Michael Lavorgna

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Michael Lavorgna Posted: Sep 05, 2014 7 comments
". . . seizing and incorporating . . . There is nothing about us which is more strongly primitive."—Elias Canetti, Crowds and Power

I am a collector. Books, records, art, music, knickknacks, old blurry anonymous photos, and more—hanging, sitting, standing, and shelved, they surround me where I sit and follow me around our home. In collecting, less is certainly not more, and I believe that part of its appeal is that our collections help define not only who we are but who we'd like to become—or, perhaps, how things are and how we'd like them to be.

Michael Lavorgna Posted: Jul 01, 2014 6 comments
I'm the editor of AudioStream.com, Stereophile's sister website devoted to computer audio. We review all manner of hardware, software, and music related to file-based playback, and offer helpful (we hope) "How To" articles as well as interviews with industry people—all designed to ease your journey to and through the world of computer audio. I envision my new Stereophile column, "Audio Streams," as an extension of this mission—and the addition of that trailing, plural s gives me some leeway to explore a wider range of hi-fi topics.
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Michael Lavorgna Posted: May 13, 2013 3 comments
Amphion Audio Ion+ Limited Edition speakers (€3000/pair)

The Munich High End Show is huge. It is also very well organized and an absolute pleasure to attend. With over 350 exhibition rooms representing some 900 brands, there's plenty here to satisfy every kind of audiophile and music lover.
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Michael Lavorgna Posted: Dec 26, 2012 Published: Jan 01, 2013 24 comments
To say that a digital source "sounds like analog" has always struck me as coming up short. The notion that one format sounds like another is not really sensible or even ideal. While I love listening to LPs, there are some physical attributes of vinyl that, ideally, you don't want to reproduce. You know what I'm talking about because, every chance they get, LP haters remind us about pops, ticks, skips, surface noise, inner-groove distortion, etc. So when we say that a digital source sounds like analog, what we're really saying is that it doesn't sound like digital.
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Michael Lavorgna Posted: Jun 12, 2011 84 comments
The Southern California headquarters of cable manufacturer AudioQuest, which includes their offices, a listening room, conference rooms, a very very large warehouse, assembly rooms, a graphic design room, a few kitchens and various and sundry other more mundane but just as important places, is within a few-minutes’ drive from T.H.E. Show at Newport Beach. Shane Buettner, AudioQuest's Director of Education who you will most likely recognize as the former Editor-In-Chief of Home Theater magazine, Joe Harley VP of AudioQuest (Joe Harley is also a recording engineer/producer responsible for among others the Blue Note 45rpm reissues from Music Matters and he's a musician), and Andrew Kissinger, Regional Sales Manager, gave a group of A/V journalists, including Tom Norton, Senior Editor and Video Technical Editor of Home Theater magazine, the full tour.

My comments on the tour/AudioQuest facility can be summed up by saying that this is one of the most organized, clean, neat and tidy places I've ever seen. And it's not the kind of organized, clean, neat and tidy you can fake for a tour. From the huge warehouse to the tiniest Ziplock baggy, everything had its place and label. Impressive.

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Michael Lavorgna Posted: Jun 08, 2011 0 comments
"Blondy watched this proud, drum-tight personality fidget past him on the street and began projecting; he couldn't help it: an unfinished degree in journalism, concerned married sisters in New Jersey or Connecticut (but probably New Jersey), weights but no cardio, aggrieved blind dates, Cigar Aficionado and Stereophile, takeout menus, acres of porn." —from "Lucky Alan," by Jonathan Lethem; The New Yorker, March 19, 2007

When did being interested in hi-fi lose its cool? When did it become antisocial? One minute hi-fi was hanging with Hef center-stage in a groovy bachelor pad, and the next thing you know it's a prop used to describe someone who "walked in a fiery aura of loneliness," as Lethem described it. I ask because I'm genuinely concerned. Some of my best friends are audiophiles. But it seems that if you want to be anything related to music, the last thing you want to be is an audiophile.

Michael Lavorgna Posted: Jun 07, 2011 0 comments
I was looking forward to the MBL rooms because I’ve never had the time to spend the time listening to their gear. MBL is another singular manufacturer following an extremely personal vision, yet in this case one that tries to widen the appeal, so to speak, to a larger audience. The smaller MBL system consisted of the Radialstrahler 120 loudspeakers ($21,400/pair) with stands ($1630), 9007 monoblock amplifiers ($21,400/each), 6010D preamplifier ($26,500), 1511F DAC with MBLMCMi asynchronous USB input ($11,800), and 1521A transport ($12,200). Cabling was Wireworld Eclipse 6.

This smaller system, which mixed and matched components from MBL's three lines, Reference, Noble and Corona, sounded like a smaller version of the larger system in Room 2. While this sounds like a positively idiotic thing to say, in my experience you can sometimes lose important qualities when moving down a company’s line. While this system is obviously intended for a more modest room and perhaps pocketbook, the presentation was very much cut from the same sonic cloth—resolute, incisive, powerful yet delicate when called for. I could have listened all night. And to state the obvious, the omnidirectional radiation of the Radialstrahler 120 loudspeakers energizes the room in a different way than a conventional speaker. I found MBL’s implementation enchanting. Yes, enchanting.

Michael Lavorgna Posted: Jun 07, 2011 0 comments
Room 3 was owned by Burmester, no one else need apply—B30 loudspeakers ($15,995/pair), 911 amplifier ($29,995), 088 preamplifier ($28,995), 089 CD Player ($28,995), V1 rack (no price given) with, you guessed it, Transparent Cables. If Dieter from Sprockets was an audiophile, this would be his hi-fi. And Dieter loves music: "Touch my monkey."
Michael Lavorgna Posted: Jun 07, 2011 0 comments
In the second room, the Vandersteen Model 5A Carbon loudspeakers ($24,000/pair) were paired with the Audio Research Reference 150 Vacuum Tube Stereo Power Amplifier ($12,995), Audio Research Anniversary Edition Reference Preamplifier ($25,000), and the Basis Audio Inspiration turntable (no price noted), which that comes with the Vector 4 tonearm with VTA Micrometer, Synchro-Wave Power Supply, Cable Isolation System, Vacuum record hold-down system, and Microthin belt. All cables from AudioQuest.

The Carbon 5A loudspeakers have a 400W subwoofer amplifier built into each speaker and Richard Vandersteen says the frequency response is 22Hz to 30kHz ±2dB, and I believe him—even in this small room, the bass was taut and fast with no bloat to be heard. The sound was relaxed and engrossing.

Michael Lavorgna Posted: Jun 07, 2011 0 comments
Yorba Linda, CA-based retailer Scott Walker Audio was responsible for "audio equipment, room set-up & tuning." Solos Audio is the sole distributor for SonicCraft solid-state amplifiers. The setup: Magico V2 loudspeakers ($19,500/pair), SonicCraft Signature stereo amplifier ($3450), which puts out 25Wpc in pure class-A, SonicCraft Opus preamplifier ($3450), Esoteric K-03 CD/SACD player ($13,000), Esoteric G-03X Master Clock ($5000), Synergistic Research cables and power cords, and the Synergistic Acoustic ART Room Treatment System ($3150).

I noted "rock-solid" imaging and a crazy level of micro-detail. "If Dianna Krall had even the merest hint of a cold, you’d know it," read my notes.

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