Jason Victor Serinus

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Jason Victor Serinus  |  Jun 04, 2013  |  0 comments
Touting the bounties of their new high-end headphone library, which allows you to audition products before you commit to purchase, The Cable Company’s Steven Aug, Ethan Wood, and Robert Stein presented the first showing of the Cardas EM5813 Ear Speakers ($425). At the other end of the price spectrum was the West Coast debut of the Abyss Planar headphones ($5495), powered (I think) by the new Cavalli Liquid Gold headphone amplifier ($6450).
Jason Victor Serinus  |  Jun 04, 2013  |  0 comments
Earo Acoustics of Woodland Hills, CA demmed three different models of their Swedish-made self-powered loudspeakers. Listening to the white, single point source horn floor-standing Ulf ($6900/pair, I believe), a smaller cousin to the red Earo Eight, I loved the realism of the whistling and singing on Livingston Taylor’s “Isn’t She Lovely.” “Sound Fabulous” I wrote in my notes of the sound from speakers driven by Hypex class-D amplification, with more than a little help from a NuForce DAC. Not auditioned were the other two speakers and a DAC that I know to be excellent, because I have one here at home: the Antelope Zodiac Gold.
Jason Victor Serinus  |  Jun 04, 2013  |  0 comments
I have grown increasingly fond of exhibits that seem like a welcome breath of fresh air. Hence I extend my thanks to Gene Rubin of Gene Rubin Audio and Walter Swanbon of Fidelis AV, whose system provided my first listen to the fine Stein Music Aventurin cartridge ($6495). Listening to the Quartet Italiano play Mozart, I was delighted by the very warm, civilized, and totally enjoyable sound of a system that also included the Palmer 2.5 turntable ($11,990), the Stein Music Harmonizer System, and LFD photo stage ($1895) and NCSE MKII hand-assembled amplifier ($7495), and Harbeth Monitor 30.1 loudspeakers (starting at $5990/pair).
Jason Victor Serinus  |  Jun 04, 2013  |  0 comments
In a room dominated by Cessaro Horn Acoustics Chopin loudspeakers ($40,000/pair), whose tweeter reminds me of the donuts I gave up many decades ago, I found the sound on a recording of electric guitar extremely direct and realistically bright. I didn’t get the name of the blues recording that Leslie Mazer was playing on the platter, but the music was great. This wasn’t a room for those who like their sound sugar-coated, but for music lovers who want it served up straight, it was heaven.
Jason Victor Serinus  |  Jun 04, 2013  |  0 comments
“Get ‘em while they’re hot,” was the operative term at the sizable Marketplace off the Hilton lobby, as early attendees snatched up what they could while they still could.
Jason Victor Serinus  |  Jun 04, 2013  |  0 comments
It was a big surprise, in Totem Acoustics’ home theater room, to first stay with the room’s darkness, and then snap a second photo to discover the vivid red colors of the loudspeakers. Fun.
Jason Victor Serinus  |  Jun 04, 2013  |  0 comments
Given that I’ve heard Audioquest’s price-busting DragonFly USB DAC ($249 and change) on other occasions, I only lingered long enough to hear a bit of Shelby Lynne’s “Just a Little Lovin” and a 24/96 file of a song by Mark Knopfler. The sound was lovely and smooth. The system, which also included Vandersteen Quatro Carbon loudspeakers ($12,500/pair), Audio Research VSi75 ($7500), AudioQuest Castle Rock speaker cable and Angel interconnect, Harmonic Resolution Systems rack and shelf, and Furman PL-8 C power conditioning, didn’t have the ultimate bass control or color, but, my God, the DragonFly can be had for under $250.
Jason Victor Serinus  |  Jun 04, 2013  |  22 comments
T.H.E. Show Newport Beach presented two opportunities to hear the encouraging debut of the Nola Micro Grand Reference Gold loudspeaker ($22,200/pair with stands). On both occasions, the speaker was paired with Nordost cabling, this time top-of-the-line Odin throughout.
Jason Victor Serinus  |  Jun 04, 2013  |  1 comments
Although they looked the same, the Audio Note UK E/SPe HE 98dB-sensitive loudspeakers ($9300/pair plus $650 for the stands) were a larger version of what I heard at AXPONA Chicago. In a system that also included Audio Note UK’s CDT Three top-loading CD transport ($12,000), DAC3.1x / II Balanced ($10,000), and OTO SE Signature integrated amplifier ($5500, or $6300 with phono), a very warm and mellow midrange triumphed on Jane Monheit’s “More than You Will Ever Know” from the album, Neverland. A further listen to a cut from Hazmat Modine’s Bahamut convinced that this is a system for midrange lovers über alles.
Jason Victor Serinus  |  Jun 04, 2013  |  0 comments
Having entered Larry Kay’s BSG room at RMAF 2012 just as he was in throes of packing, after having missed the Bay Area Audiophile Society’s demo of his BSG qøl Signal Completion Stage, I was relieved to finally be able to take a brief listen to the device (pictured on the second shelf, below the MacBook Pro). Although my time in the room was brief—Larry paused just long enough from a discussion to mug for the camera—I definitely heard a larger and more convincingly realistic qøl soundstage with the unit switched in. You can find John Atkinson’s February 2013 review here.

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