John Marks

It's once again time for holiday-gift recommendations. These 12 go roughly in order of ascending price, from the very affordable to the rather unaffordable. To be included, a gift had to strike me as being exceptional in quality while also representing excellent value for money. But by "excellent value for money" I don't necessarily mean low-cost; I mean a high return on investment.

Reading the November 2012 Stereophile, my eye was caught by John Atkinson's very enthusiastic review (he bought the review sample) of Ayre Acoustics' new QA-9 analog-to-digital converter. Over and above the intrinsic interest of the QA-9's claimed flat response down to about 1Hz, and that it is a cutting-edge ADC from a maker of consumer rather than professional audio gear, I had just been engaged by early-music scholar and organist Beverly Jerold to produce and engineer a recording of historically informed performances of Baroque organ music by Buxtehude (b. 1637), Clérambault (b. 1676), J.S. Bach (b. 1685), and Domenico Scarlatti (b. 1685). The recording venue was the Auditorium of the Third Meeting House of the First Baptist Church in America, in Providence, Rhode Island.

Ah me. Victoria's Secret underwear (sorry; lingerie) model Rebecca Romijn-Stamos' publicist politely declined my request for an interview with her. An interview with the model, not the publicist. But you already knew that, and you are (best Claude Rains voice) shocked—shocked!

Long experience has convinced me that many audiophiles' stereo systems substantially underperform compared to what they could sound like. This is not because people haven't spent enough money on their electronics or speakers. Instead, people aren't getting all the performance they've paid for because they haven't devoted enough attention to all aspects of the initial setup, and/or to maintenance and updating.