As We See It

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Robert Harley Posted: Feb 06, 2009 Published: May 06, 1991 0 comments
Procrustean bed: a scheme or pattern into which something or someone is arbitrarily forced.
Procrustes: a villainous son of Poseidon in Greek myth who forces travelers to fit into his bed by stretching their bodies or cutting off their legs.—Webster's Ninth New Collegiate Dictionary
J. Gordon Holt Posted: Nov 04, 2007 Published: Aug 01, 1982 0 comments
Many audiophiles will look back on the summer of 1982 as the year the creeping cruds invaded their hallowed halls of hi-fi. In the Conrad Hilton hotel, where most of the high-end contingent gathered at the June 1982 Consumer Electronics Show, one exhibitor was featuring a videodisc presentation with wide-range audio and insisting that this was the way of the future. And at least three others had managed to smuggle in digital tape recorders (all Sony PCM-F1s), and were giving many CES visitors their first taste of real, unadulterated, digital reproduction.
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Robert Harley Posted: Jul 04, 2004 Published: Dec 01, 1990 0 comments
Everybody, including myself, was astonished to find that it was impossible to distinguish between my own voice, and Mr. Edison's re-creation of it.—Anna Case, Metropolitan Opera Soprano, 1915
J. Gordon Holt Posted: Dec 29, 2006 Published: Jan 29, 1986 0 comments
As I write this, I am recuperating from four days of frenzy at the 1986 Winter CES in Las Vegas, Nevada. I am also pondering why I was so unexcited by most of what I saw and heard of the high-end exhibits; high-end audio may have reached a developmental plateau of sorts.
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Jim Austin Posted: May 29, 2012 4 comments
Portland, Maine, my hometown for the better part of two decades, is a pretty hip place. We are not, for the most part, innovators in fashion, but we are early adopters of the more interesting latest styles.

For years now, what I take to be a Brooklyn style has been prevalent among the local twentysomething crowd. The hipper restaurants are full of pretty young women and bearded men in plaid shirts who, on the one hand, seem ready for the woodlot but who, on the other hand, seem too skinny to lift a decent-size chainsaw. Likely as not, they arrived on single-speed racing bikes converted for commuter use. Nifty machines.

Denis Stevens Posted: Dec 24, 2008 Published: Apr 03, 1990 0 comments
Paul Gowan's letter in the October 1989 Stereophile hinted that, whether or not audiophiles enjoy music, it should be true that the emotional experience we derive from music is what really matters. There, barefaced, lies the problem: who are "we"? A well-known Latin epigram affirms that in matters of taste there is no point in discussion. And a Greek epigram (coined in fact by Max Beerbohm in his Oxford novel Zuleika Dobson) suggests that "for people who like that kind of thing, that is the kind of thing they like."
J. Gordon Holt Posted: Dec 31, 1969 Published: Dec 31, 1979 1 comments
Editor's Introduction: In 1963, Stereophile's founder J. Gordon Holt published attacks on what he saw as the single largest step backward in high-fidelity sound reproduction at that time: RCA's introduction of "Dynagroove" LP records, where the recorded signal was pre-distorted and dynamically equalized to compensate for the poor performance of cheap phonograph players. "Issue 5...revealed most of RCA Victor's 'revolutionary' new system as nothing more than a sophisticated way of bringing higher fi to record buyers who don't care enough about hi-fi to invest in a decent playback system." Ten years later, Gordon wrote that, "As of 1974, the best we can say for Dynagroove is that there is no audible evidence of it on current RCA releases." (These articles were reprinted in June 1992, Vol.15 No,6, as part of Stereophile's 30th-anniversary celebrations.)John Atkinson
J. Gordon Holt Posted: Apr 29, 1985 0 comments
A tradition is anything we do, think, or believe for no better reason than that we have always done it, thought it, or believed it. Most traditions are followed in this mindless and automatic way, and, if questioned, are defended with the argument of, well, that it seems to work. It's time-tested, true-blue and, because so familiar, as comfy as an old slipper. So why rock the boat, throw a wrench in the works, or fix it if it ain't broke.
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Jon Iverson Posted: Aug 02, 2001 0 comments
"He's putting the drums in the rear channels?!?"
Stephen Mejias Posted: Jul 10, 2008 0 comments
It was a simple little thing that turned into so much more. Michael Lavorgna started it. Out of the blue and as sudden as spring, he sent an e-mail to me and speaker designer John DeVore: "Let's plan a trip to the Princeton Record Exchange!" And, just in case 60,000 beautiful LPs wouldn't be enough of a lure, Michael put a cherry on top: "The Triumph Brewing Company is right next door!"
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Robert Harley Posted: May 27, 2007 Published: Mar 27, 1997 0 comments
Just about everyone knows that a new high-quality digital audio disc, called DVD, is being developed by the world's electronics giants. What few realize, however, is how politics and corporate politics influenced the format's technical specifications. The result may be unnecessary sonic degradation for millions of music listeners.
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John Atkinson Posted: Sep 10, 2005 Published: Nov 10, 1997 0 comments
"This is offensive!" muttered usually mild-mannered Malcolm Hawksford, who was sitting next to me. "I'm leaving." The good professor was right. One thousand or so attendees at the 103rd Audio Engineering Society Convention, held at the end of September in New York, were being subjected to truly terrible sound. The irony was that the sound was that of 2- and 5-channel recordings made with 24-bit resolution and a 96kHz sampling rate, being played over a colored PA system to demonstrate the future of audio, in the form of DVD-Audio.
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John Atkinson Posted: Dec 05, 2004 Published: Feb 05, 1998 0 comments
"Do you have another DVD player?" asked Classic Records' Michael Hobson. As is usual in important demonstrations, Murphy's Law had struck with a vengeance. The prototype Muse DVD player Kevin Halverson had worked on most of the previous night was refusing to play the DVD Mike had placed in its tray.
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Robert Harley Posted: Nov 14, 2007 Published: Aug 01, 1996 0 comments
The announcement in October 1995 of the Digital Versatile Disc (DVD) set the hearts of audiophiles and music lovers pounding. Although primarily a digital video and computer-data storage format, DVD's massive capacity could be applied to a "super CD" audio-only disc. Finally we would be liberated from the musical limitations of the CD's 16-bit word length, 44.1kHz sampling rate, and two-channel format. We were tantalized by reports of 96kHz sampling rate, 24-bit word length, and multichannel playback. Digital redemption appeared to be just around the corner.

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