LATEST ADDITIONS

We wrote last week about the increasingly heated debate over DRM copy protection, with everybody from Steve Jobs to the RIAA weighing in on the subject. This week was just as wild and whacky on that front.

The last Classé power amplifier I reviewed, back in November 2004, was the imposing Omega Omicron monoblock ($20,000/pair), which made glorious sound with the Revel Ultima Studio speakers. But things change. First, my reference speakers are now B&W 802Ds. Second, my system now has three front speakers, supplemented by two B&W 804S speakers for surround sound. While a quintet of Omicrons would undoubtedly be dandy, five such monoliths would take up so much space that I'd be wondering about their effects on the room's sound. With so many channels, it seemed time to investigate whether a multichannel amp could carry the load.

I was going through a box of old photographs, lingering over some pictures I'd taken at the Quad loudspeaker factory in Huntingdon, England, a number of years ago. It was my second trip overseas—1994 or '95—and while I remember being intrigued by the machinery and the test equipment and all, I know that the real impact of the tour was probably lost on me: I wasn't yet a Quad owner.

Recordings that deliver the benefits of the high-resolution SACD format scored big at the 49^th Grammy Awards Ceremony, held February 11, 2007 in Los Angeles. Telarc, which issues virtually all its classical titles and some jazz/blues releases in both DSD-native CD and hybrid SACD surround formats, won two Grammys in classical categories and three in jazz. SFS Media, the in-house label of the San Francisco Symphony conducted by Michael Tilson Thomas, received two Grammys for the seventh release in its ongoing Mahler series of live, DSD-native hybrid surround SACDs. Last but not least, Harmonia Mundi, some of whose titles are available in DSD-native hybrid surround SACD, scored big with the gorgeous choral music of Arvo Pärt.