Michael Lavorgna
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Michael Lavorgna Jun 07, 2011 0 comments
The bigger rig from the MBL Reference line: Radialstrahler 101E MkII loudspeakers ($70,500/pair), the world premier of the piano-white lacquer with chrome finish, 9011 monoblock amplifiers ($53,000/each), 6010D preamplifier ($26,500), 1611F D/A converter with MBLMCMi asynchronous USB input ($28,700), and 1621A CD transport ($28,000). Additional equipment included a Linux-based vortexbox computer by Simple Design, Wireworld Eclipse 6 cabling, Locus design cynosure USB cable, and SRA Scuttle rack.

Fortune smiled upon me again, as I got to spend time in the MBL room with none other than Michael Fremer. If you don’t already know, Michael is very quick-witted and very funny, seemingly always on the lookout for a zing here or a gaff there. He’s also very serious about music, in a very non-serious way, and we were treated to some greatest hits from a CD he’d brought along for the show including “La Bamba” (the original), Irma Thomas singing “Time Is On My Side” (the original), and lots of other varied and equally wonderful and some wonderfully whacky music. I would also add that Michael Fremer’s informative introductions to each track added to the experience. . .

Michael Lavorgna Jun 06, 2011 0 comments
On Saturday and Sunday. T.H.E. Show attendees had the opportunity to see who was the tallest reviewer among the group. And ask them questions. I was only able to stay for a few minutes but the room was nearly full with eager attendees, with at least one audiophile dying to understand why, oh why, do hi-fi publications review things that he thinks are too expensive. The panel astutely observed, they don’t.

From left to right: Steve Rochlin (EnjoytheMusic.com), Robert Harley (The Absolute Sound), David Robinson and David Clark (Positive Feedback Online), Michael Fremer (Stereophile, but you already knew that), Paul Seydor and Neil Gader (The Absolute Sound).

Michael Lavorgna Jun 06, 2011 0 comments
The MIT room was featuring Cary electronics and the Chapman T-8 loudspeakers ($9000/pair), which are sold factory-direct. Chapman is new to me; the T-8 is a 89dB-sensitive, 4 ohm speaker with a claimed frequency response of 28Hz–20kHz (±2dB). It uses a side-firing 10" polylaminate fiber-cone woofer, a 5½" midrange driver with butyl surround, and a 1" soft-dome tweeter. Cabling included the MIT Oracle Matrix HD Speaker Interface ($21,999) and the Oracle MA-X Rev. 2 Proline Balanced Interconnect ($12,999). I noted that there was "nice room dispersion" and "definitely no harshness."
Munich 2013, News
Michael Lavorgna May 13, 2013 3 comments
Amphion Audio Ion+ Limited Edition speakers (€3000/pair)

The Munich High End Show is huge. It is also very well organized and an absolute pleasure to attend. With over 350 exhibition rooms representing some 900 brands, there's plenty here to satisfy every kind of audiophile and music lover.
Michael Lavorgna Jun 06, 2011 2 comments
Sometimes who's who in high-end audio can get confusing. Napa Acoustic is, according to their website, the US Representative for Mistral Audio tube gear and the US importer for NBIEN loudspeakers and JIB-Germany cables. But if you search for NBEIN loudspeakers online, you’ll find the Xcellus website, which claims they're the US importer for Mistral Audio and JIB-Germany. They also say "Come and visit us during June 3–5, 2011 T.H.E. SHOW Newport Beach, California at room 319," which is the same room that Napa Acoustics was in. You say Napa, I say Xcellus?

In any event, the NA-208S speakers ($199/pair) that I nearly got to hear in the Napa Acoustics room were being powered by the NA-208A hybrid tube integrated amplifier ($399), which has inputs for CD, iPod and Aux. . .

Michael Lavorgna Jun 07, 2011 0 comments
On A Higher Note is the US distributor for Audioaero, Luxman, Brinkmann, and Vivid Loudspeakers, and Philip O'Hanlon is its founder and president. Philip is also another guy that gets it. Music that is. Actually Philip O'Hanlon has seemingly mastered the art of music presentation and is one of hi-fi's more endearing characters. You really don’t want to leave while the bow-tied and nimble-footed Mr. O'Hanlon is spinning the tunes or telling stories.

