LATEST ADDITIONS

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Stereophile Staff Posted: Dec 08, 2002 0 comments
You thought it was crowded last year? The Consumer Electronics Association (CEA) announced last week that, as of the beginning of December, it looks like the 2003 International Consumer Electronics Show (CES) will feature a record-breaking amount of exhibit space, surpassing 1.2 million square feet.
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John Atkinson Stephen Mejias Posted: Dec 08, 2002 0 comments
For more than a decade now, Stereophile has recognized components that have proved capable of giving musical pleasure beyond the formal review period by naming its "Products of the Year."
Paul Bolin Posted: Dec 05, 2002 1 comments
It's no longer news that uncontrolled spurious vibration is one of the greatest threats to high-quality sound and video reproduction. Source components are, by themselves, a nightmare to isolate from the omnipresent vibrations in the environment. The intrusion of uncontrolled spuriae into the playback of LPs, CDs, SACDs, and DVDs has a deleterious and occasionally disastrous effect on the ability of the stylus or laser to precisely do its almost-molecular-scale job. Electronics are nearly as susceptible to such vibration-induced headaches as microphonics.
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John Atkinson Posted: Dec 01, 2002 0 comments
On Sunday, December 1, 2002, we celebrated five years of uninterrupted webcasting, our website having emerged from the Internet darkness on December 1, 1997 to become, at least in my eyes, an institution. Ralph Waldo Emerson wrote that "an institution is the lengthened shadow of one man," and www.stereophile.com is definitely the shadow of erstwhile high-end audio retailer Jon Iverson.
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Barry Willis Posted: Dec 01, 2002 0 comments
Could American copyright law be applied outside US borders?
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Stereophile Staff Posted: Dec 01, 2002 0 comments
Paul Bolin reviews the EgglestonWorks Andra II loudspeaker, noting, "It's always tough to follow an award-winning act." Bolin listens carefully to determine if "the lofty ambitions of the Andra II project" have made significant and meaningful improvements to the original design.
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Jon Iverson Posted: Dec 01, 2002 0 comments
When it comes to dynamic range, it's the little things that count. As Texas Instruments explains, "Dynamic range is a parameter that expresses numerically how accurately sounds of small amplitude can be reproduced without distortion." In other words, the higher the dynamic range, the higher the quality of the sound, especially at low levels.
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Jon Iverson Posted: Dec 01, 2002 Published: Dec 11, 2005 0 comments
As any major college dude will tell you, the file-sharing genie can never be put back into the digital audio bottle. But that hasn't stopped the music business from pursuing its scorched-market policy while simultaneously applying various use-restriction technologies to every digital audio format in sight.
Paul Bolin Posted: Nov 30, 2002 0 comments
It's always tough to follow an award-winning act. Wes Phillips raved about the original EgglestonWorks Andra back in October 1997, and it was subsequently dubbed Stereophile's Speaker of the Year for 1997. The Andra won many other plaudits, and found its way into a number of top-shelf recording studios as the monitor of choice. Such a reputation for excellence is the stuff most speaker designers dream of. It also imposes the burden of expectation—the "new and improved" version of such a knockout product had better be good, or else.
Robert J. Reina Posted: Nov 30, 2002 0 comments
I first met NHT co-founder Ken Kantor in 1975 when we were both undergraduates at MIT. Kantor was sponsoring an extracurricular class entitled "Musical Ideas." The concept was to stick a dozen or so musicians in a classroom for free improvisation and hope to create music à la Miles Davis' Bitches Brew. The result was a mess; although talented guitarist Kantor meant well, there was no common vision or consistency of musical talent. Nevertheless, I had a blast trying to simulate a tamboura drone with a Hohner Clavinet, phase shifter, and volume pedal.

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