i saw a familiar face when I went into the Veloce room, as Mark Conti, who designed the unusual Impact speakers from a few years back, is now involved in this line of battery-powered amplification. My eyes were attracted by the Veloce Platino LFT-1 linestage in the photo ($12,500), which will run for 70 hours before needing recharging, but driving the Marten speakers in the room via Purist cables was a pair of battery-power monoblocks ($12,000/pair). Battery power? Yes, the input stage, based on a 6922 tube, is transformer-coupled to a high-efficiency class-D output stage based on the Hypex module designed by famed Dutch engineer Bruno Putzys. A charge will last 4080 hours depending on the speaker's load impedance, Mark told me.
Like many Stereophile readers, I read with great interest, and a certain amount of incredulity, Jason Victor Serinus's rather gushing CES report on the Sennheiser HD800 headphones. Now, I have a lot of respect for JVS's opinionswe share an appreciation of opera and other vocal music, and we're both great fans of Fritz Wunderlichbut, reading his report, part of me was intrigued and another part was thinking "Come on, Jason, these are just headphones, what's the big deal?"
Stephen Mejias reported a couple of days ago on the excellent sound being made in the room featuring DeVore Fidelity's Gibbon Nine speakers, driven by a Leben integrated amplifier. I was equally impressed when I auditioned a Curtis Mayfield live album in this all-analog room, played on the Clearaudio Champion Wood turntable fitted with a Clearaudio Unify arm with a carbon-fiber armtube and an EMT JSD5 MC phono vcartidge.
Component supports take a variety of forms: squishy, rubbery things; hard, pointed things; ball bearings (loose or constrained); air or liquid bladders, etc. The Spike component supports, imported by Divergent Technologies, were a new one for me: they use magnetic levitation. Now, I'm familiar with platforms using this principle, but these are individual component feet, each with opposed magnetic components. A box of these "Spikes" contains four such feet, and the price for the total is CN$200. I was surprised that magnets could be made strong enough in this small size to be able to support equipment of substantial weighthich they apparently can.
Box Furniture Co.'s Anthony Abbate started as an apprentice to furniture maker Robert Martin. A love for music, sound, and hi-fi would soon get Anthony building equipment racks for his personal system. Later, a chance meeting at Max Fish, the colorful little bar on Ludlow Street in the Lower East Side, with speaker designer John DeVore, would lead to a partnership with DeVore Fidelity, building John's handsome speaker cabinets. (Oddly, but perfectly, Anthony would later later discover that John had sold him some of his old hi-fi equipment. Their relationship was obviously a product of fate. And you can't mess with that.) Anthony's equipment racks and isolation platforms, like the speaker cabinets, are nothing exotic or gaudy. Instead, they are simply elegant. But not elegant in the precious sort of way. Elegant in that nothing is wasted. Elegant in that form matches function. Anthony's work simply is what it is; pure and honest lines, mortise and tenon construction, catalyzed finishes, handmade in Brooklyn, New York.
I adored the sound in the small Son-Or-Filtronique room with the Audio Research VSi60 integrated amplifier, Audio Research CD8 disc player ($10,000), Verity Audio Finn loudspeakers ($6000/pair CAN), and Shunyata cables. Adored it.
Son-Or-Filtronique's Dany Poulin stands with the Verity Audio Finn. Paired with the Audio Research VSi60 integrated amplifier and CD 8 disc player, the Finns, which are rated at 91dB efficiency and use a rear-firing woofer, were making some gorgeous sounds.
What a cool piece of gear: Handmade in Plymouth, Minnesota, the Audio Research VSi60 vacuum tube integrated amplifier ($4000) is a fairly compact unit (14" x 8" x 16") that delivers 50Wpc. Its milled top plate has an inset AR logo, while its striking front panel has super-cool function and volume LEDs on the left and totally caressable, soft-touch buttons on the right.
Is it just my perception, or do people who are looking through bins of LPs have a kind of happy excitement about them? The vinyl-buying folks at SSI sure seemed to be a really happy lot. Selecting CDs seems to be a much more matter-or-fact endeavor. And I can't imagine anyone getting too excited about the act of buying a new hard drive for their music server.
I am only familiar with the name "Solen" from the company's audiophile-quality capacitors and other passive components, so I wasn't sure what to expect when I entered the room labeled "Solen." The beautifully finished speakers, demmed with an Ayre C7-xe CD player, Accuphase preamp, and Rotel power amp, were one-off designs to show off what coud be achieved by the audiophile interested in "rolling his own." (Selections from AudioXpress magazine's library of speaker design books were also on show.) The large speaker with the outboard crossover sounded pretty good, I thought. It combined a JBL subwoofer with an Audio Technology woofer, ATC dome midrange, and Dynaudio Esotar tweeter.
The Pierre Gabriel speakers usually demonstrated at the Montreal show are normally humongous affairs, and, with partnering equipment by Jadis, the system price may leave you with little change from a $500k bill. I was surprised, then, to see a relatively modest-lookingbut still very-good-soundingspeakers playing in the Pierre Gabriel/Jadis room.