Larry Greenhill

Larry Greenhill  |  Jan 06, 2006  |  2 comments
Soundsmith introduced a strain-gauge cartridge system in the Joseph Audio room at the Alexis Villas. The output of the dedicated battery-powered preamplifier can be fed to a preamp's line input as it does not require any equalization.
Larry Greenhill  |  Jan 06, 2006  |  0 comments
Day Sequerra presented its newest FM/AM/HD Radio tuner, the Model M1 HD Broadcast Reference tuner in the Alexis Park. The basic chassis includes the option to receive High Definition (HD) FM digital radio and HD/AM radio in a modular package ($4995) with single-ended analog, balanced analog, and digital outputs. "We have begun to refer to this model as 'tuners," said David Day, seen in the photo with his new baby, "because it can be configured to accommodate 10 different audio and video receive modules, including: FM HD, a class-M output option that features current-feedback amplifiers), cable TV, an ultra high-end FM Reference Module front-end option, or HD TV." Two common options will be the M1 configured with a 2.75" oscilloscope ($6995), or the price-not-determined "Panalyzer" option, which provides a 5–500MHz spectrum display.
Larry Greenhill  |  Dec 18, 2005  |  0 comments
Street buzz is a force to reckon with. When an audiophile whispers to me that a piece of new equipment sounds unusually good, I'm interested. When two manufacturers of other equipment independently tell me "You've got to listen to this speaker," I get excited.
Larry Greenhill  |  Nov 26, 2005  |  0 comments
Home theater has dramatically influenced the design of aftermarket subwoofers. Multichannel processors automatically provide a properly filtered low-frequency signal to drive a subwoofer, relieving the need for the sub to be shipped with a passive crossover network or an active electronic crossover. When Genelec offered one of their subwoofers for review, I decided it was important to try to evaluate such a product, even if it meant I'd have to scramble around to find a quality external electronic crossover.
Larry Greenhill  |  Sep 10, 2005  |  First Published: Feb 10, 1997  |  0 comments
I first heard the Totem Acoustic Tabù loudspeakers at HI-FI '96, Stereophile's Home Theater & Specialty Audio Show at the Waldorf=Astoria in New York City last June. A startlingly realistic vocal recording drew me to Totem's sixth-floor demo room. Vincent Bruzzese, the speaker's designer, was playing Michael Jonasz singing "Si si si le ciel" from la fabuleuse histoire de Mister Swing (WEA 2292-42338-2, imported by May Audio Marketing). The small, two-way Tabù cast a holographic, palpable musical image with clear highs and sizzling dynamic pace. I was bitten, and set things in motion for this review. And two other things drew me to the Tabù: its capacitor-less crossover and its similarity to Totem's Model 1.
Larry Greenhill  |  Jul 10, 2005  |  First Published: Oct 10, 1996  |  2 comments
Canadian electronics manufacturer Bryston Limited has been producing consumer and professional amplifiers since 1974 [see Robert Deutsch's interview elsewhere in this issue—Ed.]. Bryston amps are engineered to be physically and electrically rugged, to meet the stringent demands of professionals, many of whom leave their studio amplifiers turned on for years. While chassis had to be light instead of the audiophile massiveness found in some high-end consumer amplifiers, studio engineers and concert pros continued to favor Bryston amps, which easily passed the "steel toe" test. The 4B, for example, became a standard amplifier for recording engineers and touring musicians.
Larry Greenhill  |  May 30, 2005  |  First Published: Oct 30, 1996  |  0 comments
The Bryston BP-25MC preamplifier is a full-function control center with one balanced and four single-ended inputs, including one input for a moving-coil cartridge. The BP-25 is shielded in a black steel cabinet said to reduce electromagnetic interference effects. The power transformer is housed in a small external chassis, the BP-PS. The BP-25's remote control allows volume up/down, along with buttons for mute and absolute polarity. Signal switching and audio connections, including balanced and unbalanced input and output connectors, are heavily gold-plated to provide good long-term connections. A 12V AC/DC screw terminal connector on the rear of the power supply provides convenient use when used in conjunction with the remote start feature optionally available on Bryston power amplifiers.
Larry Greenhill  |  May 22, 2005  |  0 comments
Although Mark Levinson Audio Systems components continue to be produced, the company's headquarters moved in late 2003 from the Madrigal plant in Middletown, Connecticut, to Harman Specialty's facility in Bedford, Massachusetts. There ML shares manufacturing and sales space with Harman's other high-end lines, Revel and Lexicon.
Larry Greenhill  |  Feb 06, 2005  |  First Published: Jun 06, 1999  |  0 comments
Experienced reviewers know that shows are the wrong environments for critical audiophile listening. Convention centers—especially the one at Las Vegas—are huge, cavernous airplane hangers, not the intimate listening rooms reviewers thrive in. Extraneous sounds from subwoofer blasts and the constantly milling crowds leak in to sully the music. Booths set up by manufacturers on the show floor have very thin, flexible walls, and no bass treatment.
Larry Greenhill  |  Dec 19, 2004  |  0 comments
Loudspeaker cabinet design has been strongly influenced by home theater. Large floorstanding cabinets, required for reproduction of bass frequencies, are being replaced by tall, graceful towers with small footprints. While these slim speakers fit more easily into home décor and living spaces, to fill out their bass response they depend on being used with the subwoofers that are standard in multichannel systems.

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