To make matters better, the system we listened to was absolutely musically engaging to the extreme. It included the Vivid Audio G2Giya loudspeakers ($50,000/pair), Luxman M-800A class-A stereo amplifier ($19,000), Luxman E-1 phono stage ($4000), Brinkmann Oasis direct-drive turntable ($13,400), Brinkmann 9.6 tonearm ($4000), Brinkmann Pi cartridge ($2700), Audioaero La Source CD/SACD player also used as preamp ($44,000), with Crystal Cable in use throughout.

Michael Lavorgna Jun 05, 2011 1 comments
PBN Audio is the brainchild of Peter Bichel Noerbaek and its line of equipment runs end-to-end. On exhibit were the Liberty Innerchoic Loudspeakers ($15,000/pair) that use 48 layers of MDF in an “eggcrate” construction on the interior walls to “absorb unwanted reflective sound waves”, the Olympia EB-SA1 ($15,000/each), named in honor of Erno Borbely, can be run as a stereo amp or monoblocks with the flip of a switch, the Olympia PX Phono stage ($20,000), Olympia LX line stage ($20,000) and the Groovemaster turntable ($10,000) sporting a 12" SME tonearm. Speaker cable and interconnects were the XLO Signature 3 and a 75ohm BNC cable was used between the line-stage and amplifier.

While there was no room treatment in sight and the Liberty Innerchoic loudspeakers were not exactly bass shy, there were no room issues that plagued some other exhibitors. My notes on the sound read—"groovy."

Michael Lavorgna Jun 05, 2011 1 comments
Next up was Peter Bichel Noerbaek’s kit loudspeaker, the Pennywise, which costs $1250/pair for the parts (drivers and crossovers) and $3000/pair for the finished cabinets (with piano gloss finish). Unless you have some serious woodworking chops, you’d be pound foolish to take on this cabinet as a DIY weekend warrior project. Associated electronics included the Olympia AX amplifiers ($8500/each) run here as monoblocks but you can also flip a switch for stereo operation, the PS Audio PerfectWave Transport and DAC ($2999.99 each), and XLO Signature 3 cables.
Michael Lavorgna Jun 06, 2011 1 comments
The good folks from PFO had a "Hospitality Suite" mainly manned and womanned by Dave and Carol Clark. "Hospitable" is an understatement. Serving refreshments and lots of great stories of the many, many concerts they’ve attended and the music they love, Dave and Carol Clark are some nice people.

What was even nicer about the PFO Hospitality suite, in a hi-fi sense, is it also housed a system that was part of a project Dave Clark organized for the school where he teaches—Zu Audio donated a pair of unfinished Soul Superfly cabinets and Dave’s students finished 'em. I think they did a great job. They also got to listen to a cool hi-fi that included the Bel Canto C5i DAC/integrated amp, Nordost Purple Flare cabling, XLO/Ultra Power AC Power Strip, Wadia 171t, Oppo BDP-85SE universal player, and Pure Music Software.

I hate to repeat myself (not really) but if you want to attract younger people into our hobby you’re going to have to do more than talk. Bravo Mr. Clark for just doing it!

Michael Lavorgna Jun 07, 2011 0 comments
Precision Audio Video is both a retailer and the US distributor for Venture and Weiss products. They were exhibiting the Venture Encore Loudspeakers ($46,000/pair), Venture V100A+ Reference monoblock amplifiers ($60,000/pair), Venture VP100 Reference full-function preamplifier ($28,000), Venture VP100P phono preamplifier ($26,000)—"which provides substantial higher quality for the vinyl analogue play back—a Spiral Groove SG1 turntable, with a Spiral Groove tonearm and London Decca cartridge. The Weiss Jason CD Transport ($24,000) fed a Weiss Medea DAC ($20,000) and all cabling was from Venture.

We listened to Eric Clapton’s "Tears in Heaven" unplugged on vinyl and the very nice guy from Precision A/V kept asking his associate to turn it up. One of the issues with demoing hi-fi in a huge ballroom is that it's difficult, or damn near impossible, to energize the room and fully engage the listener.

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