John DeVore introduced a new speaker at CES that is said to take "fidelity and flexibility to a new level." The Gibbon X ($11,000/pair), the first three-way speaker in the Gibbon series, has a new midrange driver that incorporates DeVore's Adaptive Surround, a new tweeter in its own isolated enclosure, dual 7" woofers that are claimed to move more air than some 10" drivers, and a hand-built cabinet made from solid bamboo.
Vienna Acoustics' Mozart loudspeaker was introduced at the 1996 CES, and it has stayed in the line ever sincealthough not, of course, without some changes/modifications. (My review of the original Mozart was in the January 1997 issue). The current Mozart Grand SE ($3500/pair, a not-unreasonable increase from the $2500 of the original), introduced at this year's CES, has a spider-cone low-frequency driver of similar design to Vienna Acoustics' more expensive models, a modified tweeter, changes in cabinet construction, and crossover changes. As demoed by Kevin Wolff of US distributor VANA (see photo), the Mozart Grand SE had the same sort of beguiling sound that I remember from lo these many years ago.
I had a quick look in Nola's room, and as soon as I saw their giant speakers, I knew that these were not going to be in my designated "Under $15k" price range. Indeed, the speakers (whose name escapes me, but it has something to do with boxing) were just under $200k/pair. They sounded great, with tremendous dynamics, but I have trouble relating to speakers in that price range. "Do you have anything new and relatively affordable?" Yes, said Nola's Marilyn Marchisotto. The $9998/pair KO (another boxing reference) was being used in another room in demos by Nordost.
Sandy Gross has done it again! At CES 2011 I was blown away by the sound quality and value offered by the GoldenEar Triton Two, my highly positive impression confirmed by more extended listening (see my review). At CES 2013, Sandy introduced a speaker with possibly an even greater quality/value combination: the Triton Seven. This is another floorstander, but much smaller than the Triton Two (or the Triton Three that was introduced last year). It uses similar drivers as the Triton Two, including the High Velocity Folded Ribbon (aka Heil) tweeter, but, unlike the Triton Two, the bass is not powered. The lack of a powered subwoofer has allowed Triton Seven to be priced at $1399/pair. Surprisingly, the bass, which is one of the major strengths of the Triton Two, does not appear to have suffered, and the speaker has the same sort of transparency and precise imaging that characterizes the Triton Two. The Triton Seven is expected to be available in May. Photo: Sandy Gross with the Triton Two and the Triton Seven.
Many speaker manufacturers give their various speaker lines fanciful names that make it difficult to determine a given speaker's position in the manufacturer's intended quality range. Polk, in contrast, simply places their speakers in three categories: Good, Better, and Best. I suspect this helps sales staff in stores enormously in communicating what the differences are between various speakers from Polk.
Canadian speaker manufacturer Paradigm is celebrating its 30th anniversary with a limited edition speaker, called the Tribute ($6000/pair). The Tribute (pictured here) has a new cabinet, built in-house, a beryllium tweeter from the Signature range, a new mounting system for the drivers, corrugated drivers surrounds, and a chrome-plated stainless steel plinth.
As I said in an earlier blog posting, I was sufficiently intrigued by B&O's single-cabinet stereo speaker at the CES Unveiled event that I made a note to myself to check it out later. The opportunity presented itself in the form of a B&O press conference. The press conference did not involve any demonstrations of sound, but when the press conference was concluded I managed to prevail on Henrik Taudorf Lorensen, CEO of B&O's PLAY division, to give me a demonstration of the A9. The setting was not ideal, with no attempt at optimal positioning of the speaker, but the speaker certainly had a smooth, room-filling sound. I continue to be intrigued by this product. The A9 looks more like a satellite dish than a speaker, and is sure to be a conversation piece. B&O also has some new wireless speakers that are more conventional-looking, such as the BeoLab 12-1 ($2950/pair), pictured here.
"Head Monster" Noel Lee is known as a shrewd, successful businessman, but I think that if he had taken a different career path he could have made a great evangelist. His CES press conferences have very much feeling of revival meetings, and, like an evangelist, he works hard at whipping the crowd into a frenzy. Given the largely skeptical audience of media representatives, Lee is not always successful in this, but you certainly can't fault his enthusiasm. (Consumer electronics journalists are a tough crowd.)
The Sony press conference is arguably the most prestigious at CESand the largest. It would have been even larger if Sony did not have the policy of allowing only select invited members of the media to attend. Having a Press badge by itself does not guarantee admission. Even so, I overheard a Sony rep saying to one of his colleagues that attendance at the Sony press conference was over 1600.
Although most of the products on display at CES Unveiled were not in the audio category, there were a few products that were of interest to Stereophile readers: winners in the Best of Innovations 2013 contest, which had products nominated in various categories of consumer electronics. The Sennheiser 800IE earbuds are the result of several years of research, and are claimed to have a frequency response of 8Hz41kHz, ±3dBan astonishing achievement for a single transducer. The price is $999. For many people, earbuds are almost a disposable item, and are often left on planes. I would be very afraid of losing these.