Michael Lavorgna

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Michael Lavorgna Posted: Jun 07, 2011 0 comments
In the second room, the Vandersteen Model 5A Carbon loudspeakers ($24,000/pair) were paired with the Audio Research Reference 150 Vacuum Tube Stereo Power Amplifier ($12,995), Audio Research Anniversary Edition Reference Preamplifier ($25,000), and the Basis Audio Inspiration turntable (no price noted), which that comes with the Vector 4 tonearm with VTA Micrometer, Synchro-Wave Power Supply, Cable Isolation System, Vacuum record hold-down system, and Microthin belt. All cables from AudioQuest.

The Carbon 5A loudspeakers have a 400W subwoofer amplifier built into each speaker and Richard Vandersteen says the frequency response is 22Hz to 30kHz ±2dB, and I believe him—even in this small room, the bass was taut and fast with no bloat to be heard. The sound was relaxed and engrossing.

Michael Lavorgna Posted: Jun 07, 2011 0 comments
The only negative I heard from exhibitors came from those whose rooms abutted the outdoor live entertainment area. When I arrived in the M•A Recording and The Signal Collection room, the band outside was in full boogie at full volume. While Chris Sommovigo from the Signal Collection did his best to overcome, the live music overcame our demo.

The promising-looking and, from what little I could deduce from listening through the live music, promising-sounding Transmission Audio MI1I loudspeakers ($4500/pair) were designed by none other than Bo Bengtsson. The speakers were coupled to a Bel Canto C5i integrated amplifier, with a Korg MR 2000 playing digital files from an laptop.

Michael Lavorgna Posted: Jun 07, 2011 0 comments
On A Higher Note is the US distributor for Audioaero, Luxman, Brinkmann, and Vivid Loudspeakers, and Philip O'Hanlon is its founder and president. Philip is also another guy that gets it. Music that is. Actually Philip O'Hanlon has seemingly mastered the art of music presentation and is one of hi-fi's more endearing characters. You really don’t want to leave while the bow-tied and nimble-footed Mr. O'Hanlon is spinning the tunes or telling stories.

To make matters better, the system we listened to was absolutely musically engaging to the extreme. It included the Vivid Audio G2Giya loudspeakers ($50,000/pair), Luxman M-800A class-A stereo amplifier ($19,000), Luxman E-1 phono stage ($4000), Brinkmann Oasis direct-drive turntable ($13,400), Brinkmann 9.6 tonearm ($4000), Brinkmann Pi cartridge ($2700), Audioaero La Source CD/SACD player also used as preamp ($44,000), with Crystal Cable in use throughout.

Michael Lavorgna Posted: Jun 07, 2011 1 comments
LA retailer The Audio Salon was showing an impressive sounding system—Magico Q5 loudspeakers ($59,950/pair), Spectral DMA 360 Series II monoblock amplifiers ($20,000/pair), Spectral DMC 30 SS Series II preamplifier ($10,000), and the Spectral SDR 4000SL CD Player ($19,000). Cable was from MIT and acoustic design was by Art Noxon of ASC. (From Maier Shadi of The Audio Salon: "The Audio Salon built a hidden, non-parallel, zig-zagged wall, and frame system behind the curtains for the acoustical treatments. Over 120 lengths of 8' 2x4's made up the 16 huge 6' x 8' hidden walls.")

The room was very dark, the Q5s were set up very far apart and the California Guitar Trio's version of "Bohemian Rhapsody" from their CD California Guitar Trio Rocks the West rocked my expectations, and I kept expecting (and kind of hoping) Freddie Mercury or his voice, would peer out from behind the curtain.

Michael Lavorgna Posted: Jun 07, 2011 0 comments
Retailer Affordable Audio was showing off the very intriguing Zingali Zero Otto loudspeakers ($5999/pair) from Italy. This was the Zero Otto's US debut and I’d say they did better than fine. With its 93dB sensitivity and a nominal impedance of 6 ohms, the low-powered crowd should be pleased to have another option.

Associated equipment included the Audion Sterling EL34 Anniversary integrated amplifier ($3995), a Bel Canto CD2 Transport ($4999), and Bel Canto DAC 3.5VB ($3495), with cable from Cable Research Lab’s Bronze Series.

