T.H.E. Show Newport 2013

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John Atkinson Posted: Jun 09, 2013 0 comments
The second Aaudio Imports room I visited featured the German-designed but China-manufactured components from BMC. The Arcadia bipolar speakers ($36,300/pair with external crossovers) were being driven by AMP M2 monoblocks ($15,980/pair), connected with Stage II speaker cables and interconnects. Front-end components included a Hartvig battery-powered Gramophone ($28,400 plus $5400 for battery supply) and BMC’s MMCI current-input phono preamplifier that Michael Fremer raved about in the June 2013 issue ($3890). I have a sample of the MCCI in for a follow-up and provisionally, my reaction echoes Mikey’s
John Atkinson Posted: Jun 09, 2013 0 comments
German electronics manufacturer Einstein had made a virtue out of necessity, using the packing crates as stands for their The Source player and The Amp integrated amplifier (approximately $19,000). With Audio Machina CRL speakers ($10,000/pair), a recording of the operetta Die Fledermaus offered an enormous yet stable soundstage, with the whistling featured on the chosen cut set well back.
John Atkinson Posted: Jun 09, 2013 0 comments
“That’s the speaker I am holding,” explained Exelway’s representative, “it includes a 20W amplifier and a Bluetooth connection. It is called the Slimspeaker.” Slim this Korean speaker certainly was and sounded bigger than I was expecting, given a degree of low-frequency reinforcement from the wall it was mounted on.
John Atkinson Posted: Jun 09, 2013 0 comments
The Hungarian Heed speakers in the first of the two Profundo rooms were new to me. The odd-looking Enigma speaker ($3850/pair), similar in appearance to the Direct Acoustics Silent Speaker combines a 1" soft-dome tweeter with an 8" woofer in a vented cabinet that is claimed to combine the benefits of a quarter-wave transmission line and a reflex design. Louis Armstrong performing “Mood Indigo” had excellent presence, though the clarinet sounded a little "hooty."
John Atkinson Posted: Jun 09, 2013 0 comments
I was familiar with the glass-cabinet Waterfall speakers in Room 239, but not the brightly colored speakers flanking them, from Arizonan company Emme Speakers. The white speakers are the New Gamma ($30,000/pair), the red ones the New Beta ($12,000/pair). Offering “Fashion and Passion,” the Emme speakers are available in 24 designer colors from two retailers, in Arizona and Malibu, CA.
John Atkinson Posted: Jun 09, 2013 3 comments
Chicago retailer Tweak Studio has been a fixture at the 2013 shows, and proprietor Arnold Martinez was demming a system featuring Elac 249 Black Edition speakers ($8000/pair) driven by a Burmester 911 amplifier ($31,000), Esoteric C-03X preamplifier, Burmester A/D phono preamplifier ($26,500), and Music Hall MMF-11 turntable fitted with a Goldring Legacy cartridge ($600). Wiring was all WireWorld Platinum series and the racks was a Stillpoints. The L-shaped lobby-level room had problematic acoustics, which Martinez had addressed by firing the Elac speakers, with their AMT tweeter and distinctive faceted lower-frequency drivers, across a diagonal, A dub version of Bob Marley’s “Waiting In Vain,” played from LP, was musically convincing.
John Atkinson Posted: Jun 09, 2013 1 comments
It’s been a long time since I listened to a pair of Sound Lab electrostatic speakers, but the gigantic A-1Xes ($28,270/pair), powered by MSB M203 monoblocks in the room Sound Lab was sharing with San Diego dealer Blue Skies Audio, sounded as awesome as I remembered from when Dick Olsher reviewed the A-1 in the 1990s. (Review to be posted in Stereophile's free on-line archives in late June.)
John Atkinson Posted: Jun 09, 2013 0 comments
Bill Evans’ piano sounded palpably real in the room featuring Angel City Audio’s Trinity Monitor speakers ($3000/pair), driven by Melody Valve HiFi P2688 tube preamp ($6999) and MN845 tube amps ($13599), MG Audio Design interconnects and speaker cables, Triode Wire Labs power cables, and AC conditioning supplied by Spiritual Audio. The Trinity is a largish two-way standmount, combining a VIFA ring-radiator tweeter with two 7” woofers. Frequency response is specified as 40Hz–37kHz, ±3dB, with a 90dB sensitivity.
John Atkinson Posted: Jun 09, 2013 1 comments
