Michael Lavorgna

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Michael Lavorgna Posted: Oct 30, 2014 1 comments
Do you travel? Commute, perhaps? Just like to listen to music privately around the house? No matter—the Astell&Kern AK240 is the luxury choice in high-resolution portable music players (footnote 1). It even comes with a lovely leather case that beautifully cradles its angular beauty. The AK240 can play all of your PCM files, up to a resolution of 24-bit/192kHz, as well as DXD and single- and double-rate DSD, natively, and can do so from its internal storage, from a microSD card, or from your computer via WiFi or a wired connection. It can also function as a DAC or USB-to-TosLink converter. I'm not so sure there's much left wanting.
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Michael Lavorgna Posted: Sep 05, 2014 7 comments
". . . seizing and incorporating . . . There is nothing about us which is more strongly primitive."—Elias Canetti, Crowds and Power

I am a collector. Books, records, art, music, knickknacks, old blurry anonymous photos, and more—hanging, sitting, standing, and shelved, they surround me where I sit and follow me around our home. In collecting, less is certainly not more, and I believe that part of its appeal is that our collections help define not only who we are but who we'd like to become—or, perhaps, how things are and how we'd like them to be.

Michael Lavorgna Posted: Jul 01, 2014 7 comments
I'm the editor of AudioStream.com, Stereophile's sister website devoted to computer audio. We review all manner of hardware, software, and music related to file-based playback, and offer helpful (we hope) "How To" articles as well as interviews with industry people—all designed to ease your journey to and through the world of computer audio. I envision my new Stereophile column, "Audio Streams," as an extension of this mission—and the addition of that trailing, plural s gives me some leeway to explore a wider range of hi-fi topics.
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Michael Lavorgna Posted: May 13, 2013 3 comments
Amphion Audio Ion+ Limited Edition speakers (€3000/pair)

The Munich High End Show is huge. It is also very well organized and an absolute pleasure to attend. With over 350 exhibition rooms representing some 900 brands, there's plenty here to satisfy every kind of audiophile and music lover.
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Michael Lavorgna Posted: Dec 26, 2012 Published: Jan 01, 2013 24 comments
To say that a digital source "sounds like analog" has always struck me as coming up short. The notion that one format sounds like another is not really sensible or even ideal. While I love listening to LPs, there are some physical attributes of vinyl that, ideally, you don't want to reproduce. You know what I'm talking about because, every chance they get, LP haters remind us about pops, ticks, skips, surface noise, inner-groove distortion, etc. So when we say that a digital source sounds like analog, what we're really saying is that it doesn't sound like digital.
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Michael Lavorgna Posted: Jun 12, 2011 84 comments
The Southern California headquarters of cable manufacturer AudioQuest, which includes their offices, a listening room, conference rooms, a very very large warehouse, assembly rooms, a graphic design room, a few kitchens and various and sundry other more mundane but just as important places, is within a few-minutes’ drive from T.H.E. Show at Newport Beach. Shane Buettner, AudioQuest's Director of Education who you will most likely recognize as the former Editor-In-Chief of Home Theater magazine, Joe Harley VP of AudioQuest (Joe Harley is also a recording engineer/producer responsible for among others the Blue Note 45rpm reissues from Music Matters and he's a musician), and Andrew Kissinger, Regional Sales Manager, gave a group of A/V journalists, including Tom Norton, Senior Editor and Video Technical Editor of Home Theater magazine, the full tour.

My comments on the tour/AudioQuest facility can be summed up by saying that this is one of the most organized, clean, neat and tidy places I've ever seen. And it's not the kind of organized, clean, neat and tidy you can fake for a tour. From the huge warehouse to the tiniest Ziplock baggy, everything had its place and label. Impressive.

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Michael Lavorgna Posted: Jun 08, 2011 0 comments
"Blondy watched this proud, drum-tight personality fidget past him on the street and began projecting; he couldn't help it: an unfinished degree in journalism, concerned married sisters in New Jersey or Connecticut (but probably New Jersey), weights but no cardio, aggrieved blind dates, Cigar Aficionado and Stereophile, takeout menus, acres of porn." —from "Lucky Alan," by Jonathan Lethem; The New Yorker, March 19, 2007

When did being interested in hi-fi lose its cool? When did it become antisocial? One minute hi-fi was hanging with Hef center-stage in a groovy bachelor pad, and the next thing you know it's a prop used to describe someone who "walked in a fiery aura of loneliness," as Lethem described it. I ask because I'm genuinely concerned. Some of my best friends are audiophiles. But it seems that if you want to be anything related to music, the last thing you want to be is an audiophile.

Michael Lavorgna Posted: Jun 07, 2011 7 comments
I got to hear both the Audience ClairAudient 2+2 loudspeaker ($5000/pair, reviewed in the July 2011 issue of Stereophile) and the diminutive ClairAudient THE ONE ($995/pair). Associated electronics and cables were also from Audience and included the Wavepower monoblocks ($14,000/pair), a class-D analog switching power amplifier that put out 200W into 8 ohms, the Wavemaster preamplifier ($13,000), and AU24e cables and power cords and an Adept Response High Resolution Power Conditioner ($5000). The source was an Audience-modified Oppo BDP-83SE Blu-ray player, which was not for sale (priceless).

The Audience guys seemed to get no end of enjoyment watching people’s jaws hit the floor, the rug was littered with audiophile jawbones, when they played the single-driver ClairAudient THE ONE, which has nearly unbelievable bass performance for its size. Both speakers actually sounded big and solid with a nice fat midrange.

Michael Lavorgna Posted: Jun 07, 2011 2 comments
Next up was Digital Ear's MartinLogan and McIntosh room. While I was there, the new MartinLogan ElectroMotion EM-ESL loudspeaker ($1995/pair), which "features both electrostatic and compact Folded Motion™ thin-film transducer technologies," was playing very nicely with a McIntosh MC452 amplifier ($6000), McIntosh C50 preamplifier ($5000), which includes a USB DAC and phono stage, a Cambridge Audio id100 iPod/iPad dock ($1299), all tied together with Transparent Audio Reference Series cables.

While this room sounded very inviting and was doing all those things MartinLogans are known to do, I almost wished they'd used a less expensive amp/pre combo to show off a sleek, relatively affordable system. One of the McIntosh integrated amps comes to mind—less muss, less fuss.

Michael Lavorgna Posted: Jun 07, 2011 0 comments
Oceanside, CA-based retailer The Home Theater Experience was, counterintuitive to their name, showing the old–school style Tannoy Yorkminster SE loudspeakers paired with Cary CAD 805 Anniversary Edition monoblock amplifiers and the Cary SLP 98L preamplifier. Front-end duties were handled either by a Cary CD 303T SACD Professional Version player or a Krell Kid iPod Dock. All cables and room tuning were from Synergistic Research. Yes, another room using the ART acoustic treatments. Hmm. Unfortunately pricing information was not available on a one-sheet and time did not allow for note-taking. Basically it was after the 5:00pm closing time of the show.

This system was also very easy to enjoy and Oscar Peterson sounded like the Maharaja of the keyboard to quote Duke Ellington. You can see in the picture that one very discriminating listener approves of the sound but appears to disapprove of my camera clicks: "Excuse me, we're listening here."

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