Art Dudley

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Art Dudley Posted: Jun 27, 2011 0 comments
John Marks brought violinist Arturo Delmoni to Axpona New York, who in turn brought his 18th-century Guadagnini—and his virtually unique mastery of the Romantic approach to solo violin. His Friday afternoon performance of the Ciaconna from Bach’s D-minor Partita held the audience spellbound, with extraordinary intonation, oceans of tone, and a passionate, emotional one-ness with Bach’s music that prompted JA to comment, appropriately: “The man was on fire.”

JA was sitting at the back of the ballroom and was surprised by how loud the sound of the solo violin was. Whipping out his iPhone with the Studio Six Digital SPL Meter app, he measured the typical sound pressure level at 72dB(C).

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Art Dudley Posted: Jun 27, 2011 0 comments
Speaking of the devil: Here's JM himself (right), posing with Arkiv Music's Robert Garcia, who is also associated with that company's classical music quarterly Listen.
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Art Dudley Posted: Jun 27, 2011 0 comments
A challenge for the journalist who can’t read his own notes (that would be me): The need for information regarding the Mark Neumann loudspeaker shown above led me to the world-wide web, but a Google search on the words Mark Neumann returned mostly hits that had nothing to do with audio and everything to do with politics. (It was a little like reading one of my old columns. But just a little.) I returned to my senses and visited the website of Miami’s High End Palace, the Axpona exhibitor that brought the mighty Coliseum XLS loudspeaker (approximately $40,000/pair) to New York, and learned that this open-baffle speaker’s design was inspired by a concert grand piano—and that only 12 are made each year. Fed by a Stahl-Tek CD player and driven by Tact and BAT electronics, the Coliseum XLS sounded impressive in a number of ways, although its considerable bass response tended to overwhelm the smallish room.
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Art Dudley Posted: Jun 27, 2011 2 comments
The sign on the door said JIB Germany, leading me to expect…well, something very different from what I found. (As the late Vivian Stanshall declared in a Bonzo Dog Band number titled “Shirt”: ‘24-Hour Cleaners’? That’s just the name of the shop, dearie!) That said, the exhibitors in this room demonstrated a pleasant-sounding mini-system, comprised of a Napa Acoustics NA-208A hybrid tube integrated amplifier ($399) and NA-208S two-way loudspeakers ($199/pair), fed by a first-generation iPod playing Abba songs. Hand not included.
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Art Dudley Posted: Jun 27, 2011 1 comments
I tried but failed to photograph the on-screen image from the home-theater dem in one of the two Emotiva rooms, so you’ll have to take my word: Eric Clapton wore a black short-sleeved shirt and a pair of ripped and faded jeans (shame how some of these rock stars just frittered away their millions), and played a baby-blue Fender Stratocaster. But the real stars of this slick and commendably spare-sounding band were the three backup singers, who were sufficiently passionate to convince me that they had, working together, indeed murdered a sheriff somewhere. The excitement of it all was delivered by Emotiva electronics and loudspeakers, including XPA-2 and XPA-5 amplifiers ($679 and $764, respectively), UMC-1 surround-sound processor ($594), ERT-3 floorstanding loudspeakers ($1278/pair), and ERD-1 stand-mounted surround speakers ($319/pair). The sound was quite decent by any measure—and exceptionally good for the money.
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Art Dudley Posted: Jun 27, 2011 2 comments
It’s okay to like R.E.M. again, and not just because their latest single (“Uberlin”) is the band’s best in over a decade: In the exhibit sponsored by EgglestonWorks and Rogue Audio, R.E.M.’s “How the West Was Won and Where it Got Us” sounded so good and so clear and so utterly fresh that I literally did not, at first, recognize the music. The combination of Rogue Hera II preamplifier ($7995) and Apollo monoblock amplifiers ($10,995/pair) plus Eggleston Andra III loudspeakers (ca $24,000 per pair) contributed to my wondering if the album from which that single sprung—1997’s New Adventures in Hi-Fi—might be better than I thought. I guess I’ll give the LP version another try (although I maintain that NAIHF represented the very nadir of the group’s covert-art pretentiousness). The Axpona experience renewed, in particular, my admiration for Rogue Audio’s persistence in making superb tube electronics at sane, fair prices.
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Art Dudley Posted: Jun 26, 2011 1 comments
During the half-hour Julia and I spent visiting Channel D Software's Rob Robinson, the room never ceased to be mobbed with attendees. That was partly due to the good sound (provided by Joseph Audio Pulsar speakers, Hegel H20 amp, Artemis record player with Zu cartridge, and Audio Research DAC8—plus, of course, a Synology NAS and a brace of Apple computer gear, driven by Channel D software), and partly to the fact that the exhibit was like a free seminar on both the basics and the minutiae of computer audio, with Robinson as the generous instructor. Channel D's Pure Music 1.8 ($129) is now available, and I hope to try it soon after returning home.
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Art Dudley Posted: Jun 26, 2011 2 comments
Bright red Totem Mani-2 loudspeakers, glimpsed through an open door, drew Julia and I into the Amsterdam Room, where products from D-Box Technologies, Digital Projection, Audio Design Associates, Stewart Filmscreen, and Totem were combined to create an exceptionally impressive 3-D home theater demonstration. Leather lounge chairs from Design NS had been equipped to convey a sense of motion to their users' posteriors—presumably these remain perfectly still during most Merchant Ivory films—so we felt as well as saw as well as heard the action during excerpts from Avatar and The Owls of Ga'Hoole. Julia's face says it all.
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Art Dudley Posted: Jun 26, 2011 1 comments
The show started before the show started: Julia and I were having morning tea in our room on the 7th floor when we heard a familiar and compelling voice: not Amanda McBroom or Jacintha but Lhasa de Sela —a real recording artist! The music turned out to be coming from one of two exhibit rooms sponsored by New Jersey retailer Woodbridge Audio, whose proprietor also had the audacity to play such non-audiophile fare as the Andrews Sisters and Michael Hedges. Think of it! The system in Woodbridge's tonier room had an estimated total value of $125k and included a VPI TNT HRX record player with Koetsu Urushi Black cartridge, Mark Levinson electronics (including the majestic No.53 amplifiers), and a pair of Revel Ultima Salon2 loudspeakers, with MIT cabling, Richard Gray power accessories, and ASC Tube Traps.
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Art Dudley Posted: Jun 26, 2011 0 comments
One might argue that there are more research-driven engineering innovations in the Linkwitz Lab Orion-4 than in most other high-end loudspeakers— which is remarkable, considering that it sells for less than $15,000/pair—but at the Axpona show I found it easy to forget all of that and simply enjoy the speaker's musical prowess. Driven by Bryston amplifiers and fed by an Auraliti L1000 digital music player and MSB D/A processor, the Linkwitz loudspeakers disappeared into their own wide, deep, and mildly recessed (as opposed to in-your-face) soundfield. In addition to being spatially convincing, the Orion-4s sounded open, clear, and appropriately colorful: one of the finest demonstrations at the show.

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