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Robert Schryer Posted: Jan 28, 2015 Published: Feb 01, 2015 5 comments
Audiophilia nervosa. It's a running gag with a mean streak. As audiophiles, we know its effects intimately. We know how it can turn what was once a source of pleasure and pride—listening to good music over a good sound system—into an irritating itch that can't be scratched.

The UrbanDictionary.com defines audiophilia nervosa (AN) as "the anxiety resulting from the never-ending quest to obtain the ultimate performance from one's stereo system by means of employing state-of-the-art components, cables, and the use of certain 'tweaks.' Although the goal is supposedly to achieve maximum appreciation of the music, those afflicted with this condition are merely obsessed with their electronics."

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Fred Kaplan Posted: Jan 26, 2015 5 comments
I've probably raved enough about Analogue Productions' 200-gram vinyl reissue of Masterpieces by Ellington, one of the greatest (yet, strangely, least-known) albums in Duke Ellington's vast catalog—and, despite its vintage (1950, mono) his best-sounding. The good news here: for those of you who aren't into vinyl, AP has now issued it again as a hybrid SACD.
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Stereophile Staff Posted: Jan 23, 2015 20 comments
Our special issue, Stereophile Recommended Components Collector’s Issue, lands on the shelves at newsstands and book stores this week. While the regular "Recommended Components" listings in our April and October issues concentrate on products that have been reviewed in the previous three years, this special 180-page issue features capsule reviews of every audio component that has been reviewed and recommended by Stereophile's team of writers and editors in the 12 years of listings since 2003.
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Robert Baird Posted: Jan 23, 2015 2 comments
After the death of the label’s biggest star Otis Redding in December 1967 (damn those small planes!)...
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Robert Baird Posted: Jan 23, 2015 0 comments
And so what really were the great Stax/Volt albums after 1968?
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Robert Baird Posted: Jan 23, 2015 3 comments
The whole idea of jazz “singles” seems a little absurd.
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Kalman Rubinson Posted: Jan 22, 2015 0 comments
While Dolby Atmos, which adds height information to both cinema soundtracks and domestic surround-sound reproduction has created a strong buzz in the mainstream market for home-theater A/V receivers and preamplifier-processors, it's too early to know what, if any, impact it will have on music-only recordings. I'm not sanguine about the prospects—as impressive as I've found Atmos to be for movies, the expansion of sources to the vertical plane would seem to be of little value for music performed on acoustic instruments. Moreover, it seems unlikely that mainstream record labels will adopt this format any more than they have embraced multichannel or even high-resolution audio. Sound of CD quality or below still dominates the recording industry, even if hi-rez downloads are a bright but tiny point of light.
Art Dudley Posted: Jan 22, 2015 0 comments
Kids, you tried your best and you failed miserably. The lesson is: Never try.—Homer Simpson

Months ago, as we put together the most recent installment of "Recommended Components," Phillip Holmes, of Mockingbird Distribution, got in touch and asked if we would please remove from our list the Abis SA-1 tonearm, which Mockingbird distributes (and which I first wrote about in our March 2014 issue, footnote 1). As it turns out, Abis is making some changes to the arm, and Holmes didn't think it would be right to let the recommendation endure until we'd had a chance to try the new one.

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Michael Lavorgna Posted: Jan 21, 2015 15 comments
Everything these days has a computer inside it, but you wouldn't call a car a computer. Same goes for music streamers—what we at AudioStream.com also call network players. While a network player has a computer inside, I don't consider it a computer because it's designed to do just one thing: play music.

A network player connects to your home network via Ethernet or WiFi, searches for network-attached storage (NAS), looks for the Internet to connect to streaming services, and serves up all of this music through an app that typically resides on a smartphone or tablet. The theory goes that, being purpose built, a dedicated network player should sound better than a full-blown computer, the latter's multitasking abilities degrading its ability to get us to dance, literally or figuratively.

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David Lander Posted: Jan 21, 2015 1 comments
Aerial Acoustics, the speaker firm that Michael Kelly conceived a quarter-century ago with David Marshall, is headquartered north of Boston, not far from the Merrimack River Valley region that once produced textiles and shoes by the trainload. Kelly, though, is quick to equate Aerial with far more distant firms. His industrial models are in Germany, where he lived for a while when his father, a US Army officer, was based there, and where he later spent time as a vice-president of a/d/s/, which had been founded by a German-born and -educated scientist, Godehard Günther, who died last October. They're small-to-midsize specialty firms that together constitute a category called Mittelstanden, and they're as accomplished as they are narrowly focused. They're artisan enterprises, and it's only natural that someone as dedicated as Kelly is to building state-of-the-art loudspeakers would embrace them as examples.

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