Estelon: Candy for the Eye and Ear
If I had known the name of the power conditioner, I would have played something symphonic. But growing weary on the third day of the show, I chose an analog recording of soprano Eileen Farrell in her prime. The great Farrell could have easily blasted through the walls of the hotel room had she been present in person, but even in compressed form, she was formidable. Everything sounded gorgeous, including the realistically rich presentation of well-recorded basses and cellos in the accompanying orchestra.