T.H.E. Show Newport 2013

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John Atkinson Posted: Jun 10, 2013 0 comments
The Taiwanese company Lawrence Audio was founded in 1996 but was new to me. Their speakers are impeccably finished and are all named after string instruments: the large Cello (right) features twin ribbon tweeters and two 8" woofers and costs $18,000/pair; the smaller Violin ($7500/pair) a single ribbon tweeter; and the smallest Mandolin (just out of shot on the left) costs $5500/pair. Demmed with the new 125Wpc Model 125 stereo amplifier from Jeff Rowland Design Group, with the source a Bryston BDP-1 media player, the Cellos produced a clean, clear sound on a Japanese transcription for tenor saxophone of the first Bach Cello Suite, with none of the otherwise ubiquitous upper-bass boom I heard at the Hilton.
John Atkinson Posted: Jun 10, 2013 0 comments
“An honest sound; clarity without detail being thrust forward at the listener,” read my notes from this room at the Hilton, which featured the superb-sounding TAD Evolution One speakers ($29,800/pair) that Kal Rubinson reviews in the July 2013 issue of Stereophile. Both Eva Cassidy singing “Fields of Gold” and the Sir Charles MacKerras’s “Living Stereo” recording of Sibelius’s Finlandia (the latter one of the first classical recordings I owned more than 50 years ago) were well-served by this system, which included Zesto’s Andros PS1 tube phono stage ($4300) that Michael Fremer liked so much when he reviewed it in his March 2013 “Analog Corner” column, Zesto’s new Leto tubed line stage ($7500), and A VAC Phi 200 power amplifier ($9990), all hooked up with WyWires wires. Turntable was the Merrill-Williams ($7200) fitted with a Triplanar arm ($6000) and a Dynavector XX2 Mk.II cartridge ($1985).
John Atkinson Posted: Jun 10, 2013 1 comments
Following the death of his father in July 2011, Brian Berdan had been running Brooks Berdan Ltd, the well-regarded retailer in Monrovia, the suburb east of Los Angeles. But T.H.E. Show saw the debut of Brian’s new venture, Audio Element, which will open in Pasadena in August. Many of the brands that used to be sold by Brooks Berdan Ltd. are going with Brian to the new store. Many were exhibiting in Brian’s two rooms at the Atrium. In the first room, Sonus Faber Amati Futura speakers ($36,000/pair), which I loved when I reviewed them in March 2012, were being driven by VTL’s MB-450 Series III Signature tube monoblocks ($18,000/pair), VTL’s TL-7.5 Series II Reference line preamplifier ($20,000), VTL’s TP-6.5 Signature phono stage ($8500), and the fully loaded, four-chassis dCS Vivaldi SACD playback system ($108,496). Analog playback was with a Grand Prix Monaco turntable ($23,500) fitted with a Tri-Planar tonearm ($5800) and Lyra Skala cartridge ($3995). Cables were all Cardas Clear and Clear Beyond and racks were all from Grand Prix Audio.
John Atkinson Posted: Jun 10, 2013 2 comments
Audio Machina speakers were featured in the Coffman Labs room, driven by Manley New Classic SE/PP300 monoblocks, but my attention was drawn to this superbly finished tube preamp from Coffman, the G1-A ($5495, $5795 with remote), which includes a phono stage and headphone output, and is being produced in a limited edition of 500 units. The rest of the system included Music Hall’s MMF9.1 turntable fitted with a Sumiko Blackbird cartridge, Parasound’s great-sounding Halo CD1 CD player, and an Audience Adept Response power conditioner.
Jason Victor Serinus Posted: Jun 10, 2013 1 comments
Winner of my “Tied for Best Sound on the Hilton’s 3rd Floor Award,” which must count for something in someone’s book—the other was the Perfect8 and BAlabo room, Veloce Audio’s LS-1 battery-powered tube preamp ($18,000) and Saetta battery-powered hybrid monoblock amplifiers ($18,000/pair) were producing their customary luscious, warm, clean, and ultra-smooth sound. Using a PC source equipped with J River Media Player, a Stahl-Tek Ariaa DAC ($12,000), Purist Audio Design Corvus cables and Ultimate USB, and YG Acoustic Kipod II Signature loudspeakers ($38,800), the system sounded great on George Benson’s “Paper Moon” and Ella Fitzgerald and Joe Pass’ “Moonlight in Vermont.” I especially enjoyed the copious amount of air surrounding Byron Janis’ piano. Color this system maximally seductive.
John Atkinson Posted: Jun 10, 2013 0 comments
Audience was demming their tiny ClairAudient 1+1 bipolar speaker ($1800/pair, available this month), driving them with their 400W Wavepower monoblocks $18,000/pair including Au24 SE PowerChords) via Au24 cables. Front end was a Bryston BDP-1 media player and BDA-1 DAC, and Audience’s Adept Response aR6-TS conditioners cleaned up the AC. As you might expect from such small speakers using two full-range drivers, the stereo imaging from this system was superbly stable and exquisitely well-defined, though double basses did sounded more like cellos, there only being so much low-frequency energy you can extract from 3" drive-units, even when loaded with passive radiators.
