Style by O'Hanlon
“And what’s interesting about this,” O’Hanlon continued, “is that you’ve probably heard it a million times on the radio, but you’ve never heard it like this.”
Philip O’Hanlon was right: I had never heard it like thisbig, clean, powerful, and nearly alive, with exceptionally tight bass and overall awesomeness. Beyonce was practically in the room and I was gawking as she shook her hips and clapped her hands. I doubt that Beyonce herself had ever heard it like this. I looked over my shoulder to make sure Jay-Z wasn’t in the room to catch me staring. People came from the nearby bar, from down the long corridor, from the seminar rooms, and from the vinyl marketplace, all drawn by the sound of the music.
If my friends had heard “Bills, Bills, Bills” sound this good, they’d all want a hi-fi, too. This particular system was made of Vivid Audio B1 loudspeakers ($14,990/pair); a surprisingly robust, class-A, 20Wpc Luxman L550AX integrated amplifier, with phono stage, tone controls, and very good looks ($5400); a sexy Luxman PD171 turntable ($6400, with Brinkmann Pi cartridge); an Audioaero Capitole Reference disc player; Audience Adept Response power conditioner; and Klee Acoustics cables.
O’Hanlon followed Destiny’s Child with Michael Jackson’s “Billie Jean” and, with that, clinched the title for “Best Music of the Show.”