T.H.E. Show 2019

I don’t know about you, but I find the design of Esoteric’s Grandioso series enclosures quite attractive. In Long Beach, they also sounded great. Paired with Von Schweikert Endeavor E-5 MKII Speakers ($40,000/pair), an entire SUV full of Grandioso gear (including multiple outboard power supplies) impressed as exceptionally lively, solid, and musical.

Please join me in giving a hearty shout out to newcomer Alaia Audio, whose exhibit proved that all is not parched in the state of Arizona.

An intriguing system from MK Audio LLC of Charlotte, NC, brought to the fore Arion Audio’s nearly full-range AMT line-array Apollo System loudspeaker ($24,900/pair). The Apollos, which were paired with active subwoofers, claim an astounding 105dB sensitivity—sensitive enough to work with Triode Labs' 2A3 3.5W vacuum tube amplifiers (no price supplied). At least I think I was hearing the 2A3s, because also in the rack were Arion Audio’s LS-500 hybrid Class D amplifiers ($6995/pair). Preamplification was the company’s LS-200 hybrid line-stage ($3995).

You’re going to need to indulge me a bit, because, due to some communication difficulties, I’m not totally confident of some prices and components in this room. If I understood correctly, the handmade-in-Japan, 1-bit Sparkler Audio S503 CD Player/Transport costs $1650, and the build-it-yourself EleKit TU-8600R integrated amplifier, also from Japan, goes for $1785.

When I entered my penultimate Scott Walker Audio room, Kevin Wolff of Bowers & Wilkins was playing outtakes from a 1989 recording by Branford Marsalis. The sound of Marsalis's sax was so distinctive and, to my ears, beautiful that I began to smile. (Trumpet was another instrument whose sound this system conveyed with perfection.) As Kevin segued into a 16/44.1 file of Thomas Dolby's "I Scare Myself," I scribbled in my notebook, "This is a system that reminds you of what the high end is all about."

Tonal beauty, clarity, and transparency were just some of the hallmarks of a system that, to my ears, was musical to a "T." (Should that be "M"?) I loved the warm yet neutral sound of a recording by Ana Caram—I detected no extra "tube-like" sweetness, for example—and the system's ability to present music with a quality I can best describe as "grace": not scientific, I know, but when the spirit moves you, the least you can do is acknowledge it.

Scott Walker Audio staked out its own mini-empire at the Hilton Long Beach, occupying six of the hotel's largest suites on the third floor. The first one I encountered revealed the inimitable Ted Denney of Synergistic Research staging a pretty ballsy demo. Ted set up two identical systems in adjacent rooms, both with a McIntosh C2600 tube preamp ($7500) and MC462 Amplifier ($9000), Elac Adante AF61 floorstanding speakers ($4995/pair), Bluesound Node 2i streamer ($500), and Solid Tech Rack ($2600). The difference was that one system took advantage of a Synergistic Research PowerCell 8 UEF SE power conditioner ($2995), new Synergistic Research entry-level Foundation interconnect and speaker cables plus UEF Blue power cords ($4000), and a host of various Synergistic Research room acoustic products ($6500), which in my experience are quite effective if nonetheless baffling to many.