rrill Wettasingh of Merrill Audio says his class-D Veritas Monoblock amplifiers are "not for tube lovers." The crimson or black chassis is made of a solid 60lb billet of aluminum. Allowing only spade connection for the "best and biggest" sound, these 400 watt (8 ohms) power-houses seek "audio purity" rather than coloration, according to Wettasingh.
Few hi-fi brands seem to have the omnipresence in the consumer electric goods market as MartinLogan, likely because of their affordable prices and non-invasive aesthetics. Yet, I’ve never gotten a chance to hear them, only see them inside a Best Buy. I found a Grateful Dead Dick’s Picks from 5/22/77 in Pembroke Pines, Florida in their stack of CDs.
Wow. In the NYAS's always-busy Headzone area, I was extremely impressed by the sound of an AIFF file of Paul Simon’s “Diamonds On the Soles of Her Shoes” played from a MacBook, sent through Meridian’s pretty little Explorer USB DAC ($299), and then to Bowers & Wilkins’ handsome and comfortable P5 headphones ($299). Sponsored by Innovative Audio, this is the kind of sweet, functional, real-world system that is guaranteed to attract more people to the world of high-fidelity sound.
Cardas’ Andy Regan enthusiastically introduced me to his company’s EM5813 Model 2 in-ear monitor ($425; a more efficient, but less refined Model 1 version costs $325). The EM stands for “ear mirror,” as the device was designed to mirror the human ear system; the numbers 5813 are part of the Fibonacci Sequence, which remains integral to all Cardas designs.
At last year's NYAS, the Audio Note room had been a musical joy and learning experience. After a brief hello to music lover, photographer, and Audio Note exhibitor David Cope, we got straight to business with music listening. First on the Audio Note TT Two Deluxe turntable ($3500) was Las Guitarras De Sergio y Eduardo Abreu, where the brothers perform the music of Bach, Scarlatti, Albeniz, and more. Having played this record at least fifteen times in the past four weeks, I noticed immediately that the soundstage was imbalanced. Both guitars were too far to the left, but I refrained from comment.
Raidho D1 loudspeakers from Denmark ($20,000/pair), Merrill Veritas amplifiers from Colorado ($12,000/pair), a Kondo G-70 line-level preamplifier from Japan ($35,000), and a Pi Greco Sinfonia CD player from Italy ($15,000) managed to get along nicely in one of the Rhapsody Music and Cinema rooms.
In one of three NYAS rooms sponsored by the Manhattan dealer Rhapsody Music & Cinema, a pair of Vivid G3 Giya loudspeakers ($40,000/pair) sounded colorful, spacious, and well-textured with a pair of mono amps ($15,000) and a line-level preamp ($10,000) from the new Dutch company Mola Mola. (The company’s chief designer, late of Philips BV, is said to be the originator of “universal Class-D.”) Digital files supplied by Vivid’s and Mola Mola’s distributor, the reliable Philip O’Hanlonhe never fails to make my Top Five list of people who bring the best music to the showwere played on Luxman’s DSD-friendly DA06 converter ($6000).
Among the smaller systems I heard at NYAS, this nears the top of my list: the Resonessence Labs Invicta D/A converter ($3990), driving the Music First Audio Baby Reference preamplifier ($6990; see Sam Tellig’s rave in the October 2012 issue), the Wells Audio Innamorata power amp ($6000), and most recognizably, Audio Space’s BBC-approved version of the classic (imagine that word in gold leaf) LS-3/5a monitor (only $1790/pair) and SW-1a woofer towers ($1190), with cable by Audience. This setup had exceptional drive and impact: qualities I associate with good transformers, of which the passive Music First preamp has an abundance.
Audio Doctor also demonstrated a relatively affordable (there goes that bar of soap again) Euro-fi system, with Waterfall Hurricane loudspeakers ($1600/pair), an Electrocompaniet 6DS integrated amplifier ($7500, offstage), and an Electrocompaniet EMC-1UP Red Book CD player ($7290).