“That sounds like the Crusaders,” I said as I sat down to listen to the Kharma DB9 Signature speakers ($36,000/pair) driven by Exquisite Signature monoblocks ($88,000/pair) and an Exquisite preamplifier ($40,000), hooked up with Transparent cables. It was, the Second Crusade LP from the Jazz Crusaders, played on a Spiral Groove SG1.1 turntable with a Zesto phono preamplifier sounding very good indeed.
John Atkinson Posted: Jun 09, 2013 0 comments
“I recognize those speakers,” I thought to myself as I entered Cary Audio’s room. They were ADAM Audio’s Column MK3 towers ($7500/pair), that Kalman Rubinson had very favorably reviewed in August 2012. New in the room was Cary’s promising DAC-100T tubed D/A processor ($2995), which uses an ESS Sabre 9023 DAC chip with a USB input using an XMOS USB chip running Gordon Rankin’s Streamlength asynchronous code. There are also two each coaxial and TosLink S/PDIF inputs and both balanced and single-ended analog outputs.
John Atkinson Posted: Jun 09, 2013 0 comments
That was the message on the poster in Magnepan’s room. Wendell Diller, celebrating his 40th anniversary with the Minnesota company, explained that Magneplanar speakers use 90% US-sourced parts and demmed the new, 48”-tall, two-way-plus-woofer Super MMG ($1199/pair with one bass panel, $1750 /pair with two) with an Ati amplifier and a Theta Casablanca preamplifier. The sound on a varied program was sweet, almost full-range. I couldn’t see the bass panels; Wendell pointed to the end tables on the outside edges of the speakers. To increase the Spouse Acceptance Factor, he had disguised the planar woofers.
John Atkinson Posted: Jun 09, 2013 4 comments
I was unfamiliar with the Vapor Audio Nimbus speakers Empirical Audio’s Steve Nugent was using, which combine a 15” woofer with an MTM array based on a Raal ribbon tweeter, and cost $7895/pair. But with the speakers driven by 40W single-ended, class-A mono amps from Arte-Forma ($7495/pair), each using an 845 output tube, vocals, whether it was Frank Sinatra singing “What’s New?”, Julie London “Cry Me a River,” or Diana Krall “Girl in the Other Room,” sounded effortlessly real, with an ease to the presentation. (Note the corner traps and ATS Diffusors used to tame the room’s acoustics in the photo.) and RPG Diffusors used to tame the room’s acoustics in the photo.)
Jason Victor Serinus Posted: Jun 08, 2013 2 comments
Ralph Hellmer’s Surreal Sound Audio, based in Chesterfield, VA, debuted their impressive-looking, 95dB-sensitive, customizable Fifth Row loudspeaker ($20,000–$26,000/pair). Quote from the brochure: “Fifth Row was designed with the knowledge that the life of music is in the midrange.” With an Oppo player used as a transport, an ExaSound DSD-capable DAC, what appears to be an Atma-Sphere MP-1 preamp with outboard power supply ,and Atma-Sphere monoblocks, the sound of guitar sounded strangely tinkly to my ears. All in all, the sound was a little edgy and honky with an artificial spaciousness. Perhaps that’s what’s meant by “surreal sound.”
Jason Victor Serinus Posted: Jun 08, 2013 0 comments
Latvian enterprise Onda Ligera, manufacturer of loudspeakers and integrated amplifiers, made a very impressive U.S. debut at T.H.E. Show. With products not yet distributed in the US, the company mated its biggest loudspeaker, the 3-way WAVE 168D ($35,000/pair), with what I believe was their IPA 006 integrated amplifier ($15,000). (The speaker’s nominal impedance is 4 ohms, and the 006 is said to be capable of outputting 600W into that load.) Ensuring that the front end would be of similar quality, Onda Ligera used the excellent Esoteric K-01 CD/SACD player ($19,500). I wish I had asked about the cabling and power treatment.

This system sounded extremely fine. On a gorgeously reproduced recording of John Coltrane, for example, bass was tight, and the sound of cymbals seemed very natural.

Jason Victor Serinus Posted: Jun 08, 2013 0 comments
I’ve never heard equipment from this West Sacramento, CA-based company other than at shows, but, for the last number of years, it has unfailing brought me joy. “Nice and open… tons of color… nice to hear so much color … captivating tube warmth without sounding loose or unfocused… great depth”—those are the comments I wrote about the company’s two new products, the Starlet 4 50Wpc triode integrated amplifier ($3495) and VG-8 speakers ($3495/presumably for the pair). The VG-8s are claimed to extend down to 32Hz ±3dB. Cabling was from Legend—Legend II speaker ($1495/10ft. pair), Lemaa interconnects ($395/1m pair), and Power 3 power ($495/6ft.)—and source when I entered the room was a Marantz CD94 player.

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