Robert Deutsch

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Robert Deutsch Posted: Jan 10, 2013 0 comments
The Sony press conference is arguably the most prestigious at CES—and the largest. It would have been even larger if Sony did not have the policy of allowing only select invited members of the media to attend. Having a Press badge by itself does not guarantee admission. Even so, I overheard a Sony rep saying to one of his colleagues that attendance at the Sony press conference was over 1600.
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Robert Deutsch Posted: Jan 08, 2013 Published: Jan 09, 2013 1 comments
Although most of the products on display at CES Unveiled were not in the audio category, there were a few products that were of interest to Stereophile readers: winners in the Best of Innovations 2013 contest, which had products nominated in various categories of consumer electronics. The Sennheiser 800IE earbuds are the result of several years of research, and are claimed to have a frequency response of 8Hz–41kHz, ±3dB—an astonishing achievement for a single transducer. The price is $999. For many people, earbuds are almost a disposable item, and are often left on planes. I would be very afraid of losing these.
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Robert Deutsch Posted: Jan 08, 2013 Published: Jan 09, 2013 0 comments
The Best of Innovations 2013 award for High Performance Audio went to the B&O Beoplay A9 digital loudspeaker ($2699), which offers wireless streaming via AirPlay and DLNA. The Beoplay A9 was on static display. It's an interesting-looking product, and I'd like to have a chance to listen to it. Maybe at the B&O press conference that's coming up on Tuesday. . .
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Robert Deutsch Posted: Jan 08, 2013 Published: Jan 09, 2013 0 comments
QAT Audio Technology is a Chinese company, whose principals have a wide range of interests, from bio-medical engineering to musical performance and composition, and their products aim at the highest level of performance. The QAT MS5 ($5990), which received the Best of Innovations 2013 award is a music server that includes a TEAC CD drive, 2 TB-capacity hard drives, and a tablet-style remote control.
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Robert Deutsch Posted: Jan 08, 2013 Published: Jan 09, 2013 0 comments
What's this? Somebody found a way to market needle talk (aka stylus chatter)? Michael Fremer should be here to check this out!
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Robert Deutsch Posted: Jan 08, 2013 0 comments
The Parrot AR.Drone 2.0 has nothing to do with audio, high-performance or otherwise, so it arguably doesn't belong in a Stereophile show report, but I'm assuming that some readers are gadget-philes as well as audiophiles. The AR.Drone 2.0 is a toy, but not "just" a toy: it has two cameras, so you can shoot aerial helicopter-type shots and view them live on your iPad. Wouldn't you have wanted one of these when you were a kid?
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Robert Deutsch Posted: Jan 08, 2013 0 comments
CES Unveiled, scheduled from 4:00–7:00 p.m. on the day before the Press Day, is an event that provides a preview of CES, giving exhibitors a chance to have press coverage before CES proper opens, and, similarly, allows attending members of the press to get an early start on their CES coverage. It's a kind of mini- (or micro-) CES, with products mostly on static display, and, given its size (small booths in a hotel ballroom) it cannot be representative of the giant entity that is CES. Still, for most of the CES press, CES Unveiled is the only game in town during that time, so you might as well attend—and, who knows, maybe you'll see something interesting that's worth checking out further when CES opens. Based on previous experience, I knew there would be a long lineup, so I didn't go until after 5 o'clock. There was no lineup, but inside it was still crowded.
Robert Deutsch Posted: Oct 24, 2012 2 comments
It began when I reviewed the MartinLogan Montis loudspeaker (September 2012). The amplifiers I had to drive the pair of them were the PrimaLuna ProLogue Premier integrated ($2999), the Audiopax Mk.II (no longer available; the Mk.III costs $22,000), and the Simaudio Moon Evolution W-7 ($9000). The first two are tubed, with power in the 30–40Wpc range; the solid-state Simaudio puts out 150Wpc. The Audiopax, which sounds great with my Avantgarde Uno Nanos, turned out to be not such a good match for the Montises: weak in dynamics, and too soft sounding. The PrimaLuna and the Simaudio were better overall, each with its strengths and weaknesses, though neither was ideal. I really liked the ProLogue Premier's tonal characteristics, and wondered what a higher-powered tube amp would sound like with the MartinLogans.
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Robert Deutsch Posted: Oct 01, 2012 0 comments
Last year's TAVES involved a partnership of Suave Kajko and Simon Au, both from the Toronto area, as well as Michel Plante and Sarah Tremblay, organizers of the well-established Montreal Salon Son & Image (SSI). Michel and Sarah also brought with them most of their staff from SSI. Suave and Simon were new to "show" business, so when it was announced that Michel and Sarah were not going to be involved in this year's show, there was some concern. Would these Torontonians have the élan, the savoir faire, the je ne sais quoi needed to run a show like TAVES.

Mais oui! It was a great show!

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Robert Deutsch Posted: Oct 01, 2012 1 comments
The most expensive audio system at TAVES 2012 was in the main ballroom. With components from Burmester's Reference line, the total cost of the system was $500,000. That's according to the advance write-up in Canada HiFi magazine. At the show, I heard $600,000 mentioned as the price. But I guess that when you're at that level, what's an extra $100,000? The system was playing during the show and served as PA system for the concert by Cindy Gomez. How did it sound? On its own, not at the concert, it sounded very good indeed, especially considering the size of the room (huge) and the lack of acoustical treatment. At the concert, it sounded like it could have been any PA system.

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