T.H.E. Show Newport 2013

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John Atkinson Posted: Jun 09, 2013 0 comments
The Hungarian Heed speakers in the first of the two Profundo rooms were new to me. The odd-looking Enigma speaker ($3850/pair), similar in appearance to the Direct Acoustics Silent Speaker combines a 1" soft-dome tweeter with an 8" woofer in a vented cabinet that is claimed to combine the benefits of a quarter-wave transmission line and a reflex design. Louis Armstrong performing “Mood Indigo” had excellent presence, though the clarinet sounded a little "hooty."
John Atkinson Posted: Jun 09, 2013 0 comments
I was familiar with the glass-cabinet Waterfall speakers in Room 239, but not the brightly colored speakers flanking them, from Arizonan company Emme Speakers. The white speakers are the New Gamma ($30,000/pair), the red ones the New Beta ($12,000/pair). Offering “Fashion and Passion,” the Emme speakers are available in 24 designer colors from two retailers, in Arizona and Malibu, CA.
John Atkinson Posted: Jun 09, 2013 3 comments
Chicago retailer Tweak Studio has been a fixture at the 2013 shows, and proprietor Arnold Martinez was demming a system featuring Elac 249 Black Edition speakers ($8000/pair) driven by a Burmester 911 amplifier ($31,000), Esoteric C-03X preamplifier, Burmester A/D phono preamplifier ($26,500), and Music Hall MMF-11 turntable fitted with a Goldring Legacy cartridge ($600). Wiring was all WireWorld Platinum series and the racks was a Stillpoints. The L-shaped lobby-level room had problematic acoustics, which Martinez had addressed by firing the Elac speakers, with their AMT tweeter and distinctive faceted lower-frequency drivers, across a diagonal, A dub version of Bob Marley’s “Waiting In Vain,” played from LP, was musically convincing.
John Atkinson Posted: Jun 09, 2013 1 comments
It’s been a long time since I listened to a pair of Sound Lab electrostatic speakers, but the gigantic A-1Xes ($28,270/pair), powered by MSB M203 monoblocks in the room Sound Lab was sharing with San Diego dealer Blue Skies Audio, sounded as awesome as I remembered from when Dick Olsher reviewed the A-1 in the 1990s. (Review to be posted in Stereophile's free on-line archives in late June.)
John Atkinson Posted: Jun 09, 2013 0 comments
Bill Evans’ piano sounded palpably real in the room featuring Angel City Audio’s Trinity Monitor speakers ($3000/pair), driven by Melody Valve HiFi P2688 tube preamp ($6999) and MN845 tube amps ($13599), MG Audio Design interconnects and speaker cables, Triode Wire Labs power cables, and AC conditioning supplied by Spiritual Audio. The Trinity is a largish two-way standmount, combining a VIFA ring-radiator tweeter with two 7” woofers. Frequency response is specified as 40Hz–37kHz, ±3dB, with a 90dB sensitivity.
John Atkinson Posted: Jun 09, 2013 1 comments
“That sounds like the Crusaders,” I said as I sat down to listen to the Kharma DB9 Signature speakers ($36,000/pair) driven by Exquisite Signature monoblocks ($88,000/pair) and an Exquisite preamplifier ($40,000), hooked up with Transparent cables. It was, the Second Crusade LP from the Jazz Crusaders, played on a Spiral Groove SG1.1 turntable with a Zesto phono preamplifier sounding very good indeed.
John Atkinson Posted: Jun 09, 2013 0 comments
“I recognize those speakers,” I thought to myself as I entered Cary Audio’s room. They were ADAM Audio’s Column MK3 towers ($7500/pair), that Kalman Rubinson had very favorably reviewed in August 2012. New in the room was Cary’s promising DAC-100T tubed D/A processor ($2995), which uses an ESS Sabre 9023 DAC chip with a USB input using an XMOS USB chip running Gordon Rankin’s Streamlength asynchronous code. There are also two each coaxial and TosLink S/PDIF inputs and both balanced and single-ended analog outputs.
John Atkinson Posted: Jun 09, 2013 0 comments
That was the message on the poster in Magnepan’s room. Wendell Diller, celebrating his 40th anniversary with the Minnesota company, explained that Magneplanar speakers use 90% US-sourced parts and demmed the new, 48”-tall, two-way-plus-woofer Super MMG ($1199/pair with one bass panel, $1750 /pair with two) with an Ati amplifier and a Theta Casablanca preamplifier. The sound on a varied program was sweet, almost full-range. I couldn’t see the bass panels; Wendell pointed to the end tables on the outside edges of the speakers. To increase the Spouse Acceptance Factor, he had disguised the planar woofers.
John Atkinson Posted: Jun 09, 2013 4 comments
I was unfamiliar with the Vapor Audio Nimbus speakers Empirical Audio’s Steve Nugent was using, which combine a 15” woofer with an MTM array based on a Raal ribbon tweeter, and cost $7895/pair. But with the speakers driven by 40W single-ended, class-A mono amps from Arte-Forma ($7495/pair), each using an 845 output tube, vocals, whether it was Frank Sinatra singing “What’s New?”, Julie London “Cry Me a River,” or Diana Krall “Girl in the Other Room,” sounded effortlessly real, with an ease to the presentation. (Note the corner traps and ATS Diffusors used to tame the room’s acoustics in the photo.) and RPG Diffusors used to tame the room’s acoustics in the photo.)
John Atkinson Posted: Jun 09, 2013 0 comments
I was familiar with the unique concentric, point-source, multiway drive-unit from French manufacturer Cabasse, as Michael Fremer had reviewed the spherical Baltic II speaker that used it back in 2005. But the floorstanding Pacific 35A speaker ($19,900/pair), which complements the smaller spherical Riga(inboard, on stands) with a pair of powered 7" woofers was new to me. In a system featuring Esoteric’s A-02 monoblock amplifiers and K-03 disc player—Esoteric distributes Cabasse in the US—and WireWorld cables, the late Eva Cassidy’s voice on “Field of Gold” was reproduced with rock-solid stereo imaging and a natural tonality.
John Atkinson Posted: Jun 09, 2013 2 comments
I was taken back more than 20 years when I entered the Musical Surroundings room in the Atrium, as Garth Leerer was playing “Le Temps Passé” from Michel Jonasz’s LP La Fabuleuse Histoire du Mr. Swing. This cut from the French singer used to be a staple at shows in the late 1980s. Played on the AMG Viella 12 turntable and arm ($17,000) that Michael Fremer describes as a “good value” in our August 2013 issue, fitted with the same sample of the Clearaudio Goldfinger Statement cartridge that Mikey reviewed, with Wilson Sasha W/Ps driven by an Aesthetix Atlas amplifier ($10,000), Aesthetix Janus Signature preamplifier ($10,000), the LP produced a wall-to-wall soundstage with excellent dynamics.
John Atkinson Posted: Jun 09, 2013 0 comments
The price of the Duke loudspeaker from Trenner & Friedl—$175,000/pair—took my breath away when I heard it at the 2011 CES. The Austrian company’s Isis ($40,000/pair), on display in Profundo's second room, uses the same compression driver for the HF as the Duke but combines it with an 8" paper-cone midrange unit and a 15" paper-cone woofer in a conventional, if large, cabinet. (Each cone is doped with six coats of lacquer.) The sound of Saint-Saëns’ Danse Macabre, from the Witches’ Brew RCA LP on a Basis turntable, with the speakers driven by Viva Audio Aurora tube monoblocks ($43,500/pair), had huge dynamics and a natural tonal balance. The image of the solo oboe that represents the cock crow at dawn in this work was superbly well-defined, without any exaggeration of its size.
Jason Victor Serinus Posted: Jun 08, 2013 0 comments
Photo: Antelope Audio

