As We See It

Sort By: Post Date | Title | Publish Date
Filed under
Jim Austin Posted: Sep 09, 2004 Published: Sep 01, 2004 0 comments
Conventional wisdom has it that you should listen to an audio component, preferably in your own system, before you decide to buy it. But who, these days, has the opportunity to do this consistently? Even an audition in the store isn't guaranteed; I have to drive two hours to get to the nearest dealer with decent customer service and a good inventory of interesting gear. And though he generally stocks a fairly wide range of components, like any dealer, he carries only a small sample of all the hi-fi gear that's currently, in principle, available.
Filed under
John Marks Posted: May 09, 2004 Published: May 01, 2004 0 comments
There's this really awful joke:
Filed under
Steve Guttenberg Posted: Apr 10, 2009 0 comments
Would you really want a perfect hi-fi?
Filed under
Jason Victor Serinus Posted: Apr 11, 2004 Published: Apr 01, 2004 0 comments
Hilary Hahn must be a chameleon. At least, that's how it seemed at the 2004 Consumer Electronics Show.
Filed under
Henry Rollins Posted: Aug 03, 2011 22 comments
I was fortunate enough to be raised in an environment where music of many kinds was played often. I lived with my mother in small apartments in Washington, DC, in the 1960s and '70, and most of the time, music was playing. Chopin, Wagner, Beethoven, Coltrane, Miles, Sonny Rollins, Streisand, Baez, Dylan, Miriam Makeba—even the Doors, Hendrix, and Janis Joplin.
Filed under
Peter W. Mitchell Posted: Oct 03, 2008 Published: Oct 03, 1992 0 comments
Dateline—Chicago, May 30, 9:00pm. Exploding fireworks lit up the sky above the Chicago river as 200 leading high-end designers gathered in the Hotel Intercontinental for Stereophile's 30th Anniversary banquet. After a repast of four gourmet courses and five wines, the time came for after-dinner speeches to celebrate Stereophile's past and high-end audio's future. Publisher Larry Archibald described his adventurous transition from the high-end car business to risky publishing. Introducing J. Gordon Holt, he praised JGH's uniquely lucid writing and his unflinching insistence that equipment designed to reproduce music should be judged on its ability to do just that—the unconventional view that launched high-end audio.
Filed under
John Atkinson Posted: May 08, 2005 Published: Mar 08, 1993 0 comments
"When it comes to video, most audiophiles are insufferable snobs."—J. Gordon Holt, 1984
J. Gordon Holt Posted: May 08, 2005 Published: Jun 08, 1993 0 comments
A couple of months back (March 1993, p.7), I wrote that as far as I was concerned, video was television dressed up in fancy dress, thus there was no place for coverage of the medium in Stereophile. As the magazine's founder, J. Gordon Holt, has been a committed videophile for many years, I sat back and awaited a reaction from him. One was not long coming. I am running his response as this month's "As We See It" feature.—John Atkinson
Filed under
Colleen Murphy Posted: Jul 23, 2013 Published: Aug 01, 2013 8 comments
For over three decades, I have felt compelled to turn people on to music. Throughout my career as a DJ, all of my endeavors have been linked by the desire to spread the joy of listening to records, in the hope that people would feel something like the emotional resonance I feel. My Classic Album Sundays adventure—see— was born from this lifelong dedication to musical curating, and propelled by a eureka hi-fi moment.
Filed under
Robert Harley Posted: Jun 26, 2005 Published: May 01, 1997 0 comments
Attacking the compact disc has lately become almost a blood sport among audiophiles and audio writers. Not a month goes by that I don't read—often in Stereophile—some vehement statement about how CDs are a musical abomination.
Filed under
Erick Lichte Posted: Apr 16, 2008 0 comments
"Modern recordings, for all their glory . . . have conditioned audiences to expect an inhuman degree of performance accuracy, comparable to what a recording studio's editing team can produce by patching together the best moments from multiple takes."—James F. Penrose, Wall Street Journal, January 25, 2008
Jim Austin Posted: May 13, 2007 0 comments
For art to exist, for any sort of aesthetic activity to exist, a certain physiological precondition is indispensable: intoxication.—Friedrich Nietzsche
Filed under
John Atkinson Posted: Jun 10, 2010 0 comments
"Reviewed in the box!" is what Stereophile's founder, the late J. Gordon Holt, used to call it. You might think you're reading a review, but the realization slowly dawns that there's nothing in the text that could not have been gleaned from the manufacturer's brochure, nothing to indicate that the writer had even opened the box the product came in. When I read a review in another publication or online, I judge it by doing what I recommend Stereophile's readers do when they read this magazine: I look for the nugget I didn't already know, the facet I wasn't expecting, the concluding jewel I couldn't have predicted without ever having tried the component myself. Sadly, all too often too many of what are promoted as "reviews" on the Web are merely descriptions.
Filed under
John Atkinson Posted: Feb 24, 2008 Published: Nov 05, 1987 0 comments
Scene the First. You are sitting in a concert hall, dead center, row M; the cellist walks on to the stage, sits down and starts to play the prelude to the first of Bach's solo cello suites, that intricate unfolding of a rhapsodic melodic line within the tight framework of an implied chordal structure. Melody, harmony, rhythm—none exist at any one point of time in this most exquisite of Bach's solo instrumental writing, yet the skill of the composer, coupled with the artistry of the musician, allow you to perceive the abstract as reality.
Filed under
John Atkinson Posted: Mar 03, 2009 Published: Jun 03, 1990 0 comments
1950: "The ultimate in disc recording is to make the reproduced sound as near as possible to the original..." (The founder of Audio magazine, C.G. McProud, in "Recording Characteristics," Audio Engineering, January 1950, reprinted in The 2nd Audio Anthology, p.67, Radio Magazines, 1954.)


Enter your username.
Enter the password that accompanies your username.