Burning Amp's Slow Burn
The 2013 Burning Amp, the DIYAudio forum's "annual experiment in temporary community dedicated to radical self-expression and self-reliance," got off to a slow start. Although a semi-hidden posting about the one-day, all-volunteer event, held in six rooms at San Francisco's Fort Mason Center on Sunday, October 6, appeared months ago, the email blast to the Burning Amp mailing list only went out late on October 3. As a result, attendance was light, making it much easier to listen to music in the extremely live, audio unfriendly rooms.
Central to every Burning Amp is Nelson Pass (above), whose boundless generosity and support to DIYers worldwide has made him a father figure of sorts. (The gray hair helps.) This year, in addition to his presentation, "The Simplest Amp and Other Stories," Pass's Burning Amp Pass Pub room was transformed into an Amp Camp Amp Wonderland, where various amp designs mated with "a bunch of loudspeakers that you can make" (below)
Pass took infinite delight in showing his "simplest amp," created with two transistors, a transformer and wirethe fewest parts he'd been able to use to make it work. "Of course, I tossed off all the complexities to the external power supplies and five switches," he told me. The sound, which I only heard through I'm-not-sure which speakers at the end of my four-hour visit, was amazingly pure. It also displayed gorgeous warmth, albeit without the color that power conditioning, superior cabling, isolation supports, more expensive parts, and other audiophile prerequisites can coax out of components.
How lovely it was to discover Pass playing, not the usual Diana Krall, Jacintha, and "whatever I grabbed in the rush" demo fare, but rather an eclectic audition CD that included, in this order, selections from Chick Corea, Ladysmith Black Mambazo, and Philip Glass's Akhnaten. When, other than when Stephen Mejias or someone as adventurous chooses the music, can you hear such a refreshing musical mélange at a show?
Pass shared the room with Dana Brock (above), who hosts the DIY Amp Camp/Speaker camp at his Northern California spread in Sebastopol. (It's either amps or speakers, depending upon the year.) Although Dana's son, Nelson, who exhibited last year, was off at his freshman year at MIT, his other son, a UC Berkeley student who was so ridiculously tall that I couldn't read his name tag, was helping out.
In the course of a day, for the cost of materials only, participants in the last Amp Camp managed to build an amp whose plans are available from Pass's article on the First Watt and Amp Camp sites, and whose kit is available from DIYAudio. The amp uses the same switching power supplies that power laptop computers. Nelson reports that, last year, 24 people showed up, including a teenager, "old farts like me," and some who had never before yielded a soldering iron. "It was pretty exciting to watch people get the bug," he said.
One of Pass and Brock's goals was to cycle through various 4" drivers, and ask visitors to decide which one to use at the next Speaker Camp. Among the many speakers doing the honors were Nelson's open baffles. Whenever a new driver or Amp Camp special was inserted into the chainI heard both Amp Camp Amp #1 (ACA1), a 5W class-A baby with a distinctive black and red housing, and Pass' Simplestpeople listened attentively.
You never know. . .
Due to limited time, I visited the big room only long enough to see Scott Wurcer discussing the history of op-amps, and skipped both Pass's presentation and Jan Didden's on the Smyth Realizer process for headphone listening. Instead, I encountered Parasound's Richard Schram (above right), who posed for a photo with Jason Donald, administrator of the DIY Audio site (above left), and Paul Norton of Linear Systems (above center). Schram was especially enthused about Linear Systems' limited-release LSJ74 P-channel JFET, which fabled circuit designer John Curl pushed them to manufacture. It's available exclusively through the DIY Audio store. Also on display were the new LSK49 dual N-channel JFET, and LSK189 single N-channel JFET.
"For some people, these products are like Brittany Spears without the underwear," Norton quipped. Making sure his belt was fastened tight, Schram followed suit with, "Everyone has been breathing fumes since Toshiba ceased manufacturing their JFETseveryone except for people like Charlie Hanson of Ayre, who bought up gobs of them. We're all grateful for Linear Systems, who has made them available once again."
