News

Sort By: Post DateTitle Publish Date
Stereophile Staff  |  Jun 14, 2004  |  0 comments
"No company has done more to vigorously fly the audio tricolor as has Focal-JMlab," declares Paul Bolin, who visits the Focal factory and then reviews the Focal-JMlab Nova Utopia Be loudspeaker. PB adds, "One thing about the Utopia line has not changed: the exquisite level of finish." But what about the sound?
Stereophile Staff  |  Jun 21, 2004  |  0 comments
In his review of the Velodyne Digital Drive DD-18 powered subwoofer, Larry Greenhill comments, "When I've tested other 'breakthrough' subwoofers, I've been disappointed. All the convenient fine-tuning in the world won't matter if I end up with the same nasty old room modes and woofer bloat." But as LG discovers, the DD-18 is indeed different.
Stereophile Staff  |  Jun 28, 2004  |  0 comments
Brian Damkroger listens long and hard to the Primare D30.2 CD player noting, "Primare is reluctant to provide much technical detail about their designs, preferring to let their products do the talking." So after a little chatting, BD files his report.
Stereophile Staff  |  Jul 05, 2004  |  0 comments
We begin with a January 1993 article from Robert Harley called The Jitter Game. RH explains, "Clock jitter is a serious and underestimated source of sonic degradation in digital audio. Only recently has jitter begun to get the attention it deserves, both by high-end designers and audio academics."
Stereophile Staff  |  Jan 04, 1999  |  0 comments
There is practically nothing that has set high-end audio on its collective ear like the article Jonathan Scull wrote back in 1994 on room-tuning devices from Shun Mook. Not only did some readers dog-pile J-10, but two other Stereophile writers, Barry Willis and Sam Tellig, decided to take on the challenge. Required reading for anyone who wants to know more about The Shun Mook Affair.
Stereophile Staff  |  Jan 24, 1999  |  0 comments
Our first article this week is Illusions, Riddles, & Toys, in which Barry Willis explains what Zeno's paradox has to do with audio nirvana. "We audiofools face just such a riddle in our relentless pursuit of musical realism. I can hear you now: No, say it isn't so. Surely our technology is equal to the task. I'm sorry to tell you that it isn't, and probably never will be."
Stereophile Staff  |  Jan 31, 1999  |  0 comments
Our first new archive article this week is "Building a Library: The Grateful Dead," in which past AES chairperson Elizabeth Cohen reveals her thoughts about what the band has meant to a musical generation. Also included is a complete Dead discography, lots of lyrics, and a little history.
Stereophile Staff  |  Feb 21, 1999  |  0 comments
You think we've got format problems these days? Take a peek back to 1963, when J. Gordon Holt ripped apart the then-new record technology from RCA in "Down with Dynagroove". Next, Wes Phillips writes an ode to his own Mr. Holland in "A Passion for Music".
Stereophile Staff  |  Feb 28, 1999  |  0 comments
Newcomer Revel has been on a roll lately, piling up accolades all around for its new line of loudspeakers. Larry Greenhill takes a look at the recently unveiled Revel Salon and explains how it compares to the Sydney Opera House. "Did the Salon meet its design goals of timbral accuracy, low distortion, and lack of dynamic compression?" Read all about it in Greenhill's report.
Stereophile Staff  |  Mar 07, 1999  |  0 comments
Ethics and high-end audio have always been a tangled web---especially when it comes to deciding whether to purchase equipment from a helpful local dealer or trying to find the best price possible. In the web reprint of February 1999's "The Final Word," Stereophile's publisher emeritus, Larry Archibald, examines a recent high-end purchase of his own to shed a little light on the dilemma faced by the audiophile grinding for a great deal. Also included are some choice reader responses.
Jon Iverson  |  Mar 21, 1999  |  0 comments
A good reference work on a subject like audio can help speed the understanding of complicated terms and develop the reader's grasp of the hobby's more arcane reaches. Unfortunately, not all audio books serve the audiophile equally well. Read about one such mishap in Book Review: High Fidelity Audio/Video Systems: A Critical Guide for Owners.
Stereophile Staff  |  Apr 11, 1999  |  0 comments
A surreal event took place at the 1991 Audio Engineering Society Convention when loudspeaker cables were put on the witness stand. Robert Harley details the amazing event as it unfolded, along with many unexpected twists and turns, in "Audio McCarthyism."
Stereophile Staff  |  Apr 18, 1999  |  0 comments
Step all the way back to issue number one of Stereophile, in which Lucius Wordburger proffers some sage advice on How to Write an Ad. Learn about The Endorsement (hint: don't use Fidel Castro), The Calculated Omission, and The Junk Product.
Stereophile Staff  |  Apr 25, 1999  |  0 comments
We posted an update on Peter Belt and his activities earlier in the month, but the saga began many moons ago. If you're curious about where it all began, or just need to know more, then J. Gordon Holt's "L'Affaire Belt" is for you. Stranger than fiction? Guaranteed.
Stereophile Staff  |  May 09, 1999  |  0 comments
Strange but true: Stereophile editor John Atkinson once sold a tweak amplifier after being startled by not being able to identify it in a blind listening test. "Convinced by these results of the validity of the Consumer Reports philosophy, I consequently sold my exotic and expensive Lecson power amplifier, with which I had been very happy, and bought a much cheaper Quad 405---the biggest mistake of my audiophile career!" says JA of the experience.

Pages

X