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Bedini CD Clarifier---like an idiot, I had to get the expensive "powered" one. A waste of money!
High-end audio has always supported a fringe element of manufacturers who make bizarre products backed up by loopy "research." Curious, strange, or just plain silly, these products, and the claims made for them, have given the audio hobby a sort of "Flat Earth Society" cult reputation.
I don't think there is one category that is silly. If anything is silly about high-end audio, it's the fact that most of us can't wait to hear about the new, most current thing that can enhance our listening enjoyment, whether it be a $2 double-platinum binding post or a $10,000 interconnect. I think most of us like the hobby enough that any review of a new product is worth looking at. Since the hobby is an expensive hobby, we all can't decide to get new "main" components all the time, so some of the little tweaky things that come along from time to time are kind of fun.I think this for a couple of reasons: 1) They just might enhance our listening pleasure (if we're very lucky). 2) Even if we don't admit it, it's always a nice little ego boost when our friends come over and see a new little gadget incorporated into our systems---then we can explain how our "complex musical tastes" need the device that we've taken such care choosing to purchase for our component lineup.
CD Diapers---A new "no load" gauze-like material applied to the upper surface of your CDs that reportedly is derived from the tips of a secret tree in southeast Asia discovered by Zen-master audiophiles. Filters the, uh, well . . . the unwanted "crap" out of those CDs of questionable audio quality. Restores vinyl-like aural timbres, removes dark, loud resonances, presents HUGE soundstage, and serves duplicate service in the event the Charmin runs out.
Solvents for gold connections, green lights for CDs, etc., make claims that are based upon subjective listening. There should be a scientific explanation that---at least qualitatively---makes sense. Sound reproduction involves fields of study such as physics, chemistry, and electrical engineering. In making claims about improvements in sound, manufacturers of "ceremonial listening aids"---and other devices that improve sound reproduction---should cite scientific and engineering principles that support their claims. Failure to do so casts a shadow on the credibility of manufacturers' claims.
USING LIGHT AS AN ENCASEMENT AROUND AN INTERCONNECT IS A VERY BOLD MOVE TO CONVINCE THE CONSUMER THAT THEY WILL ACTUALLY HEAR THE DIFFERENCE. YOU CANT POSSIBLE MEASURE THE EFFECTS OF A LOW CURRNENT LIGHT SOURCE AROUND A CABLE. ITS LIKE SETTING A COUPLE OF HOCKEY PUCKS ON STANDS AND SAYING IT TAKES CARE OF FREQUENCY PROBLEMS IN A ROOM!! HEHE
Audio magazines, with constant rave reviews., and a useless rating system. What is the point of this? to pick on certain manufacturers? there is only one maker of water encased cables, and Illuminated cables, and one majic clock. I am not suporting these items, but your biases run deep. Why not just say"who laughs at Tice and PAD?" and be done with it?
In your October 1997 edition of "Recommended Components," there is a listing for a CD transport unit for $17,500. This is without question the silliest thing I've ever seen---an audio device that by itself does not even play music. And only $10,000 shy of the average annual salary for Americans!
The religious phenomenon of cable "technology" in audiophile circles is purely mythological. You certainly need quality cable that has not frayed and sports a sheath that has not vulcanized, but some of these speaker/component interconnects border on the inane. You don't need 10-lb magnetic shields cupped to your RCA plugs for optimal sound.