LATEST ADDITIONS

Jon Iverson Posted: Feb 16, 2017 4 comments
Now that we've entered a world of post-disc audio (sorry, AnalogPlanet.com), audiophile streaming and file-playback products have appeared by the hundreds, and many companies are on their second, third, or even fourth-generation models.

The Chinese company Auralic Limited has been pushing bits around for seven years, releasing a half-dozen streaming and network devices. Their newest, the Altair, combines in a single package the functions of a DAC, streamer, and headphone amplifier with volume control, allowing it also to operate as an all-digital-system preamplifier. Just add power amp and speakers.

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Jason Victor Serinus Posted: Feb 16, 2017 19 comments
On February 16, Universal Music Group and MQA announced a multi-year agreement that will encode UMG's huge catalog of master recordings in MQA. In the language of the press release, the agreement promises "to make some of the world's most celebrated recordings available for the first time in Hi-Res Audio streaming." UMG's labels include ECM, Interscope, Geffen, A&M, Capitol, Island, Def Jam, Decca, Verve, Blue Note, Virgin, and EMI.
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Jason Victor Serinus Posted: Feb 14, 2017 17 comments
This year is not only one of fallout from the most divisive political campaigns of our time, but will also one of competing audio shows too close for comfort. Southern California will see dueling audio shows three months and 35 miles apart, and New York City and Washington, DC will host shows on consecutive weekends. While a proliferation of audio shows potentially presents plenty of opportunities for audiophiles to hear new gear, such conflicts ultimately limit which manufacturers can exhibit where, and can render some shows a poor value.
Robert Baird Posted: Feb 14, 2017 3 comments
Jimmy Scott: I Go Back Home: A Story About Hoping and Dreaming
Eden River ERR-LP-01 (2 LPs). 2016. Ralf Kemper, prod., mix; Geoff Gillette, James Caruso, Sean O'Dwyer, Robert Kirkpatrick, engs.; Phil Ramone, mix prod.; Lawrence Manchester, Veith Semrau, mix. DDA? TT: 56:58
Performance ****
Sonics ****

In 1992, just before Christmas, I sent out 24 copies of Jimmy Scott's newly released CD, All the Way, to friends, musical and otherwise. Most did not respond, but the eight or ten who did were on fire. "What is this?" "Who is this?" "How did I not know about this woman until now?"

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Jason Victor Serinus Posted: Feb 13, 2017 4 comments
Prepare for one of those wild, hold-on-to-your-horses rides that will send minds and sound systems spinning (and horses bolting). Andrew Norman's award-winning, 47-minute orchestral work Play (2013), plays with musician and listener expectations simultaneously while proceeding on a course barely predictable from its opening salvos. Somewhat reflective of the worlds of rock and jazz, with a language all its own and ideas far more developed, dense, and unpredictable than all but the most experimental and far out excursions, Play's visceral and cerebral appeal reaches far beyond the confines of genres and settings.
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Stereophile Staff Posted: Feb 11, 2017 8 comments
The March issue kicks off with a look by Jason Victor Serinus at the state of audio shows in 2017 and Auralic's innovative and affordable streaming Altair D/A processor takes pride of place on the March Stereophile's cover. However, loudspeakers dominate this issue's interior, with reviews of super stand-mounts from Aerial, Bowers & Wilkins, and Wharfedale and an intriguing, room-friendly tower from the Swedish Larsen company.
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Robert Baird Posted: Feb 10, 2017 1 comments
At first glance the pairing of R. Stevie Moore (right), the Nashville born/New Jersey-residing DIY legend who over the past several decades has released literally hundreds of cassettes—and, to be fair, some records he actually worked on—and Jason Falkner (left), the always brilliant, sometimes cranky, LA pop auteur behind Three O'Clock, Jellyfish and The Grays (with Jon Brion), a couple of great solo records, and contributions to records by Beck, Aimee Mann and AIR, seems fairly odd. But once you listen to Make It Be, these two triangular pegs actually fit into their own unique space that's neither round not square.
Corey Greenberg Posted: Feb 09, 2017 Published: Feb 01, 1992 4 comments
One of my favorite parts of writing for Stereophile is reading all the heartfelt letters our readers take the time to write me. There's nothing I like better than to kick off my boots, stretch out on the futon-couch, and let the groovy love vibes just shine off the pages. Time doesn't always permit a reply, but for now...AS in MD: thanks! RP in CA: sure, why not? And SH in IN: I've tried that, but it chafed.
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John Atkinson Posted: Feb 09, 2017 Published: Dec 01, 1993 13 comments
There is a tendency in magazine publishing to concentrate on the present. Writers generally downplay what happened in the irretrievable past as being of lesser importance compared with the new and exciting, their enthusiasm pretty much tied to the ever-in-motion time-line. I instituted Stereophile's annual "Products of the Year" feature, therefore, to give recognition to those components that had proved capable of giving pleasure beyond the formal review period. To confound confusion, there are just five individual categories: "Loudspeakers" (including subwoofers); "Amplification Components" (preamplifiers, power amplifiers, etc.); "Digital Sources" (CD players, transports, D/A processors); "Analog Sources" (phono cartridges, turntables, tonearms, FM tuners, etc.); and "Accessories" (everything else).
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Stereophile Staff Posted: Feb 09, 2017 1 comments
Saturday February 11, 1–7pm, Kyomi Audio (Itasca, IL) is presenting the debut of Vivid's new flagship speaker, the G1 Spirit with designer Laurence Dickie; 12–5pm, Command Performance AV (Falls Church, VA) is holding a Rogue Audio event presenting Rogue's RH-5 headphone amplifier; 1–6pm, Esoteric Audio (Phoenix, AZ) is holding a Digital Audio Event featuring Roon 1.3 and dCS's new Network Bridge; 1–4pm, Deja Vu Audio West (San Diego CA) is holding an Open House.

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