Michael Lavorgna Posted: Jun 07, 2011 0 comments
These brands were located in the California Room, which oddly enough was in the opposite direction of everything else at T.H.E. Show. I very much enjoyed my brief time with the 90dB Reference 3A Grand Veena loudspeakers ($7995/pair), which carry on Reference 3A-s tradition of relatively easy-to-drive loudspeakers, the brand-new Concert Fidelity ZL-120V2 monoblock power amplifiers ($28,000/pair), Concert Fidelity CF-080LSX line-stage preamplifier ($20,000), Concert Fidelity DAC-040 D/A converter ($10,000), and the Concert Fidelity SPA-4C phono stage ($14,000). The turntable was the Perpetual Technology TT 1 ($2500); a Copland CCDA 825 CD player ($6500) was also in use; and all cable was from Cable Research Lab.

We listened to Aimee Mann and Leonard Cohen on CD and it sounded lovely.

Michael Lavorgna Posted: Jun 07, 2011 0 comments
On display in the Legacy/Coda room were the Legacy Whisper HD loudspeakers ($20,000/pair), which include a pair of 500W internal amps driving the four (4) 15" carbon-fiber/pulp-composite subwoofers. I arrived at this room around 4:00pm on Sunday, the show closed at 5:00pm, and I got the feeling the very genial guys in the room were ready to relax. Since they didn’t have a hand-out with model and pricing information, one of the reps offered to write up a list which I'll share verbatim: Coda monoblock amplifiers ($10,000/each), Coda 05X preamplifier ($5500), and Coda CD player (no price given), for a total of $45,500 including the Legacy Whisper HDs. Cable was from Kimber.

My notes read "very immediate vocals, balance tipped up/beaming." Clearly more time and care would be needed to hear this system at its best.

Michael Lavorgna Posted: Jun 07, 2011 3 comments
Kal Rubinson reviews the Sony SS-AR-1 loudspeaker ($27,000/pair) in the July 2011 Stereophile, due to hit newsstands next week, so I’d highly recommend reading his review if you want to know about these wonderful-sounding speakers. In addition to the Sony SS-AR1s, equipment in this room included Pass Labs X350.5 monoblocks, Sonoma 32 DSD multitrack recorder and editor, EMM Labs CDSD, EMM Labs DAC6SE, EMM Labs Switchman 3, with cable from Kimber Kable. System price, with two pairs of the Sony SS-AR1s, was $263,220.

We listened to a gospel track and the sound was expansive and detailed, with pinpoint imagining and all in all offered a truly moving performance. In this case, the Sonys seemed to enjoy this large ballroom, which makes me wonder what they'd be like in a normal listening room.

Michael Lavorgna Posted: Jun 07, 2011 0 comments
Precision Audio Video is both a retailer and the US distributor for Venture and Weiss products. They were exhibiting the Venture Encore Loudspeakers ($46,000/pair), Venture V100A+ Reference monoblock amplifiers ($60,000/pair), Venture VP100 Reference full-function preamplifier ($28,000), Venture VP100P phono preamplifier ($26,000)—"which provides substantial higher quality for the vinyl analogue play back—a Spiral Groove SG1 turntable, with a Spiral Groove tonearm and London Decca cartridge. The Weiss Jason CD Transport ($24,000) fed a Weiss Medea DAC ($20,000) and all cabling was from Venture.

We listened to Eric Clapton’s "Tears in Heaven" unplugged on vinyl and the very nice guy from Precision A/V kept asking his associate to turn it up. One of the issues with demoing hi-fi in a huge ballroom is that it's difficult, or damn near impossible, to energize the room and fully engage the listener.

Michael Lavorgna Posted: Jun 07, 2011 7 comments
I got to hear both the Audience ClairAudient 2+2 loudspeaker ($5000/pair, reviewed in the July 2011 issue of Stereophile) and the diminutive ClairAudient THE ONE ($995/pair). Associated electronics and cables were also from Audience and included the Wavepower monoblocks ($14,000/pair), a class-D analog switching power amplifier that put out 200W into 8 ohms, the Wavemaster preamplifier ($13,000), and AU24e cables and power cords and an Adept Response High Resolution Power Conditioner ($5000). The source was an Audience-modified Oppo BDP-83SE Blu-ray player, which was not for sale (priceless).

The Audience guys seemed to get no end of enjoyment watching people’s jaws hit the floor, the rug was littered with audiophile jawbones, when they played the single-driver ClairAudient THE ONE, which has nearly unbelievable bass performance for its size. Both speakers actually sounded big and solid with a nice fat midrange.

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