Strange that I, who often blogs about cables and lives may 40 minutes from JIB-Germany's US headquarters in Fremont, CA, has yet to meet them anywhere but at shows. Certainly the company's oxygen-free copper cabling, which has been available for two years, looks promising in passive display mode, and sounded good in a diminutive Napa Valley Acoustics system. Certainly JIB's literature, which touts cables for hi-fi and home cinema, is beautifully put together. Belle Tsai tells me that cables range in price from $200$1000, depending upon model number. The company even sells earbuds. Gotta try some of these babies sometime.
Hardly 90 seconds into the demo, the earthquake hit. No, not one caused by God and nature, or the vibrational residue from a huge subwoofer in the room above or below. Rather, this earthquake was courtesy of the huge industrial washing machine located directly below Soundsmith's fourth floor exhibit. And we are not talking minor stuff here, folks. Everything was shaking badly, including the sign on the wall, and it went on for several minutes.
Having enthusedgushed, reallyover the Orion-4s ($15,510/pair in this iteration with active crossover, Bibinga wood and Ebony trim) when I first heard them at Burning Amp 2010, then again at Burning Amp 2011 (as reported in the January 2012 issue of Stereophile), I was happy to encounter them once more in Jacksonville. It was no surprise to find them doing an absolutely wonderful job of capturing the correct sound of a piano, and bringing lovely depth to a recording of Mozart's Piano Sonata in D Major, K.576. They did an equally fine job in showcasing the beauty of a quartet performing music by Lera Auerbach.
Having recently written a detailed description of Smyth Research's amazing Realiser, which was posted to these pages on February 21, 2012, I shall leave to your click and downward scroll a detailed description of the Realiser's ability to virtually reconstruct "the complete experience of listening to actual loudspeakers in an actual room, in up to eight-channel surround."
Sometimes a system touches your heart when you least expect it. There I was in Reinhard Goerner's Goerner Communication room (Montréal) when, all of a sudden, the warmth and beauty of Joni Mitchell's voice on a vinyl pressing of "I Could Drink a Case of You" had me half qvelling. (Hey, it's Yiddish. I don't know how to spell it; I only know how it feels).
Headlined by Aerial Acoustics' Model 7T loudspeaker ($10,000/pair, to be reviewed in the May 2012 issue of Stereophile) and Audio Research's Ref 5 SE preamp ($12,900), Ref 150 amplifier ($12,900), and DAC 8 ($5000), the system from Audible Images of Melbourne, FL delivered very clear, warm (rather than neutral), and crisp sound from a Japanese compilation Three Blind Mice. "Excellent," I wrote in my notes. Undoubtedly the Krell Model 505 CD player ($10,000), and Transparent Audio's Reference XL speaker wire, Reference interconnects, Power Ix, and Power link power cords had something to do with it.
Silnote Audio Cables of Boones Mill, VA, a company new to me, was making an all-out effort to bring attention to its line. Paired with Tyler Acoustics D-20 loudspeakers ($10,500/pair), an Olive 4HD music server, Musical Fidelity DAC, Rogue Magnum tube amp, and Rogue phono stagethere must have been a turntable and cartridge, but I failed to write it downSilnote's Master Series Orion M-1 interconnects ($3100/pair), speaker cables ($4700/pair), and power cables ($1800 each) were helping deliver solid sound.
Alan Eichenbaum and Sunny Umrao's Scaena room was one of four that vied for my personal Best of Show. It certainly competed with MBL's for most expensive set-up at AXPONA. At its center stood the Scaena Spiritus 3.4 loudspeaker system ($110,000). Each tower contains 12 midranges and seven ribbon tweeters. Bass at 100Hz and below was handled by the four massive 18" subs that looked as though they could pacify an advancing army with their slam. (You should have heard the bass drum on Mahler's Symphony No.2; it had the most convincing weight, focus, and up against the wall impact I've ever heard from my Channel Classics hybrid SACD).
Soundfield Audio, a speaker company which launched six months ago in Tampa, was making a considerable mark with its Soundfield Audio Monitor 1 ($1300/pair) and larger Soundfield Audio System 2 ($7500/pair with separate subwoofers). The Monitor 1 is a 3-way bookshelf that claims to reach down to 38 Hz ±3 dB, and boasts a passive 5.25" midwoofer and 1" tweeter united in a coincident coaxial driver, and an 8" active long-throw subwoofer. Not yet posted or detailed on their website is the larger System 2.
At the prompting of John Atkinson, yours truly organized and moderated a non-denominational four person "Meet and Ask the Writers" panel on Saturday afternoon. Joining me, on the left of the photo) were (leftright) A. Colin Flood of Enjoy the Music.com, Ray(mond) Seda of Dagogo.com, and Neil Gader of The Absolute Sound. Because the panel was sandwiched into the seminar schedule last minute, we only had 45 minutes to dialog without mikes over music not exactly wafting through the air walls. (A big thanks to Part Time Audiophile for his selfless photographic assistance and positive energy. Much appreciated by all.)