Budget Component Reviews

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Corey Greenberg Posted: Mar 30, 2008 Published: Feb 02, 1993 0 comments
"And I say panel speakers can't rock'n'roll—"
Robert J. Reina Posted: Mar 19, 2008 0 comments
Late in 2006, I was watching John Atkinson set up a pair of DPA cardioid microphones in front of the stage of New York City's Otto's Shrunken Head to record a performance of my jazz quartet, Attention Screen (footnote 1). Before the first set, Wes Phillips approached me. "Bob, I found a piece of equipment you must review—the Cayin A-50T integrated amp. It's only 1300 bucks and you'll love it!"
Art Dudley Posted: Mar 18, 2008 0 comments
My first one-piece stereo—I think I paid $60 for it, including a pair of speakers with pegboard backs—gave me a lot of pleasure when I was young, and I loved it. Everything that came after has been better in every way but one: None has inspired that kind of love. And most have left me wondering if there might be something just a little bit better.
Jack English Posted: Mar 07, 2008 Published: Jun 07, 1993 0 comments
All right, class. Your assignment is to write a paper persuading people to do something good for themselves that they really don't want to do.
Robert Harley Posted: Mar 06, 2008 Published: Oct 06, 1990 0 comments
During the late 1970s and early '80s, I worked my way through college by selling hi-fi, or more precisely, mid-fi. During those years, I heard and sold several hundred different loudspeakers costing under $1000/pair. Despite the fact that I experienced them under less than ideal conditions, I was nevertheless able to get a feel for their relative performance. When switching between speakers, the differences between them were drastically juxtaposed. No two loudspeakers sounded even remotely similar tonally, indicating that they all had severe colorations.
John Atkinson Posted: Feb 29, 2008 Published: Mar 29, 1990 0 comments
According to the conventional wisdom, companies selling consumer products fall into two categories: those whose sales are "marketing-led" and those whose sales are "product-led." Marketing-led companies tend to sell mature products into a mature market where there are no real differences between competing products—soap powder, mass-market beer, or cigarettes, for example—whereas product-led companies tend to sell new technologies, such as personal computers and high-end hi-fi components. In the audio separates market, conventional wisdom would have a hard time categorizing any individual company: no matter which you choose, it would be simplistic to say that it is either product- or marketing-led. No matter how good the product, without good marketing the manufacturer stands little chance of success; a poor product superbly marketed may make a company successful overnight, but that success will have hit the end stops by the following night.
Robert Deutsch Posted: Jan 23, 2008 0 comments
I first heard a CD player in my own system in 1984 or 1985, several years before I began writing for Stereophile. I was curious about the Compact Disc medium—I'd read about it, had listened to CDs in stores, and was eager to hear what they sounded like in my own system. I'd even bought a CD: the original-cast recording of 42nd Street, which I already had on LP. One evening, a friend who worked for Sony and knew that I was an audiophile brought over his latest acquisition: a CDP-501ES, the second from the top of Sony's line of CD players. He also brought along a bunch of CDs, including some solo-piano discs, and Erich Kunzel and the Cincinnati Symphony's then-famous recording of Tchaikovsky's 1812 Overture (Telarc CD-80041).
John Atkinson Posted: Jan 18, 2008 0 comments
In his July 2003 "The Fifth Element" column, John Marks enthusiastically wrote about the Benchmark Media Systems DAC1 D/A processor and headphone amplifier. Comparing its sound playing CDs with that of a three-times-more-expensive Marantz SA-14 SACD player, he concluded that the DAC 1's "Red Book" performance was at least as good as that of the Marantz, being "slightly more articulate in the musical line, and slightly more detailed in spatial nuances, particularly the localization of individual images in space, and in soundstage depth."
Robert J. Reina Posted: Dec 23, 2007 5 comments
In nearly 25 years, it's been rare that I've reviewed an exciting breakthrough product. The Audioengine 2 is such a product—not because it performs at an extraordinary level (though it does), and not because it's such an incredible value for money (though it is), but because it creates a new market, a new application for high-end audio, and a chance for audiophiles to enjoy music in ways they may have never considered before.
Art Dudley Posted: Dec 23, 2007 0 comments
In 1962, when tennis rackets were made of wood, newspeople were known for challenging the government, and the off-Broadway musical The Fantasticks was in its second year (the show closed in 2002), Nippon Columbia's Denki Onkyo (or Den-On) division introduced to the professional audio world a brand-new moving-coil phono cartridge. Developed in cooperation with the Japan Broadcasting Corporation, the DL-103 was one of the first attempts at making a truly wide-bandwidth stereo cartridge that nonetheless could withstand the rigors of back-cueing. The DL-103 was a nearly instant success with broadcasters, and its popularity spilled over into the world of domestic audio.
Art Dudley Posted: Nov 15, 2007 0 comments
Specialization seems to be an inevitable consequence of progress: As the products of man and God become more and more complex, they're called on to do fewer things in more focused ways.
Robert J. Reina Posted: Nov 10, 2007 0 comments
Readers often ask how I choose components for review. My method is simple: Ninety percent of what I review is gear that has impressed me at one of our Home Entertainment Shows, or new designs from manufacturers whose products I've liked in the past. The remainder are assigned by John Atkinson.
Robert J. Reina Posted: Oct 20, 2007 0 comments
Home Entertainment 2007 was a blast for me, as it is every year. Not only did I get to perform with two jazz bands, Attention Screen and the John Atkinson Trio, but I enjoyed good to extraordinary sound in every room I visited. I've been attending hi-fi shows more than 20 years, so I'm rarely surprised, but HE2007 had two big surprises in store. First, the percentage of rooms sporting analog front-ends—vinyl and open-reel tape—was the highest I've seen at a show in over a decade. Second, there was a surprising number of very expensive loudspeakers. In fact, I counted more speakers costing over $50,000/pair than I did costing under $500/pair.
Jim Austin Posted: Oct 20, 2007 0 comments
Most people are familiar, at least in outline, with the Hans Christian Andersen fairy tale "The Princess and the Pea." In the story, the Queen decides that it's time for her son to marry, and the Prince—apparently a very fussy young man—decides that he can marry only a true princess, as measured by her sensitivity to small discomforts. It's like being an audiophile, but with peas.
Wes Phillips Posted: Sep 22, 2007 3 comments
When folks visit from out of town, they frequently remark that my Brooklyn neighborhood reminds them of "a real neighborhood" from their neck of the woods. "Except that we know all our neighbors and talk to them when we're cutting the grass, watering the lawn, and walking the dog. You probably don't even know the names of any of yours."

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