Robert Schryer

I'll say this, unequivocally: The Toronto Westin Airport Hotel is a fantastic venue for an audio event, better than the Montreal show's near-fabled Bonaventure Hotel, where it counts most: in the exhibitors' rooms. For whatever reason, and this was the consensus among those I spoke with, the rooms at the Westin seem to have acoustic properties that made most systems being demoed sound better than expected by anyone who's ever been at an audio show. It's worth the trip to Toronto just to hear what that's like.

Entracte Audio's room displayed a nifty little system centered around a pair of active ATC SCM 40A speakers ($CAD13,800/pair) supplemented by two JL Audio E110 subwoofers ($CAD2300 each). Preamp duties were handled by Audio Valve's Eclipse preamp ($CAD6600), while the source consisted of a Melco music server ($CAD7300) being fed music files from an external hard drive, and the Italian Aqua Acoustic Quality La Voce S3 Discrete R2R ladder DAC ($CAD5500).

Imagine an audiophile system assembled by the UN and you might end up with something that looks a lot like what I discovered in the Wynn Audio room. Among the countries being represented there were: France, with the Metronome AQWO CD/SACD player ($CAD22,000), with tubed output stage and USB input; Switzerland, with the 215Wpc Goldmund Telos 590 NextGen integrated amp ($CAD33,800); Germany, with the Vimberg Mino speakers ($CAD41,900/pair), built in the same factory as its sister company Tidal Audio (not to be confused with the streaming service); Sweden, with the Entreq Olympus Infinity ground boxes ($CAD5800 each); the Netherlands, with Crystal Cable cabling and rack; and the US, with Critical Mass Systems footers.