Analog Corner

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Michael Fremer  |  Mar 10, 2023  |  First Published: Mar 10, 2017  |  7 comments
The ability to fine-tune a vinyl playback system is part of what makes it possible to combine an archaic technology with modern thinking and materials to create musical magic, and take listeners to new heights of ecstatic musical pleasure. It's why so many young people are tuning in to vinyl, and helps explain why just today, as I write this, it was announced in the UK that, for the first time, revenues from sales of vinyl exceeded those from downloads.
Michael Fremer  |  Feb 10, 2023  |  First Published: Apr 01, 2017  |  57 comments
Although Swiss-based CH Precision is a relatively young company, its core design team has been involved in high-performance audio for many years. Their website doesn't state the company's age, but something there did provide a hint: Among the design team's previous activities was work for another Swiss company, Anagram Technologies...I hadn't made the connection between Anagram and CH Precision when Raphael Pasche, the latter's electronics design engineer, visited last fall to install CH Precision's P1 dual-mono phono stage and the optional X1, a discretely regulated, outboard linear power supply that's claimed to exhibit ultralow levels of noise. The P1 can be ordered as a stereo preamp for $31,000; add $17,000 for the identically sized X1 power supply. Or one mono P1 can be used for each channel, for $55,000 plus $34,000 for two X1s. Expensive stuff.
Michael Fremer  |  Jan 10, 2023  |  First Published: May 01, 2017  |  0 comments
In November 2016, the Berlin Philharmonic made a stunning record-release announcement: a boxed set of all four Brahms symphonies, conducted by Sir Simon Rattle, on six LPs, recorded and mastered direct to disc in September 2014. The release would be limited to 1833 sets—a quantity chosen in honor of the year of the composer's birth—at a price of €499 per set.
Michael Fremer  |  Dec 14, 2022  |  First Published: Jun 01, 2017  |  112 comments
CH Precision's P1 phono preamplifier, which I wrote about in the April 2017 issue, is not going back to its manufacturer. The longer I used it, the more obvious it became that I couldn't part with it, even though I said I couldn't afford it. The cost was stiff even at the accommodation price (at retail, the CH Precision P1 and its optional X1 power supply are $31,000 and $17,000, respectively, footnote 1), but I decided I could afford it, and bought it for myself as a 70th-birthday present. No, I can't hear as well as I did 30 years ago, but my listening is better than ever.
Michael Fremer  |  Nov 02, 2022  |  First Published: Jul 01, 2017  |  0 comments
Maybe you've seen the widely circulated New Yorker cartoon: Two guys stand in front of a nicely drawn, tubed audio system, under which are shelves full of LPs. One guy says, "The two things that really drew me to vinyl were the expense and the inconvenience."
Michael Fremer  |  Oct 11, 2022  |  First Published: Aug 01, 2017  |  0 comments
Ortofon (footnote 1), which turns 100 in 2018, launched the original Windfeld cartridge nearly a decade ago. Named for cartridge designer Per Windfeld—who had just retired at age 75, after 30 years with the company—that top-of-the-line cartridge cost $3400 at the time of its introduction.
Michael Fremer  |  Sep 06, 2022  |  First Published: Sep 01, 2017  |  31 comments
At audio events held by the Los Angeles and Orange County Audio Society, I'm usually called on to speechify about one thing or another, or to roast an honoree at one of the Society's December Galas. But at the spring 2017 Los Angeles Audio Show, Bob Levi, the Society's president, quipped, "This is one awards dinner where you won't have to entertain—so relax and enjoy!"
Michael Fremer  |  Aug 09, 2022  |  First Published: Oct 01, 2017  |  3 comments
The death of a company founder, whether sudden or expected, often produces trauma. Whoever was tapped to replace the visionary Steve Jobs would be handed a thankless task, but at Apple, timid Tim Cook's so-far unimaginative performance as caretaker demonstrates the difficulties of succession. As Jobs beat Sony to the iPod, Cook let Amazon beat him to the Alexa.
Michael Fremer  |  Jul 12, 2022  |  First Published: Nov 01, 2017  |  0 comments
The Reed 3P tonearm, which I reviewed in my April 2016 column, was an impressive piece of imaginative engineering and manufacturing prowess. I asked Reed's importer, Axiss Audio, if I could hold on to the 3P—I was already planning to review Reed's Muse 3C turntable. I'm glad I did—the 3P ($5000) and 3C ($15,000) make an outstanding combination. (When the only complaint you have about a turntable is that the cable from its power jack to the power supply isn't long enough to reach the floor, you can be sure you're going to write a very positive review.)
Michael Fremer  |  Jun 14, 2022  |  First Published: Dec 01, 2017  |  1 comments
Brooklyn-based Grado Labs has been in business for 64 years, manufacturing moving-iron phono cartridges, headphones, and, for a while, even a unipivot tonearm with a wooden armwand, as well as the sophisticated, S-shaped Signature Laboratory Standard arm.
Michael Fremer  |  May 10, 2022  |  First Published: Jan 01, 2018  |  65 comments
It was great fun having our editorial coordinator, Jana Dagdagan, shoot a video profile of me in my listening room. As I write this, it's had more than 88,000 views. While the ratio of thumbs up to thumbs down has remained consistently around 10:1, some of the negative comments, particularly about our industry and about this magazine, do enrage me.
Michael Fremer  |  Apr 05, 2022  |  First Published: Feb 01, 2018  |  1 comments
In February 2017, for the first time in almost 20 years, I visited Rega Research's factory in Southend-on-Sea, UK. I found a company that had added to its just-built factory a second building of the same size, had added an upper level within that space, and already was running out of space. Corridors and walkways were being used for assembly and storage.
Michael Fremer  |  Mar 08, 2022  |  First Published: Mar 01, 2018  |  1 comments
In 1964, Shure Brothers shook up the cartridge market by introducing the original V-15 moving-magnet cartridge, which then cost $67, equivalent to about $530 today. It came packaged in a deluxe, wooden, jewelry-style box—common practice for today's cartridges, but back then unheard of.
Michael Fremer  |  Feb 08, 2022  |  First Published: Apr 01, 2018  |  4 comments
At Stereophile, we don't generally allow Mulligans—review do-overs. Usually, we take a second look at a product we've reviewed only when the first sample turns out to have been defective, especially if it was damaged in shipping—and we rarely do even that.
Michael Fremer  |  Jan 11, 2022  |  First Published: May 01, 2018  |  36 comments
Peter Ledermann, founder and chief designer of Soundsmith, Inc., began his adventures in phono cartridges by reverse-engineering Bang & Olufsen's Moving Micro-Cross moving-iron cartridges for customers B&O had abandoned when it got out of the LP player business, and putting them into production. The B&O cartridges were of the direct plug-in variety; once they were no longer made, a worn or broken B&O cartridge would render a B&O turntable unusable.

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