Antelope Audio, long respected in pro circles, showed two important products: the finally available Rubicon Atomic AD/DA preamp ($40,000), an all-in-one beauty that combines a 10M Rubidium atomic clock with a 384kHz converter, phono preamp, and headphone amplifier; and the due-this-fall Zodiac Platinum DSD-capable DAC/headphone amplifier ($4895) with optional Voltikus power supply ($995). Paired with ATC SCM100-AT active loudspeakers ($35,000/pair), the Rubicon produced supremely beautiful sound with exceptionally refined highs. And that was from a computer source equipped with a stock USB cable. Those who have experimented with aftermarket USB cables know how much more color and life the system would have produced had a better USB cable been in the chain.

Jason Victor Serinus Posted: Jun 08, 2013 0 comments
All that and more found a home in room 417 of the Hilton, where Fritz Heiler’s Rev 7 towers ($3500/pair) produced some fine sounds on a Chesky LP of Rosa Passos and Ron Carter singing Bossa Nova. On the major plus side, the midrange excelled; the midrange timbre of the guitar sounded just right, and Passos’ voice was ideally smooth. But despite GIK Acoustics room treatments and Custom Audio rack and amp stands, bass was unfocused, and Passos’ voice lacked ultimate clarity.
Jason Victor Serinus Posted: Jun 08, 2013 3 comments
It was a challenge to squeeze into the Positive Feedback Hospitality Suite, where visitors competed for space with liquor bottles. Not even co-host Carol Clark could reach the liquor table when I said “yes” to her offer to a touch of red wine. But somehow I was able to make it far enough into the room to discover, in the midst of the positive spirits, the Extreme Guitar Duo.

Hearing this duo unamplified, even in a small room, came as a shock . . .

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