Jon Iverson

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Jon Iverson Posted: Feb 24, 2002 0 comments
Music publishing organizations such as ASCAP and BMI have long worked out licensing deals with radio broadcasters, who pay royalties in exchange for playing music over the air. A US Copyright Office panel is now suggesting that online broadcasters also pay royalties, this time directly to the record labels, in a recommendation that has so far left all parties unhappy, particularly broadcasters.
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Jon Iverson Posted: Feb 17, 2002 0 comments
It's a brave group of souls who run today's audiophile music labels. Sane business minds would likely deem it foolhardy to start a new specialty label these days, but sometimes one's passion for music overrides the rational impulse to try something a little bit more secure (like perhaps an Internet company?).
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Jon Iverson Posted: Feb 17, 2002 0 comments
Just because you're paranoid doesn't mean they're not out to get you. This is especially true for music lovers who have begun to fear that record companies purposely corrupt the data on audio CDs in an effort to restrict their use as a source for copies or MP3 files.
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Jon Iverson Posted: Feb 10, 2002 0 comments
After more than ten years in development, Sirius Satellite Radio announced last week that it will be officially launching its service with two events in Jackson, Mississippi beginning February 13. Sirius' competitor XM Satellite radio was able to get its service up and running last September.
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Jon Iverson Posted: Feb 10, 2002 0 comments
Recent moves by record labels to add restricted-use technology to their compact disc releases has raised the ire of many a consumer, leading some to call for boycotts or worse (see this week's Soapbox). Late last year the National Association of Recording Merchandisers (NARM) issued a statement saying that the major labels have gone too far in restricting consumers' "fair use" of copyrighted material.
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Jon Iverson Posted: Feb 03, 2002 0 comments
In the fall of 1999, a couple of Canadian high-end audio companies got together to pool resources with the idea that two heads were better than one when it came to certain new products. Simaudio of Boucherville, Quebec and Magnum Dynalab of Brampton, Ontario formed a strategic alliance with the purpose of sharing various technologies to further enhance each company's product lines.
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Jon Iverson Posted: Feb 03, 2002 0 comments
It's hard enough for established record labels both big and small these days. With the high-resolution audio formats SACD and DVD-Audio still fighting each other and struggling to launch, picking sides is an even bigger gamble for a brand-new record label's first releases.
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Jon Iverson Posted: Jan 27, 2002 0 comments
One of the more compelling live demonstrations at last year's 2001 Consumer Electronics Show was in the room at the Alexis Park hosted by Australia's ClarityEQ. As reported last year, using a $350 pair of NHT Super One speakers driven by mass-market consumer gear, the company's PDC-6.6 DSP correction system noticeably improved the midrange tonality and imaging we were hearing each time it was switched into the circuit. This prompted us to give the company the "proof of concept in a hotel room" award for that year.
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Jon Iverson Posted: Jan 20, 2002 0 comments
The major record labels may put out most of the world's music, but they're doing so on a format first created by Philips and then further developed by Sony: the Compact Disc. In addition to the underlying technology, Philips and Sony established a strict standard for the format, insuring compatibility with all players around the world, which came to be known as the Red Book standard.
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Jon Iverson Posted: Jan 20, 2002 0 comments
In the crush of new products and technologies scrambling for attention at every Consumer Electronics Show, some intriguing announcements can get buried in the noise and require a closer look than is afforded by a quick listen and chat in a demo room. One such technology on display at the 2002 CES was MaGIC, a new high-resolution audio connectivity standard.

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