Jason Victor Serinus Posted: Jun 10, 2013 1 comments
EAR USA’s Dan Meinwald had more to share than two new products from Tim de Paravicini; he also opened the door on lovely tube warmth. Thanks to two new sources, the EAR Acute 4/DACute 4 CD/SACD player ($13,000) and Helius Alexia turntable ($5500), the latter equipped with the Helius Omega 10” tonearm ($3100) and Dynavector KX-1s cartridge ($5450), an LP of doo-wop, and a CD of The Persuasions singing the Beatles had great height and exemplary center imaging. A Chad Kassem test pressing of the Ray Brown Trio’s Soular Energy further exhibited lovely and warm tube sound.
John Atkinson Posted: Jun 10, 2013 0 comments
The first Aaudio Imports room I visited featured the DEQX Room Correction Processor ($4500). I had been gob-smacked at the 2012 RMAF, when I heard how this processor turned a pair of RadioShack PA horns into acceptable hi-fi speakers. However, the correction being demmed at T.H.E. Show was more subtle, mainly involving a firming up of the stereo imaging, as the system was sounding good without correction. (Competing noise from the room across the corridor did make the improvement difficult to hear at first.)
Jason Victor Serinus Posted: Jun 10, 2013 0 comments
Dusty Vawter’s CIAudio, which stands for Channel Islands Audio rather than a governmental overseas espionage agency, was making really nice sound on a recording by Ben Harper. Doing the honors in this reasonably priced system were CIAudio’s Transient Mk.II asynchronous USB DAC ($699), VDC•5 Mk.II 5V upgraded power supply ($329), PLC•1 MKk.II passive line controller ($899), and D•200 Mk.II 200W monoblocks ($3500/pair). Von Schweikert VR-22 loudspeakers ($2895/pair) completed a chain that began with a MacBook Pro equipped with Pure Music software, and also included a PS Audio P10 power regenerator, Billy Bags equipment rack, and GIK room treatments.
John Atkinson Posted: Jun 10, 2013 7 comments
Although plagued by “Noisy Neighbor Syndrome,” Colleen Cardas Imports impressed me with the great sound they got from a 45rpm Acoustic Sounds test pressing of Stevie Ray Vaughan playing “Tin Pan Alley,” reproduced by the Opera Seconda loudspeakers ($3995/pair). Yes, that characteristic Hilton room mode was still in evidence, but these big two-and-a-half-ways produced an otherwise smooth, sonically compelling balance.
John Atkinson Posted: Jun 09, 2013 0 comments
Bill Evans’ piano sounded palpably real in the room featuring Angel City Audio’s Trinity Monitor speakers ($3000/pair), driven by Melody Valve HiFi P2688 tube preamp ($6999) and MN845 tube amps ($13599), MG Audio Design interconnects and speaker cables, Triode Wire Labs power cables, and AC conditioning supplied by Spiritual Audio. The Trinity is a largish two-way standmount, combining a VIFA ring-radiator tweeter with two 7” woofers. Frequency response is specified as 40Hz–37kHz, ±3dB, with a 90dB sensitivity.
John Atkinson Posted: Jun 09, 2013 1 comments
“That sounds like the Crusaders,” I said as I sat down to listen to the Kharma DB9 Signature speakers ($36,000/pair) driven by Exquisite Signature monoblocks ($88,000/pair) and an Exquisite preamplifier ($40,000), hooked up with Transparent cables. It was, the Second Crusade LP from the Jazz Crusaders, played on a Spiral Groove SG1.1 turntable with a Zesto phono preamplifier sounding very good indeed.
John Atkinson Posted: Jun 09, 2013 0 comments
“I recognize those speakers,” I thought to myself as I entered Cary Audio’s room. They were ADAM Audio’s Column MK3 towers ($7500/pair), that Kalman Rubinson had very favorably reviewed in August 2012. New in the room was Cary’s promising DAC-100T tubed D/A processor ($2995), which uses an ESS Sabre 9023 DAC chip with a USB input using an XMOS USB chip running Gordon Rankin’s Streamlength asynchronous code. There are also two each coaxial and TosLink S/PDIF inputs and both balanced and single-ended analog outputs.
John Atkinson Posted: Jun 09, 2013 0 comments
That was the message on the poster in Magnepan’s room. Wendell Diller, celebrating his 40th anniversary with the Minnesota company, explained that Magneplanar speakers use 90% US-sourced parts and demmed the new, 48”-tall, two-way-plus-woofer Super MMG ($1199/pair with one bass panel, $1750 /pair with two) with an Ati amplifier and a Theta Casablanca preamplifier. The sound on a varied program was sweet, almost full-range. I couldn’t see the bass panels; Wendell pointed to the end tables on the outside edges of the speakers. To increase the Spouse Acceptance Factor, he had disguised the planar woofers.
John Atkinson Posted: Jun 09, 2013 4 comments
I was unfamiliar with the Vapor Audio Nimbus speakers Empirical Audio’s Steve Nugent was using, which combine a 15” woofer with an MTM array based on a Raal ribbon tweeter, and cost $7895/pair. But with the speakers driven by 40W single-ended, class-A mono amps from Arte-Forma ($7495/pair), each using an 845 output tube, vocals, whether it was Frank Sinatra singing “What’s New?”, Julie London “Cry Me a River,” or Diana Krall “Girl in the Other Room,” sounded effortlessly real, with an ease to the presentation. (Note the corner traps and ATS Diffusors used to tame the room’s acoustics in the photo.) and RPG Diffusors used to tame the room’s acoustics in the photo.)

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