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Being that I own high-end equipment, I enjoy seeing what else is out there.
A common complaint about <I>Stereophile</I> is that we review too much expensive equipment that our readers could never afford. Does this bother you, or should we continue to pursue state-of-the-art sound, without regard to cost?
Review the cutting edge stuff, and, of course, that usually means high priced, but pleeeaaase remember that just because it's high priced does not mean it's the cats' meow. In my mind, the higher the price the more you need to put it through the ringer. If it's great, so be it, but remember today's best is usually tomorrow's boat anchor. I wonder what Colloms thinks of the Krell FPB amp today that he thought was the best thing he ever heard, just a few years ago?
The reviews of expensive products are great -- but I'd like to see an increase in the reviews of affordable gear. While the What Hi-Fi? approach is certainly not the way to go, many enthusiasts have to shop in the shallows of the High End. At 25, I'm still a young 'un and simply cannot afford megabuck equipment. That's not to say I 'll never own it -- it's just that I'm going to have to save up for a couple more years. All said, I think the magazine should stay intrinsically the same, but with perhaps one extra reviewer concentrating on less expensive gear. Ideally, this should be someone (like myself ;)) who is in the process of finding his way into the real high end. For example, my system is made up of a mid-fi amp (Harman Kardon HK1400), entry-level high end DAC and transport (EAD T1000 and DSP 1000 series II), and very entry-level speakers (Acoustic Energy Aegis Ones). I think it'd be interesting if someone with a somewhat similar set-up could take readers through the process of effectively upgrading to meet specific criteria -- spending $70,000 per component not being among them.
I need some expensive equipment reviews to know what to aim for (assuming said equipment hits the mark). But I need more items reviewed with a bias toward VALUE. This is especially true now that Audio and Stereo Review are gone and non-audiophiles are reading STEREOPHILE. Ya gotta hook them.
That's the very reason I read Stereophilethere're plenty of magazines featuring "the best CD player for $200," etc. I cannot afford a Porsche Turbo either, but I am much more interested in reading about it than about, say, a Yugo. Dreaming is a big part of being an audiophile . . .
I think you have achieved a reasonable balance in your selection of products to review. Hell, if I wrote for Stereophile, I'd want to have $85,000 speakers in my house, too. You've got to keep your reviewers happy as well as your subscribers.
A broad range, from moderate to high priced items would serve a broad range of readers. How about a stereo technology lesson every month? I am not an electrical engineer and cannot tell you what ohm, bit, sampling rate, hertz, cycles means. The technical info in your magazine is way over my headit's like reading Greek!
You gotta love it all. I'd never want to invest big bucks for something that is way out on a limb, but it sure is fun to read about the stuff. Someday a used classic may become available that I can afford. The expensive stuff points the way for the affordable gear.
Well, the Sam Tellig cover-to-cover choice was a difficult one to avoid . . . but I feel a few "cost-no object" reviews" are important. I'd be willing to bet that many of the people that bitch about pricier gear are also the ones that seek it out later as used! Could a good review have ANYTHING to do with that? That is not really important. What is important, however, is reading a good description of the differences heard in the review piece compared with other gear, so that those of us with less expensive (PERHAPS less discerning gear) can ascertain whether we are getting closer to that very expensive musical truth. I recently read a car mag's letters to see if those readers complain about expensive machines . . . they do! A car mag with articles about nothing but inexpensive Kia and Honda automobiles would be JUST as interesting as an audio publication describing the sound of $299 Pioneer (insert the lo-fi company of choice)receivers. I don't think either publication would last very long.