In another demo room, I encountered architect/DIY hero Mark Cronander (Variac) pictured above, who has sustained Burning Amp with other equally valiant volunteers for the past few years. First he proudly showed me the amp his 8-year old nephew built at Amp Camp 2012. Then we turned to his mini-skyscraper version of Nelson Pass' First Watt 100Wpc F-4 clones, which he demed in an all-balanced system that included a compatible, high output preamp designed by DIY moderator Stuart Yaniger, an Oppo BDP-105 disc player, and Basszilla speakers designed by erstwhile Stereophile writer Dick Olsher. (Plans are available for a whole $30.)
"I'm very proud that I pushed him to come up with this new model," Cronander said. From its Aurum Cantus 2.5" ribbon tweeter, Fostex 8" midrange unit, and Eminence 15" woofer I heard sound that was surprisingly smooth, given that most of Cronander's CDs were of early digital-hell provenance, and the presence of hum caused by a faulty soldering joint in one of the preamp's 200 (!) soldered step attenuator connections (above).
I also took a brief listen to a ridiculously loud blast of Diana Krall on Koho of San Francisco's field-coil loudspeakers (above). This year, these imposing DIY babies were tuned up with custom modified field-coil drivers using the original paper cone and alnico magnets.
In the room traditionally occupied by speaker design legend Siegfried Linkwitz and his gracious wife, Eike (above), I also encountered Jack Vad, recording engineer for the San Francisco Symphony. Together we auditioned Linkwitz's LX-521 open-baffle loudspeakers, whose plans are available for purchase.
"Instead of an analog signal processor, I'm using an all-digital mini DSP crossover developed by Dave Reite," he said. "It duplicates the transfer function of the analog circuitry and sounds the same to my ears." Paired with an old Oppo used as a transport and an ATI 6012 amplifier, the speakers masterfully controlled deep percussion, and also excelled in the midrange.
"I'm done with listening to other loudspeakers," Linkwitz declared. "I can tell by inspection what's basically wrong with every loudspeaker; I don't need to hear it. All box speakers radiate sound in a way that is not friendly to the brain. Stereo is like a magician's trick; the auditory illusion only exists in the brain. To create it, you need to hide the speakers and the living room and the system. Since you usually can't, the trick is to remove the cues that tell the brain that speakers and a living room are present. Our brains can fill in missing pieces, but they can't remove something that shouldn't be there.
"What this means is that loudspeakers have to send the same sound into each direction at all frequencies. Reflected sounds should not distract, and must be delayed by proper speaker placement. They must arrive later than the direct sounds so that the brain can process and ignore them as separate acoustic events. The common box loudspeaker radiates in all directions at low frequencies and beams at high frequencies. My loudspeakers have frequency independent directivity to address this issue."
Across the hall, I encountered first-time exhibitor Mario Yrún of San Rafael, who teaches finance and accounting at City College San Francisco. Yrún had housed a Mark Audio Alpair 12p paper cone driver in a pensil cabinet that he built using an open source cabinet design by Scott Lindgren. Into the high end since he was a kid, Yrún began restoring old Marantz receivers 5 or 6 years ago, and soon got into speaker building.
Cronander, who pairs DIY exhibitors together based on component capability, had matched Yrún with Cary Chin, a San Francisco resident who currently manages shipping and receiving at a toy store. Chin, as it turned out, had taken Yrún's finance class a few years earlier. How cool is that? Chin's babies, a Bottlehead Sex amp and Bottledhead BPre (above) with upgraded parts from Kevin Olson, helped create a very nice sounding system.
In the final room stood a repeat system from software engineer Ti Kan of AMB Laboratories, including his open source design AMB Beta 24 power amp and micro-controller controlled Alpha 10 preamp. Next to him again resided network programmer Bryan Levin of Sercona Audio, who showed a proof-of-concept, open source multi-channel preamp controller (below).
After several hours of listening and schmoozing, I skipped the annual Big Give-Away feeding frenzy, and headed home to walk the pooches. Here's to Burning Amp 2014.