Jason Victor Serinus  |  Sep 27, 2015  |  11 comments
With 147 exhibitor rooms, 60 active CanJam exhibitor booths, 40 lobby exhibitor spaces, and 380 exhibitor companies from 23 countries, Denver's annual Rocky Mountain Audio Fest ranks as the second-largest consumer audio show in North America. The three-day show opens to the public on Friday, October 2 at noon in its familiar Denver Marriott Tech Center location.
Jason Victor Serinus  |  Sep 19, 2015  |  4 comments
One look at Gig Harbor Audio's events for September makes you stop and wonder. This month, the store, located near the water in the picturesque town of Gig Harbor, WA less than an hour from Seattle, began the month with a live concert by homegrown band, Rokkerbox, which benefitted for the local food bank. Next on the schedule are a three-hour "Social Media Basics" workshop with Tiffany Burke (September 20), a weekly hour-long "Disc After Dark" all-ages listening party (September 22), and a PTSD Healing Summit (September 25). With not a single presentation by an industry heavyweight, and lots of events aimed at the wider community, this is not your typical schedule for a high-end emporium.
Jason Victor Serinus  |  Aug 23, 2015  |  0 comments
This year's three-day Capital Audio Fest (CAF) opens on August 28 in Rockville, MD, relatively close to the nation's capitol. In a new, unquestionably friendlier and eminently accessible location, the Hilton Rockville, the show promises, at press time, up to 39 active exhibit rooms, probably more than the 118 "officially listed" brands and exhibitors, and a potential 300+ products.
Jason Victor Serinus  |  Aug 20, 2015  |  11 comments
The California Audio Show may have been smaller than in years past, but its proportion of excellent sounding systems—6 out of 32 or so, if you count exhibit rooms that had more than one system in play—was quite high. For this reason alone, I believe the show offered great value for attendees. And it also offered some great views of San Francisco International Airport, as this shot, taken through my 7th-story hotel window, attests.

Here is the word on show attendance from show organizer, Constantine Soo: The final number is 2300 attendees.

Jason Victor Serinus  |  Aug 20, 2015  |  3 comments
It's a rare day when famed amplifier designer Nelson Pass leaves his bench to deliver a seminar. It's even rarer when that seminar is geared toward consumers rather than what he calls "specialists." In fact, at the start of his talk, Nelson confessed that after almost 50 years building amplifiers, his CAS seminar was his first ever tailored specifically toward consumers.
Jason Victor Serinus  |  Aug 19, 2015  |  12 comments
Yes, boys and girls, there was yet one more distinctly superior system at CAS6. In addition to Bricasti, Elac/Audio Alchemy, and the two systems from AudioVision SF that included a varying combination of Dynaudio/YG Acoustics/Bel Canto Black/Pear Audio/Nordost and more, Michael Woods' Elite Audio Systems of San Francisco Kharma/CH Precision/Viola/Spiral Groove/ Primare/IsoTek and more system blew me away. Adding to his triumph is the fact that, on Thursday evening, a frustrated Michael (pictured on the right next to Kevin Wolff of Vana Ltd. and, on the left, Allen Perkins of Spiral Groove) had told me that he was having a near-impossible time controlling the room.
Jason Victor Serinus  |  Aug 19, 2015  |  0 comments
How to explain this one? At other shows, the most problematic rooms for an exhibitor to control are usually the large rooms on the ground level, where a combination of air walls, air-conditioning ducts, wall composition, and secrets pacts between the Devil and the Deep Blue Sea (which, in this case, was literally across the street from the Westin SFO) can defeat any and all attempts at good sound. But at both the California Audio Show and the last T.H.E. Show Newport Beach, most of the big rooms on the ground floor produced excellent sound.
Jason Victor Serinus  |  Aug 18, 2015  |  11 comments
Sunday, for Stereophile, began in the larger rooms on the 2nd floor of the Westin SFO. In the first I visited, Pass Labs mated its INT-60 integrated amplifier ($9000) and XP-15 phono preamp ($3800) with an SP10 Mk.II turntable fitted with a My Sonic Lab Hyper Eminent cartridge, Oppo BDP-105, YG Carmel 2 loudspeakers ($26,300/pair), and a mixture of ART, Sound Source, homemade, and stock power cables. Pass Labs' signature midrange was gorgeous, and the sense of air supreme.
Jason Victor Serinus  |  Aug 17, 2015  |  2 comments
I wish I could tell you about the Linn system in this room, but both times I tried to enter, Steven Lester was in the middle of a long rap. Lester's video components always provide some of the most fun and unexpected treats at a show, and usually result in packed rooms. That was certainly the case the first time I came by.
Jason Victor Serinus  |  Aug 17, 2015  |  1 comments
Mexico's most distinguished audio manufacturer, Margules Audio, demmed a system at CAS6 headlined by the Margules U280-SC 25th-Anniversary, stereo tube amplifier ($5399). The midrange was warm and wonderful—just what the doctor ordered, in fact. Despite a little brightness on top, and a bit of shallowness on bottom, the set-up was supremely musical and capable of conveying joyful, delicate beauty with panache. That, my friends, means a whole lot in my book.

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