In his review of the Music Reference RM-200 power amplifier, Michael Fremer claims, "Reviewing a vacuum-tube power amplifier is like having your pants pulled down in front of a large crowd of people." MF explains why he reviewed the RM-200 despite the inevitable public humiliation.
What's a home-entertainment show without an assortment of state-of-the-art audio demonstrations? EgglestonWorks has announced that its next generation Andra II speaker will be featured as part of what it calls an "unprecedented" demonstration of multichannel Super Audio CD (SACD) to be conducted during the upcoming Home Entertainment 2002 Show May 30 through June 2 at the New York Hilton.
Like the companies in most high-tech industries, audio businesses are a volatile lot, with startups, mergers, acquisitions—and the occasional bankruptcy or flame-out—not uncommon. In that ongoing tradition, at the 2002 Consumer Electronics Show in Las Vegas, Ultralink Products announced on January 7 its intention to purchase the assets of cable manufacturer XLO Electric.
XM Radio held a press conference in New York City Thursday, April 18. The event was heralded with great secrecy—attendees were enticed with promises of "major news," but no one leaked details beforehand, and the press arrived expecting something juicy indeed.
Reviewing a vacuum-tube power amplifier is like having your pants pulled down in front of a large crowd of people. I don't know how else to describe the feeling of spending a month or two luxuriating in fabulous sound, then writing a glowing review, then receiving a copy of the review as it will appear in the magazine, complete with John Atkinson's assessment of the amp's test-bench performance, which is usually miserable.
Following the tragic events of September 11 last year, Audio Asylum and Audiogon co-sponsored a charity auction of audio equipment to benefit the NY Firefighters' Fund and other related charities. Manufacturers, dealers, magazine writers and editors, and audiophiles donated equipment, recordings, and memorabilia for sale, and as reported on this website, the auction ultimately raised almost $175,000 for 9/11-related charities.
As normally conceived, loudspeakers use electrodynamic forces to control the movements of their diaphragms, which in turn move air. Matsushita Electric Industrial Co., Ltd. has come up with an interesting twist on this principle, one in which air pressure itself ("aerodynamic-drive technology") is used to control the diaphragm. The result is a transparent panel speaker called the "Sound Window," announced by the Japanese industrial giant March 27.
"No doubt about it—Linn's top-of-the-line Komri loudspeaker is a queer-lookin' duck," says Jonathan Scull as he set up a pair in his listening lair. The claimed frequency response for the Komri extends out to 40kHz. "Why even bother going out that high, where even the most beautiful of women cannot hear?" J-10 explains why.