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Jason Victor Serinus Posted: Jun 06, 2012 0 comments
Here shown in striking white, the F300 is a 3-way, two section ported loudspeaker whose two sections hold a total of four drivers. (The supertweeter is hidden in back.) The F300 boasts a frequency response of 25Hz–40kHz and, with the right jumper cables between its two sections, an especially warm midrange. Special to this loudspeaker is its Heil Air Motion Transformer tweeter, which produces striking detail.
Jason Victor Serinus Posted: Jun 06, 2012 0 comments
Everyone who knows Dan Meinwald of EAR USA looks forward to his exhibits, as much for their wonderful sound as for the opportunity to discover sometimes unusual, musically engrossing vinyl titles. This year was no exception. Once an attendee who was dominating the proceedings finally settled down, and Dan played a master tape-sourced file of Heifetz and Smith playing Beethoven's Kreutzer Sonata and a hi-rez copy of the Concierto de Aranjuez (I think), the room transformed from a showcase for a loudmouth into an island of warm sanity. It was luscious.
Jason Victor Serinus Posted: Jun 06, 2012 0 comments
This was the first time I've encountered ESS Labs at a show. Rico Caudillo, CEO, explained that after an eight-year cessation, the company returned to the scene maybe four years ago. Pictured here, left to right, are the imposing, all-dipole Transar ($19,000/pair) and smaller AMT Limited ($4495/pair).
Jason Victor Serinus Posted: Jun 06, 2012 1 comments
Walter Swanborn of Fidelis AV (pictured kneeling next to Holger Stein of Stein Music) hosted the North American debut of the Harbeth M30.1 monitor ($6495 in tiger ebony finish). Paired with the LFD NCSE 75 watt integrated amplifier with SE phono stage ($6295), Palmer 2.5 turntable with Audio Origami arm and Dynavector XX2 cartridge ($11,995), MSB Media Transport ($3995) and MSB Platinum Signature DACIV with Signature power supply ($17,500), the system produced the strongest and most predominant midrange of any I heard at T.H.E. Show Newport Beach.
Jason Victor Serinus Posted: Jun 06, 2012 0 comments
In the second of four rooms from Sunny Components, Inc., Michael Manousselis paired Dynaudio's Confidence C2 Signature loudspeakers ($15,000/pair) with Boulder's 1021 Digital Player ($24,000), 1010 preamplifier ($14,000), and 850 monoblock amplifiers ($11,500/pair). Arrayed on a Finite Elemente Reference Rack ($15,000). Everything was connected with Transparent cable. The superb highs on this system immediately clarified why Dynaudio's Esotar2 tweeter has garnered so much praise.
Jason Victor Serinus Posted: Jun 02, 2012 2 comments
Because it was housed in a protective plastic case, which was allergic to my flash, my photo cannot possibly do full justice to the US pre-debut of the gorgeous Rubicon Atomic AD/DA preamp (price not yet announced, probably under $40,000, hopefully to be demonstrated in full form at the Rocky Mountain Audio Fest in October and available for purchase at the end of the year). This 384kHz converter, phono preamp, and headphone amplifier with an integrated atomic clock and gold-plated relay volume control utilizes the 10M Rubidium atomic clock, which is said to be 100,000 times more stable than a traditional crystal oscillator. Coupled with Antelope's 64-bit "Acoustically Focused Clocking technology" the Rubidium purportedly manages jitter superbly. Already boasting an award from Japan, the unit is one of several from the company that uses DACs endorsed by Morten Lindberg, founder and chief engineer of audiophile label 2L.
Jason Victor Serinus Posted: Jun 02, 2012 0 comments
The Hilton Lobby was a happening place on Thursday evening. While John and I were schmoozing away in one area, Richard Beers, President of T.H.E. Show (center), had gathered around himself a throng of young acolytes, aka show helpers, for their pre-show orientation. Wearing his "Beers" T-shirt, Richard was positively glowing as he schooled his admirers in the fine art of registering people and directing them from place to place.
Jason Victor Serinus Posted: Jun 02, 2012 0 comments
The KEF Blade has been a constant in my show and audio showroom experience of late. Here demmed by Johan Coorg of KEF America and Michael Silver of Audio High, the Blades ($30,000/pair) were making very warm, inviting, and, yes, coherent sound with lovely depth when paired with the Chord SPM 6000 monoblock amplifiers ($49,000/ pair), Chord CPA 5000 preamp ($20,000), Chord Red Reference Mk.III CD/DAC ($25,000), Audience Power Conditioner, and a MacBook Pro rigged to play J River.
Jason Victor Serinus Posted: Jun 02, 2012 0 comments
You'd think, given that T.H.E. Show Newport Beach has proven so successful that it now occupies lobby areas, conference rooms, poolsides, and multiple floors in two venues, The Hilton Hotel and the across-the-parking-lot Atrium Hotel, that there would be one lusciously thick program guide for both shows. Think again. There are two different guides, one marked "East" and the other "West." Unless you look closely at the photo at the cover, carry a compass, or keep track of the sun's position, you may end up as befuddled as the poor soul who kept walking into the VTL room and demanding where they had hidden the tonearm exhibitor he was seeking.
Jason Victor Serinus Posted: Jun 02, 2012 6 comments
Using as his source a MacBook Pro playing iTunes/Pure Music, Dusty Vawter of Channel Islands was using his Transient MK II asynchronous USB converter ($699) with the VDC-5 Mk.II upgrade power supply ($399), PLC-1 Mk.II preamp ($899), D-500 Mk.II monoblock amplifiers ($5000/pair), and speaker prototypes that, perhaps a year from now, will yield Channel Islands loudspeakers. Playing a cover of "Sounds of Silence" on an Usher sampler, the sound was invitingly warm. The system also did a beautiful job of transmitting the natural sound of cymbals, which is no easy task.

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