor, John Atkinson, has fallen in love with a new pair of headphones. Has the sexy Audeze LCD-X seduced him away from his old, beloved Sennheiser HD650?

Of course, there's more.

Robert Harley Feb 13, 2014 Published: Mar 01, 1992 1 comments
Since the first digital processor on the market using UltraAnalog DACs appeared (the $12,000 Stax DAC-X1t, reviewed in August 1990, Vol.13 No.8), there has been a proliferation of good-sounding processors using this extraordinary—and expensive—part. Among these are the Audio Research DAC1, Audio Research DAC1-20, VTL Reference D/A, and the groundbreaking Mark Levinson No.30 reviewed last month.
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