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Michael Fremer Posted: Aug 20, 2000 0 comments
Andy Payor hurls a briefcase full of engineering and scientific mumbo-jumbo at in an attempt to justify the $73,750 price of the latest and greatest edition of his Rockport Technologies turntable, but really—isn't this all-air-driven design a case of analog overkill? After all, defining a turntable's job seems rather easy: rotate the record at an exact and constant speed, and, for a linear tracker, put the stylus in play across the record surface so that it maintains precise tangency to a radius described across the groove surface. By definition, a pivoted arm can't do that, so the goal there is to minimize the deviation. That's basically it. Right?
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Barry Willis Posted: Aug 13, 2000 0 comments
After a May 10 announcement from the Federal Trade Commission that it had negotiated a settlement with the music industry's "Big Five" over a controversial pricing policy, enterprising private attorneys wasted little time initiating class-action lawsuits (1, 2) against them. By early August, some reports placed the number of suits nationwide at more than 100.
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Stereophile Staff Posted: Aug 13, 2000 0 comments
The word's largest Internet service provider has decided to forgo an MP3 search feature until it figures out how to distinguish legal recordings from illegal ones. America Online made the announcement August 11 after discovering that the feature, which it hoped would enhance its Winamp site, might encourage piracy of copyrighted recordings.
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Jon Iverson Posted: Aug 13, 2000 0 comments
Last week, Florida consumer-electronics retailer Sound Advice announced that it has reached an agreement in principle to acquire Scottsdale, Arizona–based Showcase Home Entertainment, LLC, a privately held "upscale" retailer of consumer electronics and custom design services. Sound Advice, founded in 1974, currently operates 24 Sound Advice stores and four specialty stores under the Bang & Olufsen name throughout Florida.
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Jon Iverson Posted: Aug 13, 2000 0 comments
Want to do some audiophile shopping and do some good for others? The Cable Company, along with several manufacturers and audiophile publications, have set up a program by which they offer to donate up to 10% of August purchases to CARE and the International Rescue Committee, these contributions to be used to assist the worldwide disaster-relief efforts of those humanitarian organizations.
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Stereophile Staff Posted: Aug 13, 2000 0 comments
When a manufacturer makes extraordinary claims about a product, the result is sometimes an extraordinary review. That's what happened when Jonathan Scull examined the Richard Gray's Power Company 400S AC line conditioner last June. His report raised a chorus of reader and industry reactions, all of them included here along with some additional unpublished observations.
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John Atkinson Posted: Aug 12, 2000 0 comments
The August issue of Stereophile, number 247, is the very last to be produced out of the "City Different" in the "Land of Enchantment" (Santa Fe, New Mexico). Known for its energetic mix of Native American and Latino cultures, its geographic mix of high desert and mountains, its 300 days of clear blue, cerulean skies, its opera and chamber music seasons, and not forgetting that most important culinary question—"red or green"—the oldest established city in the US is not the first place that comes to mind in the magazine business. But, after publishing 39 issues of Stereophile out of rainy Pennsylvania since he founded the magazine in 1962, J. Gordon Holt fell in love with the Southwest and moved out here in 1978.
Jonathan Scull Posted: Aug 10, 2000 0 comments
With its latest series of FPB (Full Power Balanced) amplifiers, Krell is taking careful aim at the seam between classic high-power two-channel systems and quality multi-channel installations where sound is yet paramount. Nevertheless, Krell founder Dan D'Agostino was adamant: Krell's Class A components were designed for music playback. "I'm a purist, like you, Jonathan!" he told me.
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Chip Stern Posted: Aug 10, 2000 0 comments
Ideally, through the medium of a synergistically balanced set of high-resolution components, we seek to re-create an acoustic event with a palpable sense of realism—as in timbre, dynamics, room cues, and dimensionality. Have I ever experienced a system commensurate with the experience of sitting 12th-row-center at Carnegie Hall for Boulez conducting Stravinsky? Close, but...
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Jonathan Scull Posted: Aug 10, 2000 0 comments
I had a fascinating conversation the other day with George Cardas about slap-echo. (See Fine Tunes #1 and #2 for other Cardasian room treatment and speaker placement tips.) I know, it is amazing what audiophiles get